Gerard Kilroy – författare

This volume is part of the Complete Works of Evelyn Waugh critical edition, which brings together all Waugh's published and previously unpublished writings for the first time with comprehensive introductions and annotation, and a full account of each text's manuscript development and textual variants. The edition's General Editor is Alexander Waugh, Evelyn Waugh's grandson and editor of the twelve-volume Personal Writings sequence.Evelyn Waugh originally wrote his Edmund Campion to thank Martin D'Arcy, SJ, and to help with the building of Campion Hall, but his experience of Communist oppression in Mexico and Croatia transformed his understanding of Campion's life, revealing Campion less as an Elizabethan martyr than as part of 'the unending war' between the church and the totalitarian state. Waugh wrote a passionate new 'Preface' for the American edition of 1946 and made important changes to each of the three subsequent editions, culminating in the beautiful third edition of 1961. This new edition provides extensive biographical and contextual notes to help the reader unfamiliar with early modern history and records the many manuscript revisions and the book's reception both sides of the Atlantic. The introduction explores the personal impact of Waugh's friendship with the Asquith and Herbert families and examines the cultural context of a brief period of confidence for English Catholicism, energized by the canonization process (in which Waugh's own daughters were involved), which coincided with the publication of the five editions of the book from 1935 to 1961. Waugh received the Hawthornden Prize for the book just before he took part in the opening of Campion Hall; the book offered him a Jesuit hearth in the 'household of the faith' and gave a new theological direction to his writing, characterized by Brideshead Revisited, Helena, The Sword of Honour trilogy, and Ronald Knox. The book emerges as one of the best objets d'Arcy, which Waugh continued to give to friends till his death.

The death of Edmund Campion in 1581 marked a disjunction between the world of printed untruth and private, handwritten, truth in early modern England. Gerard Kilroy traces the circulation of manuscripts connected with Campion to reveal a fascinating network that not only stretched from the Court to Warwickshire and East Anglia but also crossed the confessional boundaries. Kilroy shows that in this intricate web Sir John Harington was a key figure, using his disguise as a wit to conceal a lifelong dedication to Campion's memory. Sir Thomas Tresham is shown as expressing his devotion to Campion both in his coded buildings and in a previously unpublished manuscript, Bodleian MS Eng. th. b. 1-2, whose theological and cultural riches are here fully explored. This book provides startling new views about Campion's literary, historical and cultural impact in early modern England. The great strength of this study is its exploitation of archival manuscript sources, offering the first printed text and translation of Campion's Virgilian epic, a fully collated text of 'Why doe I use my paper, ynke and pen', and Harington's four decades of theological epigrams, printed for the first time in the order he so carefully designed. Edmund Campion: Memory and Transcription lays the foundations of the first full literary assessment of Campion the scholar, the impact he had on the literature of early modern England, and the long legacy in manuscript writing.

Many scholars have been calling for a new edition of Sir John Harington's Epigrams. Gerard Kilroy, using the three manuscripts arranged and revised by the author, offers the first complete text in print of Harington's four hundred Epigrams, uncovers Harington's elaborate design of forty theological decades, and restores the emblems and political elegies that Harington uses to frame his complete collection and define its serious purpose.

Edmund Campion: A Scholarly Life is the response, at long last, to Evelyn Waugh’s call, in 1935, for a ’scholarly biography’ to replace Richard Simpson's Edmund Campion (1867). Whereas early accounts of his life focused on the execution of the Jesuit priest, this new biography presents a more balanced assessment, placing equal weight on Campion’s London upbringing among printers and preachers, and on his growing stature as an orator in an Oxford riven with religious divisions. Ireland, chosen by Campion as a haven from religious conflict, is shown, paradoxically, to have determined his life and his death. Gerard Kilroy here draws on newly discovered manuscript sources to reveal Campion as a charismatic and affectionate scholar who was finding fulfilment as priest and teacher in Prague when he was summoned to lead the first Jesuit mission to England. The book argues that the delays in his long journey suggest reluctant acceptance, even before he was told that Dr Nicholas Sander had brought ’holy war’ to Ireland, so that Campion landed in an England that was preparing for papal invasion. The book offers fresh insights into the dramatic search for Campion, the populist nature of the disputations in the Tower, and the legal issues raised by his torture. It was the monarchical republic itself that, in pursuit of the Anjou marriage, made him the beloved ’champion’ of the English Catholic community. Edmund Campion: A Scholarly Life presents the most detailed and comprehensive picture to date of an historical figure whose loyalty and courage, in the trial and on the scaffold, swiftly became legendary across Europe.

The death of Edmund Campion in 1581 marked a disjunction between the world of printed untruth and private, handwritten, truth in early modern England. Gerard Kilroy traces the circulation of manuscripts connected with Campion to reveal a fascinating network that not only stretched from the Court to Warwickshire and East Anglia but also crossed the confessional boundaries. Kilroy shows that in this intricate web Sir John Harington was a key figure, using his disguise as a wit to conceal a lifelong dedication to Campion's memory. Sir Thomas Tresham is shown as expressing his devotion to Campion both in his coded buildings and in a previously unpublished manuscript, Bodleian MS Eng. th. b. 1-2, whose theological and cultural riches are here fully explored. This book provides startling new views about Campion's literary, historical and cultural impact in early modern England. The great strength of this study is its exploitation of archival manuscript sources, offering the first printed text and translation of Campion's Virgilian epic, a fully collated text of 'Why doe I use my paper, ynke and pen', and Harington's four decades of theological epigrams, printed for the first time in the order he so carefully designed. Edmund Campion: Memory and Transcription lays the foundations of the first full literary assessment of Campion the scholar, the impact he had on the literature of early modern England, and the long legacy in manuscript writing.

Many scholars have been calling for a new edition of Sir John Harington's Epigrams. Gerard Kilroy, using the three manuscripts arranged and revised by the author, offers the first complete text in print of Harington's four hundred Epigrams, uncovers Harington's elaborate design of forty theological decades, and restores the emblems and political elegies that Harington uses to frame his complete collection and define its serious purpose.