George Mackay Brown – författare

Set in the Orkneys on the fictitious island of Norday, a young poet daydreams the history of the island and its people. He travels back in time to Viking adventures at the court of the Byzantine Emperor in Constantinople. Part of the 1995 Scottish Book Fortnight promotion.

Vinland, George Mackay Brown’s fourth novel, follows the turbulent life of Ranald Sigmunson, a young boy born into the Dark Ages, when Orkney was torn between its Viking past and its Christian future. Lore and legend, the elemental pull of the sea and the land, the sweetness of the early religion and the darker, more ancient rites, weave through this exquisite celebration of Orcadian history and the inexorable seasons of life.

When the shopkeeper gives Jenny a skinny, black kitten she has no idea who she has adopted. Fankle is no ordinary cat. The fiercely clever feline has lived six lives so far: lives of adventure, danger, fortune and poverty. He's stared down angry pirates, started a blood feud, won a war, advised an empress and leapt onto the moon.Fankle tells Jenny tales of his former lives -- with the king of pirates, in ancient Egypt and even with the Empress of China. So what is he doing living in a crofter's cottage in Orkney?This classic novel by George Mackay Brown is a rich and rewarding read for adults and children alike.

WITH A NEW FOREWORD BY AMY LIPTROTSHORTLISTED FOR THE BOOKER PRIZE 1994WINNER OF THE SALTIRE SOCIETY LITERARY AWARD 1994'Intimate, humorous, effortlessly combining the strands of history and folklore, the past and the present, this is a deceptively simple book, like a tale told to a child. But its echoes sound on unforgettably. A whole universe is created from a grain of Orkney sand' IndependentIn this novel set on the fictitious island of Norday in the Orkneys, George Mackay Brown beckons us into the imaginary world of the young Thorfinn Ragnarson, the son of a crofter. In his day-dreams he relives the history of this island people, travelling back in time to join Viking adventurers at the court of the Byzantine Emperor in Constantinople, then accompanying a Falstaffian knight to the battle of Bannockburn.Thorfinn wakes to the twentieth century and a community whose way of life, steeped in legend and tradition, has remained unchanged for centuries. But as the boy grows up - and falls in love with a vivacious and mysterious stranger - the transforming effect of modern civilization brings momentous and irreversible changes to the island. During the Second World War Thorfinn finds himself in a German prisoner-of-war camp, and it is here that he discovers his gifts as a writer.Long afterwards he returns, now a successful novelist, to a deserted and battle-scarred island. Searching for the peace and freedom of mind he had in abundance as a child, he finds instead something he didn't even know he was looking for.George Mackay Brown intertwines myth and reality to create a novel of deceptive simplicity. The story of Thorfinn and the island of Norday is a universal and profound one, rooted in the timeless landscape of the Orkneys, the inspiration of all his writing.

First published in 1969, An Orkney Tapestry, George Mackay Brown's seminal work, is a unique look at Orkney through the eye of a poet. Originally commissioned by his publisher as an introduction to the Orkney Islands, Brown approached the writing from a unique perspective and went on to produce a rich fusion of ballad, folk tale, short story, drama and environmental writing. The book, written at an early stage in the author’s career, explores themes that appear in his later work and was a landmark in Brown’s development as a writer. Above all, it is a celebration of Orkney's people, language and history. This edition reproduces Sylvia Wishart’s beautiful illustrations, commissioned for the original hardback.Made available again for the first time in over 40 years, this new edition sits alongside Nan Shepherd’s The Living Mountain as an important precursor of environmental writing by the likes of Kathleen Jamie, Robert Macfarlane, Malachy Tallack and, most recently, Amy Liptrot.

First published in 1973 by the Hogarth Press, Magnus is George Mackay Brown’s tour de force – his most poetic and innovative book. He links the twelfth-century story of the saintly Earl Magnus of Orkney’s brutal murder at the hands of his cousin Hakon Paulson, to that of the philosopher Dietrich Bonhoeffer, murdered by the Nazis during World War II.This is a unique exploration of the eternal questions of guilt, goodness and personal sacrifice.

Bestowed at birth with two gifts, an ivory flute and a bag of silver and gold coins, a young girl wanders through time.She is destined to pursue the dragon of war and before he consumes the world in flames, subdue him not with violence but music. Moving across the battlefields from East to West, the girl bears witness to the suffering and brutality of war throughout history ...

Vinland follows the turbulent life of Ranald Sigmundson, a young boy born into the Dark Ages when Orkney was torn between its Viking past and its Christian future. Struggling to understand the conflicts of his home, Ranald seeks adventure and knowledge across the seas, his journeys taking him as far as Norway, Iceland and Ireland. Through Ranald’s story, many elements of early mediaeval life – of seamanship, marriage customs, beliefs and traditions – are brought vibrantly to life, and the traditional poetry interwoven through the prose adds a richness and poignancy to the tales he tells. In Vinland, Mackay Brown’s fourth novel, lore and legend, the elementary pull of the sea and the land, the sweetness of the early religion and the darker, more ancient rites, create an exquisite celebration of Orcadian history.

Thorfinn Ragnarson is the daydreaming son of a tenant farmer, avoiding both work and school despite the best efforts of family, friends and neighbours. Instead, the boy dreams up elaborate historical fantasies of himself as a Viking traveller, a freedom-fighter for Bonnie Prince Charlie and the colleague of a Falstaffian knight who participates in the Battle of Bannockburn.He is then hurled into the future as Thor, who returns to the Orkneys as an adult and recalls his internment in a German POW camp, where he discovered his writing skills. Thor also reflects on the history of Orkney, the links between dreaming and writing and the whims of fate. In this beautiful and haunting novel, Brown’s lyrical descriptions and gift for local colour capture, as ever, the myth-drenched magic of his native islands.

George’s memory is inseparable from Orkney, where he was born the youngest child of a poor family and which he rarely left. His mother was a beautiful woman who spoke only Gaelic and his father was a wit, mimic and singer, who also doubled as postman and tailor. Tuberculosis framed George’s early life and kept him in a kind of limbo. He discovered alcohol which gave him insights into the workings of the mind. While attending the University of Edinburgh he came into contact with Goodsir Smith, MacDiarmid and Norman MacCaig – and Stella Cartwright with whom perhaps all of them were in love.By the time of his death in 1996 he was recognised as one of the great writers of his time and country.

In this new Selected Poems, Kathleen Jamie explores the multi-faceted world of George Mackay Brown’s Orkney, the poet’s lifelong home and inspiration. George Mackay Brown’s concerns were the ancestral world, the communalities of work, the fables and religious stories which he saw as underpinning mortal lives. Brown believed from the outset that poets had a social role and his true task was to fulfil that role. This is not the attitude of a shrinking violet, tentatively exploring his ‘voice’. Art was sprung from the community, and his role as poet to know that community, to sing its stories. But there was also room for introspection; the poet’s task was simultaneously to 'interrogate silence'.

George Mackay Brown was a master of the short story form and produced a steady stream of short fiction collections, starting with A Calendar of Love (1967) and include A Time to Keep (1969) and Hawkfall (1974), as well as his poetry collections and novels. In this selection, edited and introduced by Malachy Tallack, we explore the author’s Orkney and the ups and downs of the crofters and fishermen there. These magical stories, drawn from ancient lore and modern life, strip life down to the essentials.

This collection of stories demonstrates the full range of George Mackay Brown's literary talent. All of these sharply-etched fables deal with his perennial themes - love, violence, death and rebirth - and are set in an Orcadian world that spans myth and reality, past and present.