Gish Jen – författare

From the much-loved author of Who’s Irish? and The Love Wife, a world-sized novel set in a small New England town.Hattie Kong—the spirited offspring of a descendant of Confucius and an American missionary to China—has, in her fiftieth year of living in the United States, lost both her husband and her best friend to cancer. It is an utterly devastating loss, of course, and also heartbreakingly absurd: a little, she thinks, “like having twins. She got to book the same church with the same pianist for both funerals and did think she should have gotten some sort of twofer from the crematorium.”But now, two years later, it is time for Hattie to start over. She moves to the town of Riverlake, where she is soon joined by an immigrant Cambodian family on the run from their inner-city troubles, as well as—quite unexpectedly—by a just-retired neuroscientist ex-lover named Carter Hatch. All of them are, like Hattie, looking for a new start in a town that might once have represented the rock-solid base of American life but that is itself challenged, in 2001, by cell-phone towers and chain stores, struggling family farms and fundamentalist Christians.What Hattie makes of this situation is at the center of a novel that asks deep and absorbing questions about religion, home, America, what neighbors are, what love is, and, in the largest sense, what “worlds” we make of the world.Moving, humorous, compassionate, and expansive, World and Town is as rich in character as it is brilliantly evocative of its time and place. This is a truly masterful novel—enthralling, essential, and satisfying.From the Hardcover edition.

In eight wonderfully alive stories, the acclaimed author of Mona in the Promised Land and Typical American chronicles Chinese and other Americans as they exuberantly win, lose, love, hate, overachieve, underachieve, and generally take on America--with sometimes comic, sometimes heartbreaking results.Life now is not what it was a generation ago, but is it any easier? A Chinese-American woman attempts to discipline her Chinese-Irish-American grandchild, only to come up against her daughter''s state-of-the-art parenting. A grown man flees to China to escape his disapproving mother, "who called every day, lest he forget she was not speaking to him." A computer expert accidentally books himself into a welfare hotel. A bohemian art student turned young mother finds herself entrenched in PTA meetings and soccer games when her WASP husband opts out and takes off for the woods. A family takes its first comically disastrous steps toward joining a country club. The stories in Who''s Irish? prove once again that Gish Jen is an essential writer for our time--a writer who moves and entertains us as she updates the American Dream.

In 1968, the Chang family moves to posh Scarshill, New York, where the rhodendrons are as big as the Chang family''s old bathroom, and nobody trims the forsythia into little can shapes. This takes some getting used to--especially since there''s also a new social landscape, with a hot line, a mystery caller, and a temple youth group full of radical ideas. From the author of Typical American.

The acclaimed, award-winning author of The Resisters takes measure of the fifty years since the opening of China and its unexpected effects on the lives of ordinary people. It is a unique book that only Jen could write—a story collection accruing the power of a novel as it proceeds—a work that Cynthia Ozick has called “an art beyond art. It is life itself.”Beginning with a cheery letter penned by a Chinese girl in heaven to “poor Mr. Nixon” in hell, Gish Jen embarks on a fictional journey through U.S.-China relations, capturing the excitement of a world on the brink of tectonic change. Opal Chen reunites with her Chinese sisters after forty years; newly cosmopolitan Lulu Koo wonders why Americans “like to walk around in the woods with the mosquitoes”; Hong Kong parents go to extreme lengths to reestablish contact with their “number-one daughter” in New York; and Betty Koo, brought up on “no politics, just make money,” finds she must reassess her mother’s philosophy. With their profound compassion and equally profound humor, these eleven linked stories trace the intimate ways in which humans make and are made by history, capturing an extraordinary era in an extraordinary way. Delightful, provocative, and powerful, Thank You, Mr. Nixon furnishes yet more proof of Gish Jen’s eminent place among American storytellers.

L.A. TIMES 15 BEST BOOKS OF THE YEAR • TIME "100 BEST" • RUPAUL'S BOOK CLUB PICK • An engrossing, blisteringly funny-sad autobiographical novel tracing a tumultuous mother-daughter relationship.“A transcendent work of art.” —Boston Globe“Gish Jen has written the multigenerational mother-daughter epic of our new century.” —Junot Díaz“Heart-piercingly personal. . . . Suffused with love.” —Los Angeles TimesMy mother had died, but still I heard her voice. . .Gish’s mother, Loo Shu-hsin, is born in 1924 to a wealthy Shanghai family whose girls are expected to restrain themselves. Her beloved nursemaid—far closer to her than her real mother—is torn from her even as she is constantly reprimanded: “Bad bad girl! You don’t know how to talk!” Sent to a modern Catholic school by her progressive father, she receives not only an English name—Agnes—but a first-rate education. To his delight, she excels. But proud as he is, he can only sigh, “Too bad. If you were a boy, you could accomplish a lot.” Agnes finds solace in books and in 1947 announces her intention to pursue a PhD in America. As the Communist revolution looms, she sets sail—never to return.Lonely and adrift in New York, she begins dating Jen Chao-pe, an engineering student. They do their best to block out the increasingly dire plight of their families back home and successfully establish a new American life: Marriage! A house in the suburbs! A number one son! By the time Gish is born, though, the news from China is proving inescapable; their marriage is foundering; and Agnes, confronted with a strong-willed, outspoken daughter distinctly reminiscent of herself, is repeating the refrain—“Bad bad girl!”—as she recapitulates the harshness of her own childhood.Spanning continents, generations, and cultures, Bad Bad Girl is a novel only Gish Jen could have written: genre-bending, courageous, wise, and as incisive as it is compassionate.

L.A. TIMES 15 BEST BOOKS OF THE YEAR • TIME "100 BEST" • RUPAUL'S BOOK CLUB PICK • An engrossing, blisteringly funny-sad autobiographical novel tracing a tumultuous mother-daughter relationship.“A transcendent work of art.” —Boston Globe“Gish Jen has written the multigenerational mother-daughter epic of our new century.” —Junot Díaz“Heart-piercingly personal. . . . Suffused with love.” —Los Angeles TimesMy mother had died, but still I heard her voice. . .Gish’s mother, Loo Shu-hsin, is born in 1924 to a wealthy Shanghai family whose girls are expected to restrain themselves. Her beloved nursemaid—far closer to her than her real mother—is torn from her even as she is constantly reprimanded: “Bad bad girl! You don’t know how to talk!” Sent to a modern Catholic school by her progressive father, she receives not only an English name—Agnes—but a first-rate education. To his delight, she excels. But proud as he is, he can only sigh, “Too bad. If you were a boy, you could accomplish a lot.” Agnes finds solace in books and in 1947 announces her intention to pursue a PhD in America. As the Communist revolution looms, she sets sail—never to return.Lonely and adrift in New York, she begins dating Jen Chao-pe, an engineering student. They do their best to block out the increasingly dire plight of their families back home and successfully establish a new American life: Marriage! A house in the suburbs! A number one son! By the time Gish is born, though, the news from China is proving inescapable; their marriage is foundering; and Agnes, confronted with a strong-willed, outspoken daughter distinctly reminiscent of herself, is repeating the refrain—“Bad bad girl!”—as she recapitulates the harshness of her own childhood.Spanning continents, generations, and cultures, Bad Bad Girl is a novel only Gish Jen could have written: genre-bending, courageous, wise, and as incisive as it is compassionate.

For author Gish Jen, the daughter of Chinese immigrant parents, books were once an Outsiders’ Guide to the Universe. But they were something more, too. Through her eclectic childhood reading, Jen stumbled onto a cultural phenomenon that would fuel her writing for decades to come: the profound difference in self-narration that underlies the gap often perceived between East and West.Drawing on a rich array of sources, from paintings to behavioral studies to her father’s striking account of his childhood in China, this accessible book not only illuminates Jen’s own development and celebrated work but also explores the aesthetic and psychic roots of the independent and interdependent self—each mode of selfhood yielding a distinct way of observing, remembering, and narrating the world. The novel, Jen writes, is fundamentally a Western form that values originality, authenticity, and the truth of individual experience. By contrast, Eastern narrative emphasizes morality, cultural continuity, the everyday, the recurrent. In its progress from a moving evocation of one writer’s life to a convincing delineation of the forces that have shaped our experience for millennia, Tiger Writing radically shifts the way we understand ourselves and our art-making.

A provocative and important study of the different ideas Easterners and Westerners have about the self and society and what this means for current debates in art, education, geopolitics, and business. Never have East and West come as close as they are today, yet we are still baffled by one another. Is our mantra "To thine own self be true"? Or do we believe we belong to something larger than ourselves--a family, a religion, a troop--that claims our first allegiance? Gish Jen--drawing on a treasure trove of stories and personal anecdotes, as well as cutting-edge research in cultural psychology--reveals how this difference shapes what we perceive and remember, what we say and do and make--how it shapes everything from our ideas about copying and talking in class to the difference between Apple and Alibaba. As engaging as it is illuminating, this is a book that stands to profoundly enrich our understanding of ourselves and of our world.From the Hardcover edition.

From the massively talented Gish Jen comes a barbed, moving, and stylistically dazzling new novel about the elusive nature of kinship. The Wongs describe themselves as a “half half” family, but the actual fractions are more complicated, given Carnegie’s Chinese heritage, his wife Blondie’s WASP background, and the various ethnic permutations of their adopted and biological children. Into this new American family comes a volatile new member.Her name is Lanlan. She is Carnegie’s Mainland Chinese relative, a tough, surprisingly lovely survivor of the Cultural Revolution, who comes courtesy of Carnegie’s mother’s will. Is Lanlan a very good nanny, a heartless climber, or a posthumous gift from a formidable mother who never stopped wanting her son to marry a nice Chinese girl? Rich in insight, buoyed by humor, The Love Wife is a hugely satisfying work.From the Trade Paperback edition.

My mother had died, but still I heard her voice...Growing up in an affluent neighbourhood in 1930s Shanghai, Loo Shu-hsin is told that it is 'no good for a girl to be smart' - and yet when rumours of the revolution reach their enclave, she is the one sent abroad for an education. In New York, she meets Chao-Pei, a Chinese engineering student, and they set out to make a life together. By the time their daughter - Gish Jen - is born, her parents have only sporadic contact with their families, who are locked in repressive Maoist China. And in her struggle to discipline her American daughter, Loo Shu-hsin finds herself repeating the punishing refrains - 'Bad bad girl! You don't know how to talk!' - that punctured her own childhood.Bad Bad Girl is a compelling exploration of a mother's life in exile from one of America's finest stylists.

My mother had died, but still I heard her voice...Growing up in an affluent neighbourhood in 1930s Shanghai, Loo Shu-hsin is told that it is 'no good for a girl to be smart' - and yet when rumours of the revolution reach their enclave, she is the one sent abroad for an education. In New York, she meets Chao-Pei, a Chinese engineering student, and they set out to make a life together. By the time their daughter - Gish Jen - is born, her parents have only sporadic contact with their families, who are locked in repressive Maoist China. And in her struggle to discipline her American daughter, Loo Shu-hsin finds herself repeating the punishing refrains - 'Bad bad girl! You don't know how to talk!' - that punctured her own childhood.Bad Bad Girl is a compelling exploration of a mother's life in exile from one of America's finest stylists.