Gloria Emeagwali – författare

This interdisciplinary edited collection delves deep into the philosophical, cultural, and political dimensions of Fela Kuti's work, examining his impact as not just a musical icon, but as a philosopher and champion of African indigenous knowledge systems.Through 18 chapters organized in three sections — Felasophy, Indigenous Knowledges and Culture, and Local and Global Politics, the authors discuss: Fela's decolonial philosophy ("Felasophy") as a framework for understanding resistance in postcolonial Africa; the intersection of music, spirituality, and indigenous knowledge in African cultural expression; African epistemologies in debates on development, gender, and environmental ethics.Fela Kuti and African Indigenous Knowledges, Politics, and Culture will be of interest to scholars, students, and enthusiasts interested in History, African studies, Political Ecology, Indigenous Knowledge studies.

Emerging Voices on Nigeria’s Literary, Filmic and Entertainment Platforms offers a groundbreaking exploration of contemporary Nigerian creativity. This edited volume brings together fresh, scholarly perspectives on how a new generation of writers, filmmakers, musicians, and artists is reshaping the cultural landscape. From dissecting the revolutionary narratives in Chimamanda Ngozi Adichie’s Purple Hibiscus and the radical scenography of Dele Odule’s theatre, to analyzing the potent socio-political commentary in Nollywood and the Afrobeat revolution of Fela Kuti, this book covers vast intellectual terrain. It boldly tackles urgent issues such as gender ideology, marital violence, the Niger Delta struggle, and the global influence of Nigerian soft power. Essential reading for scholars of African studies, media, and postcolonial literature, this collection signals a vibrant and critical new direction in understanding Nigeria’s powerful and evolving artistic voice. This edited collection serves as a critical intervention in the discourse on contemporary Nigerian culture. Edited by Alex Chinwuba Asigbo and Gloria Emeagwali, the volume assembles a cadre of scholars to interrogate the dynamic intersections of literature, film, theatre, and music within the Nigerian context. Structured into two thematic sections—“Gender, Power and Cultural Resistance” and “Entertainment, Education and Nation-Building”—the chapters engage with a diverse range of primary sources. The analysis spans from the literary fiction of Olu’Dolapo and Stephen Inegbe to the cinematic narratives of Nollywood and Dan Kpodoh; from the revolutionary theatre of Dele Odule and James Heritage Umana to the musical legacies of Fela Kuti and modern-day artistes. By prioritizing emerging critical voices and contemporary subject matter, including the reception of African culture on Netflix, this book provides an indispensable resource for understanding the complexities, resistances, and innovations that define modern Nigerian artistic production and its role in national and global dialogues.

This text explores the multidisciplinary context of African Indigenous Knowledge Systems from scholars and scholar activists committed to the interrogation, production, articulation, dissemination and general development of endogenous and indigenous modes of intellectual activity and praxis. The work reinforces the demand for the decolonization of the academy and makes the case for a paradigmatic shift in content, subject matter and curriculum in institutions in Africa and elsewhere – with a view to challenging and rejecting disinformation and intellectual servitude. Indigenous intellectual discourses related to diverse disciplines take center stage in this volume with a focus on education, mathematics, medicine, chemistry and engineering in their historical and contemporary context.

This book is an intellectual journey into epistemology, pedagogy, physics, architecture, medicine and metallurgy. The focus is on various dimensions of African Indigenous Knowledge (AIK) with an emphasis on the sciences, an area that has been neglected in AIK discourse. The authors provide diverse views and perspectives on African indigenous scientific and technological knowledge that can benefit a wide spectrum of academics, scholars, students, development agents, and policy makers, in both governmental and non-governmental organizations, and enable critical and alternative analyses and possibilities for understanding science and technology in an African historical and contemporary context.