Gerrit-Jan Berendse – författare
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4 produkter
4 produkter
Inbunden, Engelska, 2021
2 249 kr
Skickas inom 3-6 vardagar
For many artists and intellectuals in East Germany, daily life had an undeniably surreal aspect, from the numbing repetition of Communist Party jargon to the fear and paranoia engendered by the Stasi. Echoes of Surrealism surveys the ways in which a sense of the surreal infused literature and art across the lifespan of the GDR, focusing on individual authors, visual artists, directors, musicians, and other figures who have employed surrealist techniques in their work. It provides a new framework for understanding East German culture, exploring aesthetic practices that offered an alternative to rigid government policies and questioned and confronted the status quo.
Häftad, Engelska, 2024
635 kr
Skickas inom 3-6 vardagar
For many artists and intellectuals in East Germany, daily life had an undeniably surreal aspect, from the numbing repetition of Communist Party jargon to the fear and paranoia engendered by the Stasi. Echoes of Surrealism surveys the ways in which a sense of the surreal infused literature and art across the lifespan of the GDR, focusing on individual authors, visual artists, directors, musicians, and other figures who have employed surrealist techniques in their work. It provides a new framework for understanding East German culture, exploring aesthetic practices that offered an alternative to rigid government policies and questioned and confronted the status quo.
Inbunden, Tyska, 2022
368 kr
Skickas inom 3-6 vardagar
Del 70 - German Monitor
Baader-Meinhof Returns
History and Cultural Memory of German Left-Wing Terrorism
Inbunden, Engelska, 2008
1 839 kr
Skickas inom 5-8 vardagar
This volume is dedicated to the study of artistic and historical documents that recall German left-wing terrorism in the 1970s. It is intended to contribute to a better understanding of this violent epoch in Germany’s recent past and the many ways it is remembered.The cultural memory of the RAF past is a useful device to disentangle the complex relationship between terror and the arts. This bond has become a particularly pressing matter in an era of a new, so-called global terrorism when the culture industry is obviously fascinated with terror.Fourteen scholars of visual cultures and contemporary literature offer in-depth investigations into the artistic process of engaging with West Germany’s era of political violence in the 1970s. The assessments are framed by two essays from historians: one looks back at the previously ignored anti-Semitic context of 1970s terrorism, the other offers a thought-provoking epilogue on the extension of the so-called Stammheim syndrome to the debate on the treatment of prisoners in Guantánamo Bay. The contributions on cultural memory argue that any future memory of German left-wing terrorism will need to acknowledge the inseparable bond between terror and the artistic response it produces.