Gillian Polack – författare

To our modern minds, the Middle Ages seem to mix the well-known and familiar with wildly alien concepts and circumstances. The Middle Ages Unlocked provides an invaluable introduction to this complex and dynamic period in England.Exploring a wide range of topics from law, religion and education to landscape, art and magic, between the eleventh and early fourteenth centuries, the structures, institutions and circumstances that formed the basis for daily life and society are revealed.Drawing on their expertise in history and archaeology, Dr Gillian Polack and Dr Katrin Kania look at the tangible aspects of daily life – ranging from the raw materials used for crafts, clothing and jewellery to housing and food – in order to bring the Middle Ages to life.The Middle Ages Unlocked dispels modern assumptions about this period to uncover the complex tapestry of medieval England and the people who lived there.

An anthology of Australian Speculative Fiction, BAGGAGE presents some of the finest new work by Aussie writers, including Jack Dann, Monica Carroll, K. J. Bishop, Kaaron Warren, and many more. Included:

VISION SPLENDID, by K. J. BishopTELESCOPE, by Jack DannHIVE OF GLASS, by Kaaron WarrenKUNMANARA--SOMEBODY SOMEBODY, by Yaritji GreenMANIFEST DESTINY, by Janeen WebbALBERT & VICTORIA/SLOW DREAMS, by Lucy SussexMACREADIE V. THE LOVE MACHINE, by Jennifer FallonA PEARLING TALE, by Maxine McArthurACCEPTION, by Tessa KumAN EAR FOR HOME, by Laura E. GoodinHOME TURF, by Deborah BiancottiARCHIVES, SPACE, SHAME, LOVE, by Monica CarrollWELCOME, FAREWELL, by Simon Brown

Shortlisted for the William Atheling Jr Award for Criticism or ReviewFiction plays a vital role in describing history and transmitting culture. How writers understand and use history can play an equally important role in how they navigate a novel. This book explores the nature of the author’s relationship with history and fiction – often using writers’ own words – as well as the role history plays in fiction. Focusing on genre fiction, this study considers key issues in the relationship between history and fiction, such as how writers contextualise the history they use in their fiction and how they incorporate historical research. The book also addresses the related topic of world building using history, discussing the connections between the science fiction writers’ notion of world building and the scholarly understanding of story space and explaining the mechanics of constructing the world of the novel. This book places the writing of fiction into a wider framework of history and writing and encourages dialogue between writers and historians.