Gérôme Guibert – författare

Made in France: Studies in Popular Music serves as a comprehensive introduction to the history, sociology, and musicology of contemporary French popular music. The volume consists of essays by scholars of French popular music, and covers the major figures, styles, and social contexts of pop music in France. The book first presents a general description of the history and background of popular music in France, followed by essays that are organized into thematic sections: The Mutations of French Popular Music During the "Trente Glorieuses"; Politicising Popular Music; Assimilation, Appropriation, French Specificity; and From Digital Stakes to Cultural Heritage: French Contemporary Topics.

Contributors:

Christian Béthune

Juliette Dalbavie

Gérôme Guibert

Fabien Hein

Olivier Julien

Marc Kaiser

Barbara Lebrun

David Looseley

Stéphanie Molinero

Anne Petiau

Cécile Prévost-Thomas

Vincent Rouzé

Catherine Rudent

Matthieu Saladin

Jedediah Sklower

Raphaël Suire

Florence Tamagne

Made in France: Studies in Popular Music serves as a comprehensive introduction to the history, sociology, and musicology of contemporary French popular music. The volume consists of essays by scholars of French popular music, and covers the major figures, styles, and social contexts of pop music in France. The book first presents a general description of the history and background of popular music in France, followed by essays that are organized into thematic sections: The Mutations of French Popular Music During the "Trente Glorieuses"; Politicising Popular Music; Assimilation, Appropriation, French Specificity; and From Digital Stakes to Cultural Heritage: French Contemporary Topics.

Contributors:

Christian Béthune

Juliette Dalbavie

Gérôme Guibert

Fabien Hein

Olivier Julien

Marc Kaiser

Barbara Lebrun

David Looseley

Stéphanie Molinero

Anne Petiau

Cécile Prévost-Thomas

Vincent Rouzé

Catherine Rudent

Matthieu Saladin

Jedediah Sklower

Raphaël Suire

Florence Tamagne

Early analysts of both punk and metal have shown their continuing popularity for segments of the public who were often considered in the 1970s and 1980s as “losers of globalization” despite the level of fragmentation of these scenes, the diversity of their audiences’ backgrounds, and their constant evolution and re-invention. This volume aims to stimulate and contribute to debates on social class and economic and cultural change, on one side, and punk and metal, on the other, through international, contemporary and historical approaches, mainly focused on Britain and France.