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Katherine Philips (1632–1664) is widely regarded as a pioneering figure within English-language women’s literary history. Best known as a poet, she was also a skilled translator, letter writer and literary critic whose subjects ranged from friendship and retirement to politics and public life. Her poetry achieved a high reputation among coterie networks in London, Wales and Ireland during her lifetime, and was published to great acclaim after her death. The present volume, drawing on important recent research into her early manuscripts and printed texts, represents a new and innovative phase in Philips''s scholarship. Emphasizing her literary responses to other writers as well as the ambition and sophistication of her work, it includes groundbreaking studies of her use of form and genre, her practices as a translator, her engagement with philosophy and political theory, and her experiences in Restoration Dublin. It also examines the posthumous reception of Philips’s poetry and model theoretical and digital humanities approaches to her work.
This book was originally published as two special issues of Women’s Writing.
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Katherine Philips (1632–1664) is widely regarded as a pioneering figure within English-language women’s literary history. Best known as a poet, she was also a skilled translator, letter writer and literary critic whose subjects ranged from friendship and retirement to politics and public life. Her poetry achieved a high reputation among coterie networks in London, Wales and Ireland during her lifetime, and was published to great acclaim after her death. The present volume, drawing on important recent research into her early manuscripts and printed texts, represents a new and innovative phase in Philips''s scholarship. Emphasizing her literary responses to other writers as well as the ambition and sophistication of her work, it includes groundbreaking studies of her use of form and genre, her practices as a translator, her engagement with philosophy and political theory, and her experiences in Restoration Dublin. It also examines the posthumous reception of Philips’s poetry and model theoretical and digital humanities approaches to her work.
This book was originally published as two special issues of Women’s Writing.
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As soon as the door opened a crack, Mishti’s nose appeared and then Mishti, pushing her way in, small and gold, straining on her lead with all her might. Behind her came a team of Mirzapuris. Mishti walked right past Gilly and right past Mark and across their flat straight to the water bowl, as if she already knew where it would be. Having lapped up a great deal of water, she pricked up her ears and looked around. The men who came with her were handing over her blanket, and a bottle of massage oil for her legs. Then they said goodbye and left.
Now there was just Gilly, Mark and Mishti...
Mishti, a little golden labrador born in Mirzapur, on the banks of the Ganga, is adopted by two people from Delhi, called Gilly and Mark. It is the beginning of many adventures they will have as they learn to live together, and become a family.
Full of love, mischief and great charm, told in gloriously readable prose and complemented with charming illustrations, this is a book for all ages.
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