Gerald Hammond – författare

In celebration of the 400th anniversary of the King James Bible, these long-awaited volumes bring together succinct introductions to each biblical book, detailed explanatory annotations, and a wealth of contextual and critical materials. Archaic words are explained, textual problems are lucidly discussed, and stylistic features of the original texts are highlighted.For the New Testament and the Apocrypha, the introductions and annotations by Austin Busch and Gerald Hammond provide necessary historical and cultural background, while illuminating the complexity of the original texts. Supporting materials are divided into five sections. “Historical Contexts” excerpts Greek, Roman, and Jewish sources, such as Josephus, Philo, Tacitus, Pliny, and the Dead Sea Scrolls. Selections from Papias, Marcion, and Valentinus, among others, provide insight into the diversity of early Christianity. “Exegesis” explores classic New Testament commentary from Origen and Augustine to Strauss, Nietzsche, Wrede, and Schweitzer, who focus on the Gospels’ vexing relationship to history. Essays by contemporary scholars and critics complete the section by exemplifying a range of interdisciplinary approaches to New Testament literature.The New Testament’s powerful language and images have inspired some of the finest poems in the English language. This volume collects a wide selection of lyric poems, hymns and spirituals, and epics, from the Dream of the Rood to works by Countee Cullen, Elizabeth Bishop, and Anthony Hecht. Case studies designed to stimulate classroom discussion trace the development of Pontius Pilate as a character in post-biblical literature, follow the centuries-long exegetical debate about Romans 7, and survey competing hermeneutical approaches to Revelation. A final section samples fifteen translations of 1 Corinthians 13, from Wycliffe to contemporary versions.

This book presents a collection of works of John Skelton, the first great modern English poet, who wrote in a vigorous vernacular, taking literary English out of the medieval world and enriching it with new forms and tones. It provides notes and glossary illuminating Skelton''s works for the reader.

This book presents a collection of works of John Skelton, the first great modern English poet, who wrote in a vigorous vernacular, taking literary English out of the medieval world and enriching it with new forms and tones. It provides notes and glossary illuminating Skelton''s works for the reader.

In dictionary form but offering much more than dictionary definitions, The Language of Horse Racing presents a guide to the history, development and usage of words and phrases employed on the racecourse, by those who train and look after horses, those who ride them, and those who lose their money betting on them. Here the reader will discover exactly what the distance is, and why it is so called; what the cap was in handicap; what relation the wild goose chase had to the steeple-chase; what is dead about a dead heat; and what the differences are between getting in, getting on, getting out and getting up. The Language of Horse Racing also reveals the language of the racecourse, including the bizarre vocabulary of betting, from the betting boots that early bookies put on, to the faces, heads, sharks and sharps who feed off the buzz and whisper that go round the ring.

In dictionary form but offering much more than dictionary definitions, The Language of Horse Racing presents a guide to the history, development and usage of words and phrases employed on the racecourse, by those who train and look after horses, those who ride them, and those who lose their money betting on them. Here the reader will discover exactly what the distance is, and why it is so called; what the cap was in handicap; what relation the wild goose chase had to the steeple-chase; what is dead about a dead heat; and what the differences are between getting in, getting on, getting out and getting up. The Language of Horse Racing also reveals the language of the racecourse, including the bizarre vocabulary of betting, from the betting boots that early bookies put on, to the faces, heads, sharks and sharps who feed off the buzz and whisper that go round the ring.

This is a Bloomsbury Academic title. For our full Academic Catalogue, please visit https://www.bloomsbury.com/uk/academic/

In dictionary form but offering much more than dictionary definitions, The Language of Horse Racing presents a guide to the history, development and usage of words and phrases employed on the racecourse, by those who train and look after horses, those who ride them, and those who lose their money betting on them. Here the reader will discover exactly what the distance is, and why it is so called; what the cap was in handicap; what relation the wild goose chase had to the steeple-chase; what is dead about a dead heat; and what the differences are between getting in, getting on, getting out and getting up. The Language of Horse Racing also reveals the language of the racecourse, including the bizarre vocabulary of betting, from the betting boots that early bookies put on, to the faces, heads, sharks and sharps who feed off the buzz and whisper that go round the ring.

No detailed description available for "Fleeting Things".