Gertrude Stein – författare

En modernistisk klassikerNär Gertrude Stein åkte hem till USA för första gången efter flytten till Paris såg hon sitt namn i neonskrift över Times Square i New York. Alice B. Toklas självbiografi var redan en osannolik jättesuccé. Turnén som följde gjorde Gertrude Stein till en litterär superstjärna.Vid hennes sida, som alltid, var Alice B. Toklas. Från det att de träffades 1907 i Paris var de oskiljaktiga. Romanen, berättad som Alice B. Toklas självbiografi, handlar om deras liv på legendariska adressen 27 Rue de Fleurus; stormcentrum för stora delar av det europeiska avant-gardet, ett andra hem för Picasso, Matisse, Hemingway och andra. Men här följer vi till exempel också hur Gertrude och Alice volontärarbetade under första världskriget, förare till en ambulans som de köpte för egna pengar.Alice B. Toklas självbiografi [The Autobiography of Alice B. Toklas, 1933] är skriven som en fantasi utifrån verkligheten, med följeslagerskans perspektiv. Vi är de vi är i livet främst för andra, det var så Gertrude Stein såg på individualiteten. Inte minst därför är hon så viktig än i dag. En av den modernistiska litteraturens största klassiker, här översatt till svenska av Thomas Warburton.GERTRUDE STEIN [1874-1946] var en av 1900-talets stora litterära innovatörer. Hon var en av de centrala gestalterna i den avantgardistiska konst- och litteraturvärlden i tjugotalets Paris, där hennes och partnern Alice B. Toklas hem blev en knytpunkt för exilamerikaner och europeiska konstnärer och författare. Med Alice B. Toklas självbiografi och Ida presenterar Modernista nya, efterlängtade utgåvor av två av Gertrude Steins största och mest lästa verk.

'Buttonholes the reader with its informality, its unhurried rhythms, deadpan humour and acerbic remarks'Frances Spalding, Sunday TimesFor Gertrude Stein and her wife Alice B. Toklas, life in Paris was based upon the rue de Fleurus and the Saturday evenings and 'it was like a kaleidoscope slowly turning'. Picasso was there with 'his high whinnying Spanish giggle', as were Cezanne and Matisse, Hemingway and Fitzgerald. As Toklas put it - 'The geniuses came and talked to Gertrude Stein and the wives sat with me'. A light-hearted entertainment, this is in fact Gertrude Stein's own autobiography and a roll-call of all the extraordinary painters and writers she met between 1903 and 1932. Audacious, sardonic and characteristically self-confident, this is a definitive account by American in Paris.With an Introduction by Thomas Fensch

En modernistisk klassiker När Gertrude Stein åkte hem till USA för första gången efter flytten till Paris såg hon sitt namn i neonskrift över Times Square i New York. Romanen Alice B. Toklas självbiografi var redan en osannolik jättesuccé. Turnén som följde gjorde Gertrude Stein till en litterär superstjärna. Vid hennes sida, som alltid, var Alice B. Toklas. Från det att de träffades 1907 i Paris var de oskiljaktiga.  Alice B. Toklas självbiografi [The Autobiography of Alice B. Toklas, 1933] är skriven med följeslagerskans perspektiv och handlar inte minst om deras liv på legendariska adressen 27 Rue de Fleurus; stormcentrum för stora delar av det europeiska avantgardet, ett andra hem för Picasso, Matisse, Hemingway och andra.  En av den modernistiska litteraturens största klassiker, i översättning av Thomas Warburton och med ett nyskrivet förord av författaren och kritiken Jenny Högström. GERTRUDE STEIN [1874–1946] var en av 1900-talets stora litterära innovatörer. Hon var en av de centrala gestalterna i den avantgardistiska konst- och litteratur­världen i tjugotalets Paris, där hennes och partnern Alice B. Toklas hem blev en knytpunkt för exilamerikaner och europeiska konstnärer och författare. Med Ida och Alice B. Toklas självbiografi presenterar Modernista nya, efterlängtade utgåvor av två av Gert­rude Steins största och mest lästa verk. »Få författare har med sådan envetenhet naglat sig fast vid vardagens motiv och ord. Få författare har med en relativt begränsad vokabulär skapat sådan intensitet, sådana sällsamma vibrationer i språkets ytskikt.« | Svenska Dagbladet »Det har sagts förr men Gertrude Steins romaner saknar verkligen motstycke.« | Thomas Götselius, DN

The MLA Committee on Scholarly Editions has awarded Tender Buttons: The Corrected Centennial Edition its seal designating it an MLA Approved Edition.2014 marks the one hundredth anniversary of the original publication of Gertrude Stein's groundbreaking modernist classic, Tender Buttons. This centennial edition is the first and only version to incorporate Stein's own handwritten corrections—found in a first-edition copy at the University of Colorado—as well as corrections discovered among her papers at the Beinecke Library at Yale University. Editor Seth Perlow has assembled a text with over one hundred emendations, resulting in the first version of Tender Buttons that truly reflects its author's intentions. These changes are detailed in Perlow's "Note on the Text," which describes the editorial process and lists the specific variants for the benefit of future scholars. The book includes facsimile images of some of Stein's handwritten edits and lists of corrections, as well as an afterword by noted contemporary poet and scholar Juliana Spahr. A compact, attractive edition suitable for general readers as well as scholars, Tender Buttons: The Corrected Centennial Edition is unique among the available versions of this classic text and is destined to become the standard.Gertrude Stein (1874–1946) was one of the most important and innovative American writers of literary modernism, as well as one of the great art collectors and salon hosts of the period. A pioneering lesbian writer, Stein lived most of her life in Paris but became a celebrity in the United States with the publication of The Autobiography of Alice B. Toklas (1933).Seth Perlow teaches English at Oklahoma State University.Juliana Spahr teaches writing at Mills College."Tender Buttons was recently reissued by City Lights Books, to mark the centennial of a volume that broke language barriers, acknowledging hungers to see more. It challenged with inspired daring."--Barbara Berman, The Rumpus"For the centennial of this masterpiece, Seth Perlow has given us much the best edition of the poem, based on Stein’s manuscript and corrections she made to the first edition. Punctuation, spelling, format, and a few phrases are affected and most especially the change in the capitalization of the section titles. 'The difference is spreading.'"--Charles Bernstein, University of Pennsylvania, author of Attack of the Difficult Poems: Essays and Inventions"Happy 100th birthday, TENDER BUTTONS. You are as explosive, tantalizing, and delicious as you were on the day you were born. Your birthday gift from Seth Perlow and Juliana Spahr is a beautiful new edition that will carry you into your next century, the best edition ever. Your birthday gift from all of us who love literature and culture is to buy this edition for ourselves and all our friends. Congratulations to all."--Catharine R. Stimpson, Professor, New York University, and co-editor of the two-volume Gertrude Stein: Writings published by the Library of America“The publication of an authoritative edition of Tender Buttons, with Stein’s hitherto unpublished corrections and editions, is a splendid way to celebrate the centennial of this influential modernist work. Scholars will benefit from the full documentation, and readers will appreciate its convenient format, which resembles the original publication.”--Jonathan Culler, Cornell University"This radical multi-dimensional generative cubist text with the simplest words imaginable continues to alter and shape poetics into the post post modernist future. We have Gertrude Stein's 'mind grammar' operating at full tilt, with unpredictability, wit and sensory prevarication. Look to the 'minutes particulars,' Blake admonished, and here she does just that: 'it is a winning cake.' Salvos to the editor and salient 'afterword' that give belletristic notes and political perspective as well. A unique edition."--Anne Waldman, The Jack Kerouac School of Disembodied Poetics

Under the grey, industrial skies of Bridgepoint (Baltimore), three women live, work and love. Painting a powerful portrait of women trapped in drudgery, Stein’s Three Lives is a ground-breaking portrayal of abuse and non-heteronormative sexuality, and is a searing indictment of the struggles of the working class in turn-of-the-century America.

Sadder than salad.From apples to artichokes, these glittering, fragmented, painterly portraits of food by the avant-garde pioneer Gertrude Stein are redolent of sex, laughter and the joy of everyday life. Penguin Modern: fifty new books celebrating the pioneering spirit of the iconic Penguin Modern Classics series, with each one offering a concentrated hit of its contemporary, international flavour. Here are authors ranging from Kathy Acker to James Baldwin, Truman Capote to Stanislaw Lem and George Orwell to Shirley Jackson; essays radical and inspiring; poems moving and disturbing; stories surreal and fabulous; taking us from the deep South to modern Japan, New York's underground scene to the farthest reaches of outer space.

In the more than 75 plays Gertrude Stein wrote between 1913 and 1946, she envisioned a new dramaturgy, beginning with the pictorial conception of a play as a landscape. She drew into her plays the daily flow of life around her - including the natural world - and turned cities, villages, parts of the dramatic structure, and even her own friends into characters. She made punctuation and typography part of her compositional style and chose words for their joyful impact as sound and wordplay. For Stein, the writing process itself was always important in developing the "continuous present" at the heart of her work. "Last Operas and Plays" contains many of Stein's most important and most-produced works. As a special feature, it also includes her essay "Plays", in which she reflects on the experience in the theatre of seeing and hearing, and on emotion and time.

HarperCollins is proud to present our range of timeless literary classics.‘Melanctha Herbert was always seeking rest and quiet, and always she could only find new ways to be in trouble.’In Bridgepoint, USA, people get trapped into lives they didn’t choose, without means of escape: Anna, a sweet but intimidating German housemaid; Melanctha, a troubled young woman whose passion threatens to tear her apart; and Lena, a timid girl bullied into work and marriage. In this ground-breaking collection, Stein depicts the interior lives of these women, struggling to find happiness in an unkind world.Gertrude Stein was a pioneering figurehead of Modernism, and a mentor to writers like Ernest Hemingway and F. Scott Fitzgerald. Written in 1909, Three Lives captures the artistic styles of Picasso, Cézanne and Matisse, and uses them to create heart-breaking portraits of working-class women.

'Buttonholes the reader with its informality, its unhurried rhythms, deadpan humour and acerbic remarks'Frances Spalding, Sunday TimesFor Gertrude Stein and her wife Alice B. Toklas, life in Paris was based upon the rue de Fleurus and the Saturday evenings and 'it was like a kaleidoscope slowly turning'. Picasso was there with 'his high whinnying Spanish giggle', as were Cezanne and Matisse, Hemingway and Fitzgerald. As Toklas put it - 'The geniuses came and talked to Gertrude Stein and the wives sat with me'. A light-hearted entertainment, this is in fact Gertrude Stein's own autobiography and a roll-call of all the extraordinary painters and writers she met between 1903 and 1932. Audacious, sardonic and characteristically self-confident, this is a definitive account by American in Paris.With an Introduction by Thomas Fensch

Gertrude Stein, as a college student at Radcliffe and a medical student at Johns Hopkins Medical School, was a privileged woman, but she was surrounded by women who were trapped by poverty, class, and race into lives that offered little choice. Her portraits of Anna and Lena are examples of realistic depictions of immigrant women who had no occupational choice but to become domestic workers. This collection of documents from the history of women's suffrage, medical history, modernist art, and literature enables readers to see how radical Stein's subject was.

Newly famous in the wake of the publication of her groundbreaking "Autobiography of Alice B. Toklas", Gertrude Stein delivered her "Narration" lectures to packed audiences at the University of Chicago in 1935. Stein had not been back to her home country since departing for France in 1903, and her remarks reflect on the changes in American culture after thirty years abroad. In Stein's trademark experimental prose, "Narration" reveals the legendary writer's thoughts about the energy and mobility of the American people, the effect of modernism on literary form, the nature of history and its recording, and the inventiveness of the English language - in particular, its American variant. Stein also discusses her ambivalence toward her own literary fame as well as the destabilizing effect that notoriety had on her daily life. Restored to print for a new generation of readers to discover, these vital lectures will delight students and scholars of modernism and twentieth-century literature.

 

Newly famous in the wake of the publication of her groundbreaking Autobiography of Alice B. Toklas, Gertrude Stein delivered her Narration lectures to packed audiences at the University of Chicago in 1935. Stein had not been back to her home country since departing for France in 1903, and her remarks reflect on the changes in American culture after thirty years abroad.

In Stein’s trademark experimental prose, Narration reveals the legendary writer’s thoughts about the energy and mobility of the American people, the effect of modernism on literary form, the nature of history and its recording, and the inventiveness of the English language—in particular, its American variant. Stein also discusses her ambivalence toward her own literary fame as well as the destabilizing effect that notoriety had on her daily life. Restored to print for a new generation of readers to discover, these vital lectures will delight students and scholars of modernism and twentieth-century literature.

“Narration is a treasure waiting to be rediscovered and to be pirated by jolly marauders of sparkling texts.”—Catharine Stimpson, NYU

This monumental collection of correspondence between Gertrude Stein and critic, novelist, and photographer Carl Van Vechten provides crucial insight into Stein's life, art, and artistic milieu as well as Van Vechten's support of major cultural projects, such as the Harlem Renaissance. From their first meeting in 1913, Stein and Van Vechten formed a unique and powerful relationship, and Van Vechten worked vigorously to publish and promote Stein's work. Existing biographies of Stein-including her own autobiographical writings-omit a great deal about her experiences and thought. They lack the ordinary detail of what Stein called "daily everyday living": the immediate concerns, objects, people, and places that were the grist for her writing. These letters not only vividly represent those details but also showcase Stein and Van Vechten's private selves as writers. Edward Burns's extensive annotations include detailed cross-referencing of source materials.

This monumental collection of correspondence between Gertrude Stein and critic, novelist, and photographer Carl Van Vechten provides crucial insight into Stein''s life, art, and artistic milieu as well as Van Vechten''s support of major cultural projects, such as the Harlem Renaissance. From their first meeting in 1913, Stein and Van Vechten formed a unique and powerful relationship, and Van Vechten worked vigorously to publish and promote Stein''s work. Existing biographies of Stein—including her own autobiographical writings—omit a great deal about her experiences and thought. They lack the ordinary detail of what Stein called "daily everyday living": the immediate concerns, objects, people, and places that were the grist for her writing. These letters not only vividly represent those details but also showcase Stein and Van Vechten''s private selves as writers. Edward Burns''s extensive annotations include detailed cross-referencing of source materials.

90 classic titles celebrating 90 years of Penguin Books'All Frenchmen know you have to become civilised between eighteen and twenty-three and that civilisation comes upon you by contact with an older woman, by revolution, by army discipline, by any escape or any subjection, and then you are civilised and life goes on normally in a latin way.' Gertrude Stein’s Paris France, published in 1940 on the day Paris fell to Nazi Germany, is a witty account of Stein’s life in France, and the perfect introduction to her work.

In the 1950s, Yale University Press published a number of Gertrude Stein's posthumous works, among them her incomparable Stanzas in Meditation. Since that time, scholars have discovered that Stein's poem exists in several versions: a manuscript that Stein wrote and two typescripts that her partner Alice B. Toklas prepared. Toklas’s work on the second typescript changed the poem when, enraged upon detecting in it references to a former lover, she not only adjusted the typescript but insisted that Stein make revisions in the original manuscript. This edition of Stanzas in Meditation is the first to confront the complicated story of its composition and revision. Through meticulous archival work, the editors present a reliable reading text of Stein's original manuscript, as well as an appendix with the textual variants among the poem's several versions. This record of Stein's multi-layered revisions enables readers to engage more fully with the author's radically experimental poem and also to detect the literary impact of Stein's relationship with Toklas. The editors’ preface and poet Joan Retallack’s introduction offer insight into the complexities of reading Stein's poetry and the innovative modes of reading that her works require and generate. Students and admirers of Stein will welcome this illuminating new contribution to Stein’s oeuvre.

Consists of three character studies of women; "The Good Anna"--a kind but domineering German servingwoman; "Melanctha"--an uneducated but sensitive black girl; "The Gentle Lena"--a pathetically feebleminded young German maid.From the Paperback edition.

This is the story of Ida, whose life consists mainly of resting, because she is always tired; of talking to herself; and of getting married, time after time.

First published in 1936, The Geographical History of America compiles prose pieces, dialogues, philosophical meditations, and playlets by one of the century''s most influential writers. In this work, Stein sets forth her view of the human mind: what it is, how it works, and how it is different from - and more interesting than - human nature.

“Alice B. Toklas wrote hers and now everybody will write theirs.” In 1933 Gertrude Stein’s The Autobiography of Alice B. Toklas skyrocketed to the top of the bestseller lists, and the author found herself a celebrity. Everybody’s Autobiography is the very Steinian account of her soul-satisfying next five years in France, England, and America, where she made a triumphant tour of the country. Here are Stein’s devastating analyses of some of the major figures of the day whom she met—among them Dashiell Hammett, Charlie Chaplin, Pablo Picasso, Marianne Moore, Mrs. Roosevelt, and Sherwood Anderson—and also of her own life and work.

"This collection, a retrospective exhibit of the work of a woman who created a unique place for herself in the world of letters, contains a sample of practically every period and every manner in Gertrude Stein''s career. It includes The Autobiography of Alice B. Toklas in its entirety; selected passages from The Making of Americans; "Melanctha"from Three Lives; portraits of the painters Cezanne, Matisse, and Picasso; Tender Buttons; the opera Four Saints in Three Acts; and poem, plays, lectures, articles, sketches, and a generous portion of her famous book on the Occupation of France, Wars I Have Seen.

Wars I Have Seen is the American writer Gertrude Stein''s memoir of her experiences during the Second World War.  Gertrude Stein was living in Europe during the time of the war.

Intimate, revealing memoir of Picasso as man and artist by influential literary figure. Highly readable amalgam of biographical fact, artistic and aesthetic comments: Picasso as founder of Cubism, associate of Apollinaire, Braque, Derain, other notables; titanic, creative spirit. One of Stein's most accessible works. 61 black-and-white illustrations. Index.

Before becoming the patron of Lost Generation artists, Gertrude Stein established her reputation as an innovative author whose style was closer to painting than literature. Stein's strong influence on 20th-century literature is evident in this 1915 work of highly original prose rendered in thought-provoking experimental techniques.

An excellent introduction to the unique voice of Gertrude Stein — as well as a treat for her fans — this 1931 book presents the modernist author's thoughts on the art and craft of writing. Stein's experimental style reflects her love of refrain and rhyme, her dismissal of the conventional significance of words, and an imaginative approach to language that continues to inspire writers and readers.

This selection of Gertrude Stein's work is taken from the period between 1905 and 1936, when the iconic modernist poet was engaged in an astounding number of still-surprising literary experiments, whose innovations continue to influence all the arts. Editor Joan Retallack has chosen complete texts or selections that lend themselves to a clarified vision of Stein's oeuvre. In her brilliant introduction, Retallack provides the historical and biographical context for Stein's lifelong project of composing a 'continuous present,' an effort which parallels many of the most important technological and scientific developments of her era - from moving pictures to Einstein's revision of our understanding of space and time.Retallack also addresses persistent questions about Stein's work and the best way to read it in our contemporary moment. In suggesting a performative 'reading poesis' for these works, Retallack follows Stein's dictum by arguing that to actively experience the work is to enjoy it, and to enjoy it is to understand it.