Giorgos Papantoniou – författare

This monograph focuses on religion to explore how the socio-cultural infrastructure of Cyprus was affected by the transition from segmented administration by many Cypriot kings to the island-wide government by a foreign Ptolemaic correspondent. It approaches politico-religious ideological responses and structures of symbolism through the study of sacred landscapes, specific iconographic elements, and archaeological contexts and architecture, as well as through textual and epigraphic evidence. A fresh approach to the transition is put forward, connecting the island more emphatically with its longue durée. Moving beyond the field of Cypriot studies, this work also serves as a paradigm for the study of religion in relation to social power in other fields of classics and, in particular, for the enrolment of other areas of the Mediterranean into the political and cultural Hellenistic oikoumene.

This monograph focuses on religion to explore how the socio-cultural infrastructure of Cyprus was affected by the transition from segmented administration by many Cypriot kings to the island-wide government by a foreign Ptolemaic correspondent. It approaches politico-religious ideological responses and structures of symbolism through the study of sacred landscapes, specific iconographic elements, and archaeological contexts and architecture, as well as through textual and epigraphic evidence. A fresh approach to the transition is put forward, connecting the island more emphatically with its longue duree. Moving beyond the field of Cypriot studies, this work also serves as a paradigm for the study of religion in relation to social power in other fields of classics and, in particular, for the enrolment of other areas of the Mediterranean into the political and cultural Hellenistic oikoumene.

Edited by G. Papantoniou, D. Michaelides and M. Dikomitou-Eliadou, Hellenistic and Roman Terracottas is a collection of 29 chapters with an introduction presenting diverse and innovative approaches (archaeological, stylistic, iconographic, functional, contextual, digital, and physicochemical) in the study of ancient terracottas across the Mediterranean and the Near East, from the Hellenistic period to Late Antiquity. The 34 authors advocate collectively the significance of a holistic approach to the study of coroplastic art, which considers terracottas not simply as works of art but, most importantly, as integral components of ancient material culture. The volume will prove to be an invaluable companion to all those interested in ancient terracottas and their associated iconography and technology, as well as in ancient artefacts and classical archaeology in general.