Giacomo Leopardi – författare

'So my mind sinks in this immensity:and foundering is sweet in such a sea'Revisited and reorganized over his lifetime, this extraordinary work was described by Leopardi as a 'reliquary' for his ideas, feelings and deepest preoccupations. It encompasses drastic shifts in tone and material, and includes early personal elegies and idylls; radical public poems on history and politics; philosophical satires; his great, dark, despairing odes such as 'To Silvia'; and later masterworks such as 'The Setting of the Moon', written not long before Leopardi's death. Infused with classical allusion and nostalgia, yet disarmingly modern in their spare, meditative style and their sense of alienation and scepticism, the Canti influenced the following two centuries of Western lyric poetry, and inspired thinkers and writers from Schopenhauer and Nietzsche to Beckett and Lowell.Jonathan Galassi's direct new translation sensitively responds to the musicality of the Canti, while his introduction discusses the paradoxes of Leopardi's life and work.

Den europeiska romantiken födde visioner av en ny värld och en ny människa. Inspirerade av den franska revolutionens idéer gick det tidiga 1800-talets författare till attack mot det gamla ståndssamhället. I Italien blev två poeter särskilt kännetecknande för det här omvälvande skedet. Ugo Foscolo drömde om att ge de olympiska gudarna ett nytt hem i sitt splittrade fosterland, medan Giacomo Leopardi skrev en serie lika vackra som nattsvarta elegier över vantrivseln i kulturen. Bägge delade upplevelsen av en epok som hade gått ur led, och bägge kan läsas som tidiga språkrör för den moderna upplevelsen av Guds död.

Alongside his monumental Zibaldone (Notebooks) and the poems collected in Canti, which make him one of Italy’s greatest and best-loved poets, Giacomo Leopardi penned a number of fictional pieces, mostly in the form of gently humorous dialogues, in which he dealt with philosophical ideas and many of the metaphysical questions that preoccupied his restless spirit.First published in 1827 and here presented in a new translation by J.G. Nichols along with Thoughts, Leopardi’s own selected pearls of wisdom and gems of social observation, Moral Fables will enchant both those who are familiar with and those who are new to the works of Italy’s last great polymath.

Giacomo Leopardi was the greatest Italian poet of the nineteenth century and was recognized by readers from Nietzsche to Beckett as one of the towering literary figures in Italian history. To many, he is the finest Italian poet after Dante.Leopardi was also a prodigious scholar of classical literature and philosophy, and a voracious reader in numerous ancient and modern languages. For most of his writing career, he kept an immense notebook, known as the Zibaldone, or "hodgepodge," as Harold Bloom has called it, in which he put down his original, wide-ranging, radically modern responses to his reading. His comments about religion, philosophy, language, history, anthropology, astronomy, literature, poetry, and love are unprecedented in their brilliance and suggestiveness, and the Zibaldone, which was only published at the turn of the twentieth century, has been recognized as one of the foundational books of modern culture. Its 4,500-plus pages have never been fully translated into English until now, when a team led by of Michael Caesar and Franco D'Intino of the Leopardi Centre in Birmingham have spent years producing a lively, accurate version. This essential book will change our understanding of nineteenth-century culture.Giacomo Leopardi (1798-1837), Italy's first and greatest modern poet, was also a critic, philosopher and philologist. His enormous Zibaldone, or philosophical and critical notebook, which many consider one of the great books of the 19th century, was published in Penguin Classics in 2013.

This series is conceived as a library of bilingual editions of works chosen for their importance to Italian literature and to the international tradition of art and thought Italy has nurtured. In each volume an Italian text in an authoritative edition is paired with a new facing-page translation supplemented by explanatory notes and a selected bibliography. An introduction provides a historical and critical interpretation of the work. The scholars preparing these volumes hope through Biblioteca ltaliana to point a straight way to the Italian classics. GENERAL EDITOR: Louise George ClubbEDITORIAL BOARDPaul J. Alpers, Vittore BrancaGene Brucker, Fredi ChiappelliPhillip W. Damon, Robert M. DurlingGianfranco Folena, Lauro MartinesNicolas J. Perella

These translations of the major poems of Giacomo Leopardi (1798--1837) render into modern English verse the work of a writer who is widely regarded as the greatest lyric poet in the Italian literary tradition. In spite of this reputation, and in spite of a number of nineteenth-and twentieth-century translations, Leopardi's poems have never "come over" into English in such a way as to guarantee their author a recognition comparable to that of other great European Romantic poets. By catching something of Leopardi's cadences and tonality in a version that still reads as idiomatic modern English (with an occasional Irish or American accent), Leopardi: Selected Poems should win for the Italian poet the wider appreciative audience he deserves. His themes are mutability, landscape, love; his attitude, one of unflinching realism in the face of unavoidable human loss. But the manners of the poems are a unique amalgam of philosophical toughness and the lyrically bittersweet. In a way more pure and distilled than most others in the Western tradition, these poems are truly what Matthew Arnold asked all poetry to be, a "criticism of life."The translator's aim is to convey something of the profundity and something of the sheer poetic achievement of Leopardi's inestimable Canti.

Newly awakened interest in Giacomo Leopardi (1798-1837), arguably the greatest Italian poet since the Renaissance, has resulted in this project to translate a major portion of his works. This volume is the first of four which will encompass the great Canti (in bilingual text), selections from the poet's correspondence, a substantial portion of his enormous intellectual journal, the Zibaldone, and the focus of the present volume, the Operette morali. Originally planned as a set of dialogues in the manner of Lucian, the Operette is a compilation of brief, interrelated works on questions of moral philosphy. By means of numerous characters, and by means of a range of styles, Leopardi grapples with a theory of pleasure, the concepts of fame, the infinite, human happiness, the function of poetry, and other topics. In the poet's own opinion, the Operette represented his major philosophical speculation and ranked just below his Canti.

'So my mind sinks in this immensity:and foundering is sweet in such a sea'Revisited and reorganized over his lifetime, this extraordinary work was described by Leopardi as a 'reliquary' for his ideas, feelings and deepest preoccupations. It encompasses drastic shifts in tone and material, and includes early personal elegies and idylls; radical public poems on history and politics; philosophical satires; his great, dark, despairing odes such as 'To Silvia'; and later masterworks such as 'The Setting of the Moon', written not long before Leopardi's death. Infused with classical allusion and nostalgia, yet disarmingly modern in their spare, meditative style and their sense of alienation and scepticism, the Canti influenced the following two centuries of Western lyric poetry, and inspired thinkers and writers from Schopenhauer and Nietzsche to Beckett and Lowell.Jonathan Galassi's direct new translation sensitively responds to the musicality of the Canti, while his introduction discusses the paradoxes of Leopardi's life and work.

Selections from Leopardi’s prose masterwork, Zibaldone, one of the great intellectual diaries in European literature, expertly translated by Tim ParksRevenge—Revenge is so sweet one often wishes to be insulted so as to be able to take revenge, and I don’t mean just by an old enemy, but anyone, or even (especially when in a really bad mood) by a friend.—from Passions  The extraordinary quality of Giacomo Leopardi’s writing and the innovative nature of his thought were never fully recognized in his lifetime. Zibaldone, his 4,500-page intellectual diary—a vast collection of thoughts on philosophy, civilization, literary criticism, linguistics, humankind and its vanities, and other varied topics—remained unpublished until more than a half-century after his death. But shortly before he died, Leopardi began to organize a small, thematic collection of his writings in an attempt to give structure and system to his philosophical musings. Now freshly translated into English by master translator, novelist, and critic Tim Parks, Leopardi’s Passions presents 164 entries reflecting the full breadth of human passion. The volume offers a fascinating introduction to Leopardi’s arguments and insights, as well as a glimpse of the concerns of thinkers to come, among them Nietzsche, Dostoyevsky, Wittgenstein, Gadda, and Beckett.

An anthology of the work of one of Italy's finest lyric poets.

This series is conceived as a library of bilingual editions of works chosen for their importance to Italian literature and to the international tradition of art and thought Italy has nurtured. In each volume an Italian text in an authoritative edition is paired with a new facing-page translation supplemented by explanatory notes and a selected bibliography.   An introduction provides a historical and critical interpretation of the work. The scholars preparing these volumes hope through Biblioteca ltaliana to point a straight way to the Italian classics.   GENERAL EDITOR: Louise George Clubb EDITORIAL BOARD Paul J. Alpers, Vittore Branca Gene Brucker, Fredi Chiappelli Phillip W. Damon, Robert M. Durling Gianfranco Folena, Lauro Martines Nicolas J. PerellaThis series is conceived as a library of bilingual editions of works chosen for their importance to Italian literature and to the international tradition of art and thought Italy has nurtured. In each volume an Italian text in an authoritative edition is

Volume 164 in the North Carolina Studies in the Romance Languages and Literatures series.