Georgia Giannakopoulou – författare

This book explores the thought of – and is dedicated to – David Frisby, one of the leading sociologists of the late twentieth and early twenty-first centuries. Presenting original examinations of his unique social theory and underlining his interdisciplinary approach to the critical interpretation of modern metropolitan society and culture, it emphasises Frisby’s legacy in highlighting the role of the social researcher as a collector, reader, observer, detective and archivist of the phenomena and ideas that exemplify the modern metropolis as society. With contributions from sociologists, cultural theorists, historians of the city, urban geographers and designers, and architectural historians and theorists, The Detective of Modernity constitutes a wide-ranging engagement with Frisby’s profound legacy in social and cultural theory.

This book explores the thought of – and is dedicated to – David Frisby, one of the leading sociologists of the late twentieth and early twenty-first centuries. Presenting original examinations of his unique social theory and underlining his interdisciplinary approach to the critical interpretation of modern metropolitan society and culture, it emphasises Frisby’s legacy in highlighting the role of the social researcher as a collector, reader, observer, detective and archivist of the phenomena and ideas that exemplify the modern metropolis as society. With contributions from sociologists, cultural theorists, historians of the city, urban geographers and designers, and architectural historians and theorists, The Detective of Modernity constitutes a wide-ranging engagement with Frisby’s profound legacy in social and cultural theory.

This book considers post-19th-century Athens as a unique instance of a secret side of metropolitan capitalism. With a focus on modern antiquity as the hidden element of the dialectic between the past and the present, it suggests that the sociological study of one of the great European capital cities – a city not intended as a modern capital – and its architectural representations may expose part of the veiled processes of the reconstruction of the past, thus shedding light on the abuse of antiquity for the celebration of European capitalist metropolitan modernity. From the "glorious" white-marble cityscape of the 19th century that aimed at "re-enchanting" metropolitan modernity, to the inglorious grey reinforced-concrete 21st-century metropolis, modern Athens exposes the battle between the modern and a modern image of antiquity: a false, socially constructed historiography born of the dialectics between the ancient and the modern, the new and the old, collective memory and collective forgetting. As such, The Building of a Modern Antiquity will appeal to scholars of sociology with interests in social and critical theory, urban studies, sociology of architecture, and visual sociology.