Georgios Chatzelis – författare

This book studies the Sylloge Tacticorum, an important tenth-century Byzantine military manual. The text is used as a case study to connect military manuals with the challenges that Byzantium faced in its wars with the Arabs, but also with other aspects of Byzantine society such as education, politics, and conventions in the productions of literary texts and historical narratives.

The book explores when the Sylloge was written and by whom. It identifies which passages from classical or earlier works were incorporated in the Sylloge and explains the reason why Byzantines imitated works of the past. The book then studies the extent to which the Sylloge was original and how innovation and originality were received in Byzantine society. Despite the imitation, the author of the Sylloge adapted and updated his material to reflect the current operational needs as well as the ideological, cultural and religious context of his time. Finally, the book attempts to estimate the extent to which Byzantine generals followed the advice of military manuals, and to explore whether historical narratives can be safely used to draw information as to how the Byzantines and the Arabs fought.

Therefore, along with a detailed study of the Sylloge Tacticorum, this monograph also addresses broader issues of the pen and the sword such as military manuals in connection with Byzantine warfare, politics, literature, historiography and education.

This book studies the Sylloge Tacticorum, an important tenth-century Byzantine military manual. The text is used as a case study to connect military manuals with the challenges that Byzantium faced in its wars with the Arabs, but also with other aspects of Byzantine society such as education, politics, and conventions in the productions of literary texts and historical narratives.

The book explores when the Sylloge was written and by whom. It identifies which passages from classical or earlier works were incorporated in the Sylloge and explains the reason why Byzantines imitated works of the past. The book then studies the extent to which the Sylloge was original and how innovation and originality were received in Byzantine society. Despite the imitation, the author of the Sylloge adapted and updated his material to reflect the current operational needs as well as the ideological, cultural and religious context of his time. Finally, the book attempts to estimate the extent to which Byzantine generals followed the advice of military manuals, and to explore whether historical narratives can be safely used to draw information as to how the Byzantines and the Arabs fought.

Therefore, along with a detailed study of the Sylloge Tacticorum, this monograph also addresses broader issues of the pen and the sword such as military manuals in connection with Byzantine warfare, politics, literature, historiography and education.

The Christian, Greek-speaking Byzantine empire was placed rather uneasily between western Christendom and the Islamic world during the Crusade era. Like all historical topics – particularly medieval – sources on the crusades give a variety of perspectives and accounts, but Byzantine writers provide a unique outlook on these crucial events.

Byzantine Sources for the Crusades, 1095–1204 brings together important sources on the Crusades into one volume. The texts translated here include established accounts, such as selections from Anna Komnene’s description of the passage of the First Crusade in 1096–8, John Kinnamos'' writings on the Second Crusade and Niketas Choniates’ studies on the Second and Third Crusades, particularly covering the passage of German emperor Frederick I Barbarossa during the latter. However, less well-known accounts are also translated and provided, such as Zonaras'' and the contemporary letters of the archbishop of Ohrid during the First Crusade, various poems and speeches recorded throughout the reigns of John II and Manuel I Komnenos and smaller accounts about crusaders passing through the Byzantine Empire.

This book covers up to the Fourth Crusade, in which Niketas Choniates was an eye-witness to the Siege of Constantinople in 1204 and later a refugee in Nicaea, writing a series of speeches about the capture of the Byzantine capital and rallying the Byzantines to recovery the city from the newly created Latin Empire.

This book will appeal to scholars and students alike studying the era of the Crusades in the East and the perspectives and accounts of Byzantine writers both at the time and after, as well as all those interested in the history of the Byzantine Empire in the 11th, 12th, and 13th centuries.

The Christian, Greek-speaking Byzantine empire was placed rather uneasily between western Christendom and the Islamic world during the Crusade era. Like all historical topics – particularly medieval – sources on the crusades give a variety of perspectives and accounts, but Byzantine writers provide a unique outlook on these crucial events.

Byzantine Sources for the Crusades, 1095–1204 brings together important sources on the Crusades into one volume. The texts translated here include established accounts, such as selections from Anna Komnene’s description of the passage of the First Crusade in 1096–8, John Kinnamos'' writings on the Second Crusade and Niketas Choniates’ studies on the Second and Third Crusades, particularly covering the passage of German emperor Frederick I Barbarossa during the latter. However, less well-known accounts are also translated and provided, such as Zonaras'' and the contemporary letters of the archbishop of Ohrid during the First Crusade, various poems and speeches recorded throughout the reigns of John II and Manuel I Komnenos and smaller accounts about crusaders passing through the Byzantine Empire.

This book covers up to the Fourth Crusade, in which Niketas Choniates was an eye-witness to the Siege of Constantinople in 1204 and later a refugee in Nicaea, writing a series of speeches about the capture of the Byzantine capital and rallying the Byzantines to recovery the city from the newly created Latin Empire.

This book will appeal to scholars and students alike studying the era of the Crusades in the East and the perspectives and accounts of Byzantine writers both at the time and after, as well as all those interested in the history of the Byzantine Empire in the 11th, 12th, and 13th centuries.

The Sylloge Tacticorum is a mid-Byzantine example of the literary genre of military manuals or Taktika which stretches back to antiquity. It was one of a number produced during the tenth century CE, a period when the Byzantine empire enjoyed a large measure of success in its wars against its traditional enemy, the Arabs. Compiled to record and preserve military strategies, know-how, and tactics, the manual discusses a wide variety of matters: battle formations, raids, sieges, ambushes, surprise attacks, the treatment of prisoners of war and defectors, distribution of booty, punishment of military offences, how to mount effective espionage, and how to send and receive envoys. There is even advice on the personal qualities required by generals, on how to neutralize enemy horses, and on how to protect the troops against poisoned food. The work culminates in an account of the stratagems employed by great Greek and Roman military commanders of the past. While, like so much of Byzantine literature, the Sylloge often simply reproduces material found in earlier texts, it also preserves a great deal of information about the military tactics being developed by the Byzantine army during the tenth century. It is the first Byzantine source to record the reappearance of a specialized heavy cavalry (the kataphraktoi) and of a specialized infantry (the menavlatoi) used to repel the attacks of the opposing heavy cavalry. There is also a great deal of information on new infantry and cavalry formations and on the new tactics that required them.

This is the first complete translation of the Sylloge into English. It is accompanied by a glossary of the specialised Greek military vocabulary used in the work and by footnotes which explain obscure references and identify the author’s classical and Byzantine sources. An introduction places the work in its historical and literary context and considers some of the questions that have remained unanswered over the centuries, such as its authorship and the date of its composition.

The Sylloge Tacticorum is a mid-Byzantine example of the literary genre of military manuals or Taktika which stretches back to antiquity. It was one of a number produced during the tenth century CE, a period when the Byzantine empire enjoyed a large measure of success in its wars against its traditional enemy, the Arabs. Compiled to record and preserve military strategies, know-how, and tactics, the manual discusses a wide variety of matters: battle formations, raids, sieges, ambushes, surprise attacks, the treatment of prisoners of war and defectors, distribution of booty, punishment of military offences, how to mount effective espionage, and how to send and receive envoys. There is even advice on the personal qualities required by generals, on how to neutralize enemy horses, and on how to protect the troops against poisoned food. The work culminates in an account of the stratagems employed by great Greek and Roman military commanders of the past. While, like so much of Byzantine literature, the Sylloge often simply reproduces material found in earlier texts, it also preserves a great deal of information about the military tactics being developed by the Byzantine army during the tenth century. It is the first Byzantine source to record the reappearance of a specialized heavy cavalry (the kataphraktoi) and of a specialized infantry (the menavlatoi) used to repel the attacks of the opposing heavy cavalry. There is also a great deal of information on new infantry and cavalry formations and on the new tactics that required them.

This is the first complete translation of the Sylloge into English. It is accompanied by a glossary of the specialised Greek military vocabulary used in the work and by footnotes which explain obscure references and identify the author’s classical and Byzantine sources. An introduction places the work in its historical and literary context and considers some of the questions that have remained unanswered over the centuries, such as its authorship and the date of its composition.