Giovanna P. Del Negro – författare
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E-bok
PDF, Engelska, 2004975 kr
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An immigrant daughter who returned to her mother''s home town, Giovanna Del Negro spent a year doing intensive fieldwork in the homes and public spaces of Sasso. She reveals the diverse reactions that Sassani have to industrialization, changing gender roles, immigration, and the proliferation of the global media. Unlike accounts that focus exclusively on large-scale social forces or universal theories of historical change, this study, set against the backdrop of Italy''s mid-1990s corruption scandals, centres on the experiences of ordinary people and the culturally specific ways that modernity reveals itself in a particular place. Del Negro focuses on the passeggiata, and her evocative descriptions of dressing, walking, courting, and socializing in the piazza paint a vivid picture of this event. Sassani pride themselves on their urbane sophistication, only half jokingly referring to their town as "our little Paris." Del Negro shows how different segments of Sassani society (older women and teenage girls, motorbike boys and established professionals) use passeggiata performances to depict themselves as modern, stake their place in the town''s collective self-image, and debate the meaning of modernity. Examining everything from Sassani interpretations of tabloid television and soap operas to community games and postcards, Del Negro casts her net wide to illuminate the local culture. Richly sophisticated yet highly accessible, this innovative study speaks to contemporary debates about modernity and globalization.
Häftad, Engelska, 2004
444 kr
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The notion of "everyday life" is ubiquitous in the contemporary intellectual scene. While scholars frequently use this concept to signal a romantic return to the "common people," Berger and Del Negro are among the first to subject the term to theoretical scrutiny. This book explores how everyday life has been used in three intellectual traditions (American folklore, British cultural studies and French everyday life theory) and suggests a program for revitalizing anti-elitist approaches to culture.The book draws on studies of performance from around the globe, including the authors' work on heavy metal in the U.S. and the Italian passeggiata (ritual promenade), to explore the term "identity." Moving beyond truisms that depict performance as a medium for the loss of self or folklore as means of expressing identity, the authors explore the interplay of culture and agency in performance to illuminate the complex dynamics of reflexivity, identity and self. This book will speak to anyone interested in power and aesthetics in performance.