George Lamming – författare

'They won't know you, the you that's hidden somewhere in the castle of your skin'Nine-year-old G. leads a life of quiet mischief crab catching, teasing preachers and playing among the pumpkin vines. His sleepy fishing village in 1930s Barbados is overseen by the English landlord who lives on the hill, just as their 'Little England' is watched over by the Mother Country. Yet gradually, G. finds himself awakening to the violence and injustice that lurk beneath the apparent order of things. As the world he knows begins to crumble, revealing the bruising secret at its heart, he is spurred ever closer to a life-changing decision. Lyrical and unsettling, George Lamming's autobiographical coming-of-age novel is a story of tragic innocence amid the collapse of colonial rule.'Rich and riotous' The Times'Its poetic imaginative writing has never been surpassed' Tribune

A profound exploration of colonialism, from one of the Caribbean’s most powerful literary voices‘A novel which adds a new dimension to contemporary fiction ... Natives of My Person is above all the story of a voyage … a voyage which as in The Odyssey and Moby Dick penetrates into the very depths of a civilization’ C. L. R. JamesIn the age of empire, the good ship Reconnaissance sets sail under its murderous Commandant. Yet this is no ordinary expedition for gold and plunder. It is a mission to create a new world in the virgin territories of San Cristobal, a fabled island shrouded in myth and promise. As the perilous voyage unfolds, however, it becomes a mirror of the colonial mind: avaricious, brutish, haunted by death and madness.With poetic intensity and philosophical depth, this is a novel that journeys far beyond the seas it charts. Through shifting perspectives and a richly layered narrative, Lamming unearths the deep scars of conquest and the personal and political dimensions of empire – its delusions, its violence, and the haunting legacy it leaves behind.‘One of the great political novels in modern “colonial” literature’ Ngugi wa Thiong’o

In The Pleasures of Exile, as in his other works, George Lamming embraces the intricate issues of colonization and decolonization with a canny combination of playfulness and seriousness, irony and commitment. “[It] is a reciprocal process,” Lamming observes, “to be a colonial is to be a man in a certain relation; and this relation is an example of exile.”Through a series of interrelated essays, The Pleasures of Exile explores the cultural politics and relationships created in the crucible of colonization. Drawing on Shakespeare’s The Tempest and C. L. R. James’s The Black Jacobins, as well as his own fiction and poetry, Lamming deftly locates the reader in a specific intellectual and cultural domain while conjuring a rich and varied spectrum of physical, intellectual, psychological, and cultural responses to colonialism. “My subject,” he writes, “is the migration of the West Indian writer, as colonial and exile, from his native kingdom, once inhabited by Caliban, to the tempestuous island of Prospero’s and his language. This book is a report on one man’s way of seeing.”

An autobiographical novel of race and class by one of the leading Black writers of the 20th century

The Emigrants is an elaborately conceived novel, dense with dynamic characters and evocative details. First published in 1954, it focuses initially on the emigrant journey, then on the settling-in process. The journey by sea and subsequent attempts at resettlement provide the fictional framework for Lamming's exploration of the alienation and displacement caused by colonialism.This is the epic journey of a group of West Indians who emigrate to Great Britain in the 1950s in search of educational opportunities unattainable at home. Seeking to redefine themselves in the "mother country," an idealized landscape that they have been taught to revere, the emigrants settle uncomfortably in England's industrial cities. Within two years, ghettoization is firmly in place. The emigrants discover the meaning of their marginality in the British Empire in an environment that is unexpectedly hostile and strange. For some, alienation prompts a new sense of community, a new sense of identity as West Indians. For others, alienation leads to a crisis of confrontation with the law and fugitive status.There is a wealth of information here about the genesis of the black British community and about the cultural differences between the black British and West Indian/Caribbean.

'Migration in the 50s and 60s was formative for a whole generation of Caribbean writers, artists and intellectuals who, as Lamming himself says, became 'West Indian' in London. The Pleasures of Exile is simply the most poignant, eloquent, insightful and poetic set of reflections on that experience.'Stuart Hall'The passing of more than 40 years hasn't dulled the sheer brazen confidence with which George Lamming brought a West Indian way of seeing to British life and literature.'Peter Hulme'George Lamming is one of the most important writers in the African diaspora, and one whose work has touched illuminatingly on significant aspects of colonialism, postcolonialism, and other matters vitally important to our comprehension of the worlds in which we live.' Michael AwkwardGeorge Lamming is one of the major figures in late twentieth century literature: his novels -- including In the Castle of My Skin (1953) -- were part of the social, cultural, and political revolution of modern Black writing.The Pleasures of Exile, originally published in 1960, is Lamming's first work of non-fiction. Written during his self-imposed exile in Britain, it explores themes of identity formation. Incorporating memoirs of his own experience, Lamming draws upon Shakespeare's The Tempest and CLR James's The Black Jacobins, as well as his own fiction and poetry. He conjures a rich spectrum of physical, intellectual, psychological and cultural responses to colonialism. This new edition, with a new preface and introduction, reveals a writer far ahead of his time: written before the term 'post-colonial' was invented, the book explores issues that are central to studies of literature today, including the politics of migration, cultural hybridity and minority discourse.