Georgina Muskett – författare

The Archaeology Hotspots series offers reader-friendly and engaging narratives of the archaeology in particular countries. Written by archaeological experts with a general reader in mind, each book in the series focuses on what has been found and by whom, what the controversies and scandals have been, ongoing projects, and how it all fits into a broader view of the history of the country.In Archaeology Hotspot France, Georgina Muskett provides insight into the vibrant and varied collection of archaeological sites and monuments in France. From the presence of the first humans to the royal dynasty of the Merovingians, this book takes readers into the histories, mysteries, and scandals of these illustrious sites, as well as covering the latest discoveries, early pioneers, and the innovations for which French archaeology is famous. The stunning cave art of Lascaux, the engineering excellence of the Pont-du-Gard and the amphora-laden shipwreck at Madrague de Giens are among the wealth of archaeological sites to be discovered.

The Archaeology Hotspots series offers reader-friendly and engaging narratives of the archaeology in particular countries. Written by archaeological experts with a general reader in mind, each book in the series focuses on what has been found and by whom, what the controversies and scandals have been, ongoing projects, and how it all fits into a broader view of the history of the country.In Archaeology Hotspot France, Georgina Muskett provides insight into the vibrant and varied collection of archaeological sites and monuments in France. From the presence of the first humans to the royal dynasty of the Merovingians, this book takes readers into the histories, mysteries, and scandals of these illustrious sites, as well as covering the latest discoveries, early pioneers, and the innovations for which French archaeology is famous. The stunning cave art of Lascaux, the engineering excellence of the Pont-du-Gard and the amphora-laden shipwreck at Madrague de Giens are among the wealth of archaeological sites to be discovered.

One of the finest collections of Etruscan artifacts outside of Italy was begun in the 19th century by Joseph Mayer, goldsmith, of Liverpool. His donation of the collection became the core of Liverpool Museum, now World Museum, and has been augmented over the years by additional gifts and other acquisitions, such as those from the Wellcome Collection and Norwich Castle Museum. Much of the original material came from the necropolis of Vulci (Canino) when it was excavated by Lucien Bonaparte, Prince of Canino, while additional objects represent several other cities and sites. Already famous for its gold jewelry and bronze vessels of the 6th to the 4th centuries BCE, the Liverpool collection includes a fine selection of Etruscan vases, especially bucchero ware and Archaic painted vases, several scarab seals in semiprecious stones, a small number of carved ivories, and funerary urns, including that of Larui Helesa, in which were found gold earrings identical to those worn by her colorful effigy on its lid. A large group of bronze fibulae (safety-pins) furnish examples of most major types of these important ornaments of the Iron Age and Archaic periods. Engraved bronze mirrors and terracotta votives in the form of heads and body parts (such as uteri) of the 4th and 3rd centuries BCE illustrate myths and offerings that were essential to Etruscan religion. From a Villanovan sword to Hellenistic epitaphs, the Liverpool Etruscan and Italic collection offers a rare glimpse of early civilization in central Italy.

One of the finest collections of Etruscan artifacts outside of Italy was begun in the 19th century by Joseph Mayer, goldsmith, of Liverpool. His donation of the collection became the core of Liverpool Museum, now World Museum, and has been augmented over the years by additional gifts and other acquisitions, such as those from the Wellcome Collection and Norwich Castle Museum. Much of the original material came from the necropolis of Vulci (Canino) when it was excavated by Lucien Bonaparte, Prince of Canino, while additional objects represent several other cities and sites. Already famous for its gold jewelry and bronze vessels of the 6th to the 4th centuries BCE, the Liverpool collection includes a fine selection of Etruscan vases, especially bucchero ware and Archaic painted vases, several scarab seals in semiprecious stones, a small number of carved ivories, and funerary urns, including that of Larui Helesa, in which were found gold earrings identical to those worn by her colorful effigy on its lid. A large group of bronze fibulae (safety-pins) furnish examples of most major types of these important ornaments of the Iron Age and Archaic periods. Engraved bronze mirrors and terracotta votives in the form of heads and body parts (such as uteri) of the 4th and 3rd centuries BCE illustrate myths and offerings that were essential to Etruscan religion. From a Villanovan sword to Hellenistic epitaphs, the Liverpool Etruscan and Italic collection offers a rare glimpse of early civilization in central Italy.