Giovanni Verga – författare

David Lan's new version of Verga's classic play "Mothers like me? We should be burned alive. We should be fed to the pigs, mothers like me." A mother fumes about her daughter's love affair as they hurtle towards tragedy in Verga's passionate Italian drama, first performed in 1894.David Lan's acclaimed new version premiered at the RSC in June 2000.

Giovanni Verga (1840-1922) is the most important of the Italian Realist School of novelists. This new edition of "The House by the Medlar Tree" ("I Malavoglia") makes the complete English version of his masterpiece available once more. The story of the Malavoglia, a family of poor Sicilian fisherman, is Verga's moving rendering of the theme of mankind's struggle for self-betterment, the dignity of the struggle in the face of poverty and hardship, and the tragedy that the struggle inevitably incurs. D. H. Lawrence described Vega's work as "Homeric." Rayond Rosenthal's translation of "I Malavoglia" is the only complete version of this novel in English and conveys Vega's lyrical realism and the flavor of Sicialian village life superbly. The book is introduced by Giovanni Ceccheti, whose own translations of "Verga", "Mastro-don Gesualdo" and "The She-Wolf and Other Stories", are also available from California.

Mastro-don Gesualdo by Giovanni Verga is a masterpiece of Italian verismo, offering a poignant exploration of ambition, social mobility, and personal tragedy in 19th-century Sicily. As the second novel in Verga’s ambitious cycle, I vinti ("The Doomed"), it examines humanity’s relentless pursuit of material success and the profound costs it exacts. Gesualdo Motta, a self-made man of humble origins, rises through sheer determination to become a wealthy landowner and marries into the local aristocracy. However, his newfound status isolates him from both his working-class roots and the aristocracy he strives to join. The marriage, driven by ambition rather than love, fails to bring him personal happiness or lasting legacy, as his wealth ultimately returns to the very social class he sought to surpass.Verga’s verismo style captures the intricate social dynamics of Sicilian life with unflinching realism, blending the voices of its characters with the narrator’s restrained perspective. Gesualdo’s relentless drive for wealth and power, while initially triumphant, leads to alienation and tragedy, reflecting the novel’s broader fatalistic critique of social mobility and human ambition. Through its vivid portrayal of class struggles and the emotional toll of relentless aspiration, Mastro-don Gesualdo offers a timeless reflection on the tension between individual desires and the rigid structures of society. Verga’s meticulous attention to language and social nuance ensures the novel remains a landmark of European literary realism.This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1979.

The She-Wolf and Other Stories, translated and introduced by Giovanni Cecchetti, presents the definitive English collection of Giovanni Verga’s most powerful short fiction, placing the Sicilian master of *verismo* in his full literary and historical context. Verga began his career with sentimental novels modeled on French writers like Dumas fils, but his true artistic breakthrough came when he turned to the lives of Sicilian peasants and fishermen. With *Nedda* (1874) and, more decisively, *Vita dei Campi* (1880), Verga abandoned aristocratic melodrama for a stark, lyrical realism that revealed the elemental struggles of the poor: hunger, jealousy, passion, and resignation to fate. Cecchetti situates Verga’s work within Italian realism, distinguishing it from French naturalism by its emphasis on instinctive human drives rather than pseudoscientific analysis, and underscores the originality of Verga’s narrative technique, especially his pioneering use of free indirect style that allowed peasants and villagers to “narrate themselves.”The stories gathered here trace the evolution of Verga’s vision. In *Vita dei Campi*, pieces such as “The She-Wolf,” “Cavalleria Rusticana,” and “Ieli” dramatize passions that erupt with tragic inevitability, their rural settings inseparable from human destiny. Later collections like *Novelle Rusticane* grow darker, presenting men and women as helpless victims of poverty, greed, or destructive desire, while the late stories reveal a bitter, sometimes cynical humor. Cecchetti emphasizes how Verga’s style—compressed, impersonal, infused with the rhythms of Sicilian dialect—renders external landscape as the inner life of his characters, whether in the scorching sun, the barren plain of Catania, or the toil of shepherds and fishermen. This revised and enlarged edition includes a broadened selection of *Novelle Rusticane* and later tales, along with a translation that preserves Verga’s economy of language and narrative immediacy. The result is an indispensable volume that reintroduces one of Italy’s greatest modern storytellers to an English-speaking readership.This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1973.

The She-Wolf and Other Stories, translated and introduced by Giovanni Cecchetti, presents the definitive English collection of Giovanni Verga’s most powerful short fiction, placing the Sicilian master of *verismo* in his full literary and historical context. Verga began his career with sentimental novels modeled on French writers like Dumas fils, but his true artistic breakthrough came when he turned to the lives of Sicilian peasants and fishermen. With *Nedda* (1874) and, more decisively, *Vita dei Campi* (1880), Verga abandoned aristocratic melodrama for a stark, lyrical realism that revealed the elemental struggles of the poor: hunger, jealousy, passion, and resignation to fate. Cecchetti situates Verga’s work within Italian realism, distinguishing it from French naturalism by its emphasis on instinctive human drives rather than pseudoscientific analysis, and underscores the originality of Verga’s narrative technique, especially his pioneering use of free indirect style that allowed peasants and villagers to “narrate themselves.”The stories gathered here trace the evolution of Verga’s vision. In *Vita dei Campi*, pieces such as “The She-Wolf,” “Cavalleria Rusticana,” and “Ieli” dramatize passions that erupt with tragic inevitability, their rural settings inseparable from human destiny. Later collections like *Novelle Rusticane* grow darker, presenting men and women as helpless victims of poverty, greed, or destructive desire, while the late stories reveal a bitter, sometimes cynical humor. Cecchetti emphasizes how Verga’s style—compressed, impersonal, infused with the rhythms of Sicilian dialect—renders external landscape as the inner life of his characters, whether in the scorching sun, the barren plain of Catania, or the toil of shepherds and fishermen. This revised and enlarged edition includes a broadened selection of *Novelle Rusticane* and later tales, along with a translation that preserves Verga’s economy of language and narrative immediacy. The result is an indispensable volume that reintroduces one of Italy’s greatest modern storytellers to an English-speaking readership.This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1973.

Mastro-don Gesualdo by Giovanni Verga is a masterpiece of Italian verismo, offering a poignant exploration of ambition, social mobility, and personal tragedy in 19th-century Sicily. As the second novel in Verga’s ambitious cycle, I vinti ("The Doomed"), it examines humanity’s relentless pursuit of material success and the profound costs it exacts. Gesualdo Motta, a self-made man of humble origins, rises through sheer determination to become a wealthy landowner and marries into the local aristocracy. However, his newfound status isolates him from both his working-class roots and the aristocracy he strives to join. The marriage, driven by ambition rather than love, fails to bring him personal happiness or lasting legacy, as his wealth ultimately returns to the very social class he sought to surpass.Verga’s verismo style captures the intricate social dynamics of Sicilian life with unflinching realism, blending the voices of its characters with the narrator’s restrained perspective. Gesualdo’s relentless drive for wealth and power, while initially triumphant, leads to alienation and tragedy, reflecting the novel’s broader fatalistic critique of social mobility and human ambition. Through its vivid portrayal of class struggles and the emotional toll of relentless aspiration, Mastro-don Gesualdo offers a timeless reflection on the tension between individual desires and the rigid structures of society. Verga’s meticulous attention to language and social nuance ensures the novel remains a landmark of European literary realism.This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1979.