Giuliana Monteverde – författare

This book constitutes the first major exploration of HBO's current programming, examined in the context of the transformation of American television and global society. With studies of well-known shows such as Game of Thrones, Girls, Insecure, Looking, Silicon Valley, The Comeback, The Leftovers, True Detective and Veep and Vinyl, the authors examine the trends in current programming, including the rise of queer characters, era-defining comedy, reinvented fantasy series, and the content’s new awareness of gender, sexuality and family dysfunction.Interdisciplinary and international in scope, HBO’s New and Original Voices explores the sociocultural and political role and impact that HBO's current programmes have held and the ways in which it has translated and reinterpreted social discourses into its own televisual language. A significant intervention in television studies, media studies and cultural studies, this book illuminates the emergence of a new era of culturally relevant television that fans, students, and researchers will find lively, accessible and fascinating.

This book constitutes the first major exploration of HBO's current programming, examined in the context of the transformation of American television and global society. With studies of well-known shows such as Game of Thrones, Girls, Insecure, Looking, Silicon Valley, The Comeback, The Leftovers, True Detective and Veep and Vinyl, the authors examine the trends in current programming, including the rise of queer characters, era-defining comedy, reinvented fantasy series, and the content’s new awareness of gender, sexuality and family dysfunction.Interdisciplinary and international in scope, HBO’s New and Original Voices explores the sociocultural and political role and impact that HBO's current programmes have held and the ways in which it has translated and reinterpreted social discourses into its own televisual language. A significant intervention in television studies, media studies and cultural studies, this book illuminates the emergence of a new era of culturally relevant television that fans, students, and researchers will find lively, accessible and fascinating.

Resist! pays close attention to popular culture; it examines the political ramifications of Kanye West’s support of Donald Trump, the significance of Aaron Sorkin’s language to American political discourse, and the casting of female emotion as a political force in House of Cards and The Handmaid’s Tale. In doing so, the collection traverses the formal world of ‘the political’ as it relates to presidential elections and referenda, while emphasising the sociocultural and political significance of popular texts which have played a critical role in exploring, critiquing and shaping culture in the twenty first century. Popular culture is often considered trivial or irrelevant to more pressing political concerns, and celebrities are often reprimanded for their forays into the political sphere. Resist! pays close attention to texts that are too often excluded when we think about politics, and explores the cultural and political fall-out of a reality TV president and a divisive public vote on increasingly connected global audiences. In examining the cultural politics of popular media, this collection is inherently interdisciplinary, and the chapters utilise methods and analysis from a range of social science and humanities disciplines. Resist! is both creative and timely, and offers a crucial examination of a fascinating and frightening political and cultural moment.