Gillian Slovo - Böcker

"Written with the pace of a thriller"—Times Literary Supplement. Red Dust is set in a rural South African town, where three people are about to meet their past. Sarah Barcant has left her law career in New York to assist an old friend as prosecutor on a Truth Commission hearing. Dirk Hendricks, a former police deputy, is being taken in handcuffs to the station where he once worked. There he will confront Alex Mpondo, the man he had tortured, who is now an MP.

The Government has so far refused a Public Inquiry into the riots that shook our cities this Summer, so the Tricycle is mounting its own.This verbatim play builds a real-time picture of the riots as they unfolded. And then, from interviews with politicians, police, teachers, lawyers, community leaders, as well as victims and on-lookers, The Riots analyses what happened, why it happened, and what we should do towards making a better future for ourselves and our city. Astonishing stories and equally astonishing conclusions told by the many voices that have been stirred up by the riots.

________________'This anthology will help turn your intellectual understanding of oppression into an emotional one' - New Statesman'Thanks for being who you are and for giving us such exposure to wonderful people. Palestine is proud of you' - Suad Amiry________________The Palestine Festival of Literature was established in 2008. Bringing together writers from all corners of the globe, it aims to help Palestinians break the cultural siege imposed by the Israeli military occupation, to strengthen their artistic links with the rest of the world, and to reaffirm, in the words of Edward Said, ‘the power of culture over the culture of power’.Celebrating the tenth anniversary of PalFest, This Is Not a Border is a collection of essays, poems and stories from some of the world’s most distinguished artists, responding to their experiences at this unique festival. Both heartbreaking and hopeful, their gathered work is a testament to the power of literature to promote solidarity and courage in the most desperate of situations.Contributors: Susan Abulhawa, Suad Amiry, Victoria Brittain, Jehan Bseiso, Teju Cole, Molly Crabapple, Selma Dabbagh, Mahmoud Darwish, Najwan Darwish, Geoff Dyer, Yasmin El-Rifae, Adam Foulds, Ru Freeman, Omar Robert Hamilton, Suheir Hammad, Nathalie Handal, Mohammed Hanif, Jeremy Harding, Rachel Holmes, John Horner, Remi Kanazi, Brigid Keenan, Mercedes Kemp, Omar El-Khairy, Nancy Kricorian, Sabrina Mahfouz, Jamal Mahjoub, Henning Mankell, Claire Messud, China Miéville, Pankaj Mishra, Deborah Moggach, Muiz, Maath Musleh, Michael Palin, Ed Pavlic, Atef Abu Saif, Kamila Shamsie, Raja Shehadeh, Gillian Slovo, Ahdaf Soueif, Linda Spalding, Will Sutcliffe, Alice WalkerWith messages from China Achebe, Michael Ondaatje and J. M. Coetzee________________'Every literary act, whether it is a great epic poem or an honest piece of journalism or a simple nonsense tale for children is a blow against the forces of stupidity and ignorance and darkness … The Palestine Festival of Literature exists to do just that – and I salute it for its work. Not only this year but for as long as it is necessary' - Philip Pullman

The new verbatim drama from the pioneering team behind Guantanamo: Honour Bound to Defend Freedom.Over the last twelve months headlines have been dominated by the growth of Islamic State, and terror attacks claimed by IS have spread across the world.What is the entity that calls itself Islamic State? Why are some young Muslim men and women from across Western Europe leaving their homes to answer the call of Jihad? And what should we do about it?This piece of verbatim documentary theatre, written by novelist Gillian Slovo using material from the interviews she conducted and directed by Nicolas Kent, is the result of many months researching Islamic State, meeting people affected by the organization and involved in the fight against it.

'It was a tower block, but it was home.'The early hours of Wednesday 14 June 2017. The north-west corner of the Royal Borough of Kensington and Chelsea. A twenty-four-storey residential tower. The scene of a national tragedy.This powerful verbatim play is drawn from the testimony of residents – a group of survivors and bereaved – at the heart of the Grenfell Tower tragedy. It reveals the impact of the multiple failures that led to the most devastating residential fire in the UK since the Second World War, and asks: how do we stop this ever happening again?Startling, urgent and deeply moving, Grenfell: in the words of survivors explores the courage and resilience of an ill-treated community and their continued campaign for justice.Created from interviews by Gillian Slovo, the play was first performed at the National Theatre, London, in July 2023, co-directed by Phyllida Lloyd and Anthony Simpson-Pike.10% of the net proceeds from sales of this book will be donated by the publisher to the Grenfell Foundation, who support the bereaved and survivors in the aftermath of the fire, as well as help them ensure Grenfell is remembered long into the future.

"""I don't know what crime I am supposed to have committed for which not only I but my wife and children should continually suffer."" - British detainee Moazzam Begg This verbatim play, drawn from letters and interviews from Guantanamo Bay prisoners, their lawyers and relatives, weaves together personal stories, legal opinion and political debate. Guantanamo: Honor Bound to Defend Freedom looks at the questions surrounding the detentions in Guantanamo Bay, and asks how much damage is being done to Western democratic values during the 'war on terror'."

Irina Davydovna is a cleaner. She has no time for politics or even for that matter, people: 'rules and rulers may come and go, but dirt never changes.' Boris Aleksandrovich is a revolutionary. He thinks he understands power. But this is Leningrad in 1933 and Stalin is about to turn against their city. When the life of his beloved daughter Natasha is threatened and his old friend Anton saves a skinny little orphan he finds on a Moscow train, Boris' faith in his ideals are put to the test. While Irina, watching it all, must learn the power of loyalty and love.'Powerful and moving, Ice Road is a novel whose epic scope never obscures the individual lives that are lived in the shadow of great events. I shall never forget Natasha and Kolya's love story . . . or Irina, whose sturdy self respect and determination to survive, seems, at times, to speak for an entire people. Gillian Slovo excels in depicting complex human beings, full of passion, love, ambition, self-interest, who are caught up in their country's history and swept along by it.' Pat Barker

When the genteely impoverished and rebellious Evelyn marries the charming Emil, scion of a privileged Sinhalese family, she thinks that her dream of a life in England can now at last come true. So the family travel, with their young son Milton, from Ceylon to Tilbury Docks. But this is England in the 1950s and, no matter how hard Evelyn wishes that it would, England does not take kindly to strangers, especially families who are half black and half white.A profound and moving novel, this is the story about the search to feel at home in your own skin.

A passionate witness to the colossal upheaval that has transformed her native South Africa, Gillian Slovo has written a memoir that is far more than a story of her own life. For she is the daughter of Joe Slovo and Ruth First, South Africa's pioneering anti-apartheid white activists, a daughter who always had to come second to political commitment. Whilst recalling the extraordinary events which surrounded her family's persecution and exile, and reconstructing the truth of her parents' relationship and her own turbulent childhood, Gillian Slovo has also created an astonishing portrait of a courageous, beautiful mother and a father of integrity and stoicism.

In Khartoum the trumpeters, layers of red sand glittering on their faces, are posted at each corner of the palace roof. Trapped between the desert and the Jihad, oblivious to the heat and the impending dust storm, General Gordon is waiting, hopelessly, for Wolseley's camel corps to cross the shimmering land and rescue him. He begins to hallucinate betrayals and beheadings; unwittingly he is about to touch and change lives far beyond his own including those of a London doctor, John Clark and his wife Mary, and especially the young boy from the English dockyard slums who now stands beside him, his reluctant last ally.

The story of Alan, a white ANC member, who is suspected by his comrades of the unthinkable; of Rebecca, the black woman the ANC choose to judge him and of Sarah, an English woman whose political curiosity and love for Alan throw her up against the secret police. By the author of Ties of Blood .

Who knows that Kate Baeier is back in London?Who wants her gone so badly?What is everyone- even her former sleuthing partner- hiding from her?Still raw with grief over the death of Sam, her lover, Kate finds herself the target of inexplicable threats and then violence. Has her last abandoned case- its tendrils of corruption reaching from Hackney to Chelsea- come back to haunt her? Witty, dark and classy, this fast-moving thriller doesn't finish until the devastating truth is hounded down by the unstoppable Kate.

FWPC Janet Morris is in trouble - in her own police station - and even Kate Baeier is unable to help her.Is it because WPC Morris can't call for help?Or is it something even more sinister?After five years abroad as a war reporter, interviewing Chief Superintendent Ellis for a personality piece should be straightforward for Kate Baeier. And it is. Until she hears of WPC Morris' alleged rape - in Ellis' station - and begins to ask quetions. Evasions and silence quickly turn to threats as Kate, tenacious - and sometimes reckless - pursues all increasingly terrifying collision course with the truth.

There was probably only one person who could make Sarah Barcant, successful prosecutor, leave New York and return home to Smitsrivier, the small town in South Africa she left years before. Ben. Her lawyer mentor and inspiration; the man who encouraged her to get out and know the world now needs her back, to help him with one last case, part of the Truth Commission. In the back of a van, handcuffed, Dirk Hendrickes is being driven to the police station where once he was proud to call himself deputy. Later, down the same hot,dry road, will come Alex Mpondo, alternating between cursing Dirk and feeling sick at the idea of facing him, his torturer. And in Smitsrivier: James Sizela, who has passed years waiting for the moment when the man he is certain killed his son, will be forced to tell where the body lies. The people who are about to meet their pasts will not experience the real truth-telling in the court room, at the public show. The real truth will be felt offstage...