Euripides and Shaw (1921) looks at Bernard Shaw and English Drama as great stylistic changes were sweeping the English stage. Shaw and Euripides are compared, and the important plays of the time are examined before moving on to an analysis of the very facets of drama itself.

Greek Tragedy (1928) is an attempt to cover the whole field of Greek tragedy. It provides facts and importantly provides a scholarly review of Greek tragedy in the English language. It gives prominence to dramatic structure and the scansion of the lyrics. It follows the working of each playwright’s mind, to realise what he meant his work to ‘feel like’.

Euripides and Shaw (1921) looks at Bernard Shaw and English Drama as great stylistic changes were sweeping the English stage. Shaw and Euripides are compared, and the important plays of the time are examined before moving on to an analysis of the very facets of drama itself.

Greek Tragedy (1928) is an attempt to cover the whole field of Greek tragedy. It provides facts and importantly provides a scholarly review of Greek tragedy in the English language. It gives prominence to dramatic structure and the scansion of the lyrics. It follows the working of each playwright’s mind, to realise what he meant his work to ‘feel like’.

Euripides and Shaw (1921) looks at Bernard Shaw and English Drama as great stylistic changes were sweeping the English stage. Shaw and Euripides are compared, and the important plays of the time are examined before moving on to an analysis of the very facets of drama itself.

Greek Tragedy (1928) is an attempt to cover the whole field of Greek tragedy. It provides facts and importantly provides a scholarly review of Greek tragedy in the English language. It gives prominence to dramatic structure and the scansion of the lyrics. It follows the working of each playwright’s mind, to realise what he meant his work to ‘feel like’.

Euripides and Shaw (1921) looks at Bernard Shaw and English Drama as great stylistic changes were sweeping the English stage. Shaw and Euripides are compared, and the important plays of the time are examined before moving on to an analysis of the very facets of drama itself.

Greek Tragedy (1928) is an attempt to cover the whole field of Greek tragedy. It provides facts and importantly provides a scholarly review of Greek tragedy in the English language. It gives prominence to dramatic structure and the scansion of the lyrics. It follows the working of each playwright’s mind, to realise what he meant his work to ‘feel like’.