Giuseppe Pezzini – författare

Terence and the Verb ''To Be'' in Latin is the first in-depth study of the verb ''to be'' in Latin (esse) and some of its hidden properties. Like the English ''be'' (e.g. it''s), the Latin forms of esse could undergo phonetic reduction or contraction. This phenomenon is largely unknown since classical texts have undergone a long process of transmission over the centuries, which has altered or deleted its traces. Although they are often neglectedby scholars and puzzling to students, the use of contracted forms is shown to be widespread and significant. These forms expose the clitic nature of esse, which also explains other properties of the verb, including its participation in a prosodic simplification with a host ending in -s (sigmatic ecthlipsis), a phenomenon whichis also discussed in the volume. After an introduction on methodology, the volume discusses the linguistic significance of such phenomena, focusing in particular on analysis of their behaviour in the plays of the ancient Roman playwright, Terence. Combining traditional scholarship with the use of digital resources, the volume explores the orthographic, phonological, semantic, and syntactic aspects of the verb esse, revealing that cliticization is a key feature of the verb ''to be'' inLatin, and that contractions deserve a place within its paradigm.

Terence and the Verb 'To Be' in Latin is the first in-depth study of the verb 'to be' in Latin (esse) and some of its hidden properties. Like the English 'be' (e.g. it's), the Latin forms of esse could undergo phonetic reduction or contraction. This phenomenon is largely unknown since classical texts have undergone a long process of transmission over the centuries, which has altered or deleted its traces. Although they are often neglected by scholars and puzzling to students, the use of contracted forms is shown to be widespread and significant. These forms expose the clitic nature of esse, which also explains other properties of the verb, including its participation in a prosodic simplification with a host ending in -s (sigmatic ecthlipsis), a phenomenon which is also discussed in the volume. After an introduction on methodology, the volume discusses the linguistic significance of such phenomena, focusing in particular on analysis of their behaviour in the plays of the ancient Roman playwright, Terence. Combining traditional scholarship with the use of digital resources, the volume explores the orthographic, phonological, semantic, and syntactic aspects of the verb esse, revealing that cliticization is a key feature of the verb 'to be' in Latin, and that contractions deserve a place within its paradigm.

This interdisciplinary volume provides the first comprehensive study of Rome's relationship with the kingdom and city of Pergamon. It surveys the rich and diverse interactions between these two cities from the late third century BCE to the fourth century CE, ranging across multiple cultural spheres (including art and architecture, history and politics, literature and poetry, philosophy and thought, scholarship and rhetoric). The book reassesses the nature, scope, and extent of Pergamon and Rome's so-called 'special relationship', shedding light on much-discussed problems, offering new evidence for their cultural interactions, and questioning long-established assumptions. One recurrent theme concerns the limitations of our knowledge: extant evidence is limited and often skewed by later Roman sources, and it is frequently very difficult to identify and define cultural features that are distinctively 'Pergamene'. Nevertheless, there was certainly an important relationship between these two cities, which this volume seeks to map out with greater nuance, precision, and breadth, setting it within a wider interconnected Hellenistic context. As a whole, the volume reflects on the scholarly reception of Pergamon, uncovering how and when a certain view of a cohesive 'Pergamene culture' took shape among modern scholarship and what factors, prejudices, and assumptions undergirded its creation. It also challenges and rethinks the frameworks that shape our view of cultural activity in the Hellenistic world, emphasizing the porousness of cultural movements across political boundaries. This book will be of interest not only to scholars of Roman culture, but also to those interested in the impact of Hellenistic culture on Rome more generally and to scholars engaged with theories and models of cultural influence.

Taking his readers into the depths of a majestic and expansive literary world, one to which he brings fresh illumination as if to the darkness of Khazad-d-m, Giuseppe Pezzini combines rigorous scholarship with an engaging style to reveal the full scale of J. R. R. Tolkien's vision of the 'mystery of literary creation'. Through fragments garnered from across a scattered body of writing, and acute readings of primary texts (some well-known, others less familiar or recently published), the author divulges the unparalleled complexity of Tolkien's work while demonstrating its rich exploration of literature's very nature and purpose. Eschewing any overemphasis on context or comparisons, Pezzini offers rather a uniquely sustained, focused engagement with Tolkien and his 'theory' on their own terms. He helps us discover - or rediscover - a fascination for Tolkien's literary accomplishment while correcting long-standing biases against its nature and merits that have persisted fifty years after his death.

This is the most detailed and comprehensive study to date of early Latin language, literary and non-literary, featuring twenty-nine chapters by an international team of scholars. 'Early Latin' is interpreted liberally as extending from the period of early inscriptions through to the first quarter of the first century BC. Classical Latin features significantly in the volume, although in a restricted sense. In the classical period there were writers who imitated the Latin of an earlier age, and there were also interpreters of early Latin. Later authors and views on early Latin language are also examined as some of these are relevant to the establishment of the text of earlier writers. A major aim of the book is to define linguistic features of different literary genres, and to address problems such as the limits of periodisation and the definition of the very concept of 'early Latin'.

A familiar theme in Greek philosophy, largely due to the influence of Plato's Cratylus, linguistic naturalism (the notion that linguistic facts, structures or behaviour are in some significant sense determined by nature) constitutes a major but under-studied area of Roman linguistic thought. Indeed, it holds significance not only for the history of linguistics but also for philosophy, stylistics, rhetoric and more. The chapters in this volume deal with a range of naturalist theories in a variety of authors including Cicero, Varro, Nigidius Figulus, Posidonius, and Dionysius of Halicarnassus. The result is a complex and multi-faceted picture of how language and nature were believed to interrelate in the classical Roman world.

A familiar theme in Greek philosophy, largely due to the influence of Plato''s Cratylus, linguistic naturalism (the notion that linguistic facts, structures or behaviour are in some significant sense determined by nature) constitutes a major but under-studied area of Roman linguistic thought. Indeed, it holds significance not only for the history of linguistics but also for philosophy, stylistics, rhetoric and more. The chapters in this volume deal with a range of naturalist theories in a variety of authors including Cicero, Varro, Nigidius Figulus, Posidonius, and Dionysius of Halicarnassus. The result is a complex and multi-faceted picture of how language and nature were believed to interrelate in the classical Roman world.

A familiar theme in Greek philosophy, largely due to the influence of Plato''s Cratylus, linguistic naturalism (the notion that linguistic facts, structures or behaviour are in some significant sense determined by nature) constitutes a major but under-studied area of Roman linguistic thought. Indeed, it holds significance not only for the history of linguistics but also for philosophy, stylistics, rhetoric and more. The chapters in this volume deal with a range of naturalist theories in a variety of authors including Cicero, Varro, Nigidius Figulus, Posidonius, and Dionysius of Halicarnassus. The result is a complex and multi-faceted picture of how language and nature were believed to interrelate in the classical Roman world.

A familiar theme in Greek philosophy, largely due to the influence of Plato's Cratylus, linguistic naturalism (the notion that linguistic facts, structures or behaviour are in some significant sense determined by nature) constitutes a major but under-studied area of Roman linguistic thought. Indeed, it holds significance not only for the history of linguistics but also for philosophy, stylistics, rhetoric and more. The chapters in this volume deal with a range of naturalist theories in a variety of authors including Cicero, Varro, Nigidius Figulus, Posidonius, and Dionysius of Halicarnassus. The result is a complex and multi-faceted picture of how language and nature were believed to interrelate in the classical Roman world.

Despite his discreet personality, private “vices”, and literary idiosyncrasies, Tolkien was in fact a deeply collaborative figure, both as a scholar and, above all, as a writer. This volume is dedicated to one of his earliest and most significant creative and personal collaborations, his friendship with G.B. Smith: an alumnus of Corpus Christi College, Tolkien’s school friend and fellow member of the TCBS, and indeed his closest companion during university years.A gifted poet, Smith published only one collection, A Spring Harvest, edited posthumously by Tolkien after Smith’s death in the trenches of the Somme – another lost voice among the First World War poets. The volume explores this relationship from biographical, literary, and philosophical perspectives, focusing on the content and style of Smith’s poetry, Tolkien’s editorial work, their shared intellectual world, and the lasting influence of Smith on Tolkien’s imagination. In doing so, it also seeks to give Smith his due, recognising A Spring Harvest not only as the premature culmination of his talent, but also as a body of work carried forward and fulfilled in the enduring legacy of his friend, J.R.R. Tolkien.