Georgina Harding – författare

SHORTLISTED FOR THE ORANGE PRIZE FOR FICTION 2012Iasi, Romania, the early 1950s. A nameless man is found on the steps of a hospital. Deaf and mute, he is unable to communicate until a young nurse called Safta brings paper and pencils with which he can draw. Slowly, painstakingly, memories appear on the page. The memories are Safta's also. For the man is Augustin, son of the cook at the manor house which was Safta's family home. Born six months apart, they grew up with a connection that bypassed words. But while Augustin's world remained the same size Safta's expanded to embrace languages, society - and a fleeting love, one long, hot summer.But then came war, and in its wake a brutal Stalinist regime, and nothing would remain the same.

A beautiful, powerful and utterly devastating novel from Orange-prize shortlisted author Georgina Harding'Georgina Harding’s novel is the finely tuned work of a writer exceptionally at ease with her craft and a testament to the power and poetry of clean and disciplined prose' GuardianThe memory of war will stay with a man longer than anything else. Dawn, mist clearing over rice fields, a burning Vietnamese village, and a young photographer takes the shot that might make his career. The image, of a staring soldier in the midst of mayhem, will become one of the great photographs of the war. But what Jonathan has seen in that village is more than he can bear... He flees to Japan, to lose himself in the vastness of Tokyo, and to take different kinds of pictures: of streets and crowds and cherry blossom – and of a girl with whom he is no longer lost. Yet even here his history will catch up with him: that photograph and his responsibility in taking it; his responsibility as a witness to war, and to other events buried deep in his past.The first in Harding’s cycle of acclaimed novels on themes of witness, memory and silence, The Gun Room is beautiful, powerful and utterly devastating.

A SUNDAY TIMES, NEW STATESMAN AND SPECTATOR BOOK OF THE YEAR'Vivid, illuminating and unbearably tense ... A masterly meditation on trauma, on beauty, on the idea of home and the limits of love' GuardianCharlie’s experiences at the Battle of Kohima and the months he spent lost in the remote jungles of Nagaland during the Second World War are now history. Home and settled on a farm in Norfolk and newly married to Claire, he is one of the lucky survivors. Starting a family and working the land seem the best things a man can be doing. But a chasm exists between them. Memories flood Charlie’s mind; at night, on rain-slicked roads and misty mornings in the fields, the past can feel more real than the present. Though hidden even to himself, the darkest secrets of Charlie’s adventures in the strange and shadowy ridges of the Nagaland mountains, his dream-like encounters with the mysterious and ancient tribesmen, leak and bleed through his consciousness. What should be said and what left unsaid? Is it possible to forge a new life in the wake of unfathomable horror? A compelling addition to Harding’s cycle of acclaimed novels on themes of witness, memory and silence, Land of the Living questions the very nature of survival, and what it is that the living owe the dead.

‘I would compare her to writers like Helen Dunmore, Elizabeth Strout, Jon McGregor’ BBC Radio 4‘Harding achieves a weighty sense of silence and things not said in this unsettling book about the aftershocks of trauma and the burdens of bearing witness’ Sunday Times'A masterly achievement, illuminating with wisdom and compassion the darkest corners of the human heart' GuardianA farm in Norfolk in the 1970s. A Japanese girl comes to visit her English lover in the house where he was born. She arrives on a day of perfect summer, stands with his mother in a garden filled with roses, watches as his brother walks fields of ripening wheat.But between the two brothers lies the shadow of their father’s violent death almost twenty years before, the unresolved narrative of their childhood – a story that has gone untold, a story that began in the last war. In the presence of the girl, the old trauma begins to surface as the work of the harvest begins.‘Taut and unsettling ... A fine meditation on war’s long reach’ Mail on Sunday

August, 1616. The whaling ship Heartsease has ventured high into the Arctic, but now must begin the long journey home. Only one man stays behind: Thomas Cave makes a wager to remain here, alone, until the next season. No man has yet been known to survive a winter this far north. As the light recedes and the ice begins to close in, Cave pits himself against blizzards, avalanches, bears - and his own demons. For in this wilderness that is without human history his past returns to him: the woman he had loved, the grief that drove him to the ice.