Glyn Davis – författare

Business Statistics using Excel offers a comprehensive introduction to the subject of statistics and equips students with the tools and skills that will enable them to approach their course with confidence. The step-by-step methods are accompanied by illustrative Excel screenshots to provide clear and helpful explanations of the techniques you will need when applying Excel skills to business statistics. The text is designed for a typical one semester business statistics course and each chapter is packed with exercises to engage students and encourage self-assessment.This second edition has been fully revised to include an online refresher course in numerical skills and Microsoft Excel to reinforce students' confidence in their mathematical ability, or to check for basic maths knowledge if it has been some time since they studied it. The table of contents has been revised to more accurately map to a typical one semester Business Statistics course. More focus has been given to employability skills and the authors draw parallels between textbook content and employability skills, enabling students to contextualise their learning and identify how these skills can be applied and valued in real business environments.A wealth of pedagogical features have been integrated to ensure plenty of examples are used throughout as well as running 'techniques in practice' exercises at the end of each chapter. This textbook is accompanied by an extensive Online Resource Centre which offers a range of additional resources for both students and lecturers.Online Resource CentreStudent resources:Introduction to Microsoft Excel 2010 Self-test Multiple Choice QuestionsData from the exercises in the bookKey websitesOnline GlossaryRevision tipsVisual walkthroughsNumerical skills workbookLecturer resources:Instructor's Manual:Guide to structuring lectures and seminarsWorked-out answers to exercises in the bookPowerPoint slidesTestbank:30 Questions per chapterAssignment QuestionsExamination questions

Quantitative Methods for Decision Making is a comprehensive guide that provides students with the key techniques and methodology they will need to successfully engage with all aspects of quantitative analysis and decision making; both on their undergraduate course, and in the larger context of their future business environments. Organized in accordance with the enterprise functional structure where the decision making takes place, the textbook encompasses a broad range of functions, each detailed with clear examples illustrated through the single application tool Microsoft Excel. The authors approach a range of methods which are divided into major enterprise functions such as marketing, sales, business development, manufacturing, quality control and finance; illustrating how the methods can be applied in practice and translated into a working environment. Each chapter is packed with short case studies to exemplify the practical use of techniques, and contains a wealth of exercises after key sections and concepts, giving students the opportunity to monitor their own progress using the solutions at the back of the book. An Online Resource Centre accompanies the text and includes:For students:- Numerical skills workbook with additional exercises, questions and content - Data from the examples and exercises in the book - Online glossary of terms - Revision tips - Visual walkthrough videos covering the application of a range of quantitative methods - Appendices to the book For lecturers:- Instructor's manual including solutions from the text and a guide to structuring lectures and seminars - PowerPoint presentations- Test bank with questions for each chapter - Suggested assignment and examination questions

Scuzzy, sexy, and driven by anger at the ongoing AIDS crisis, Gregg Araki’s The Living End follows the exploits of an HIV-positive couple, journalist Jon and hustler Luke, as they reject conformity and take to the road. A touchstone of New Queer Cinema, the movie crackles with defiance, capturing the blunt rage and vital passion of its historical moment.After two ultra-low-budget features, The Living End was a critical and commercial breakthrough for its director. Araki’s film rejected the activist call for positive images of homosexuality and challenged the representational politics associated with HIV/AIDS. Blending personal reflection with close formal analysis, Glyn Davis examines the film’s production history, the live and thorny topics with which it engaged, and its significance as an independent production. Peppered with witty and knowing references to other movies and marked by a bold, dynamic deployment of locations, colour, props, actors, and industrial and shoegaze music, The Living End established an aesthetic template for all of Araki’s subsequent projects.Over thirty years after its release, The Living End remains a groundbreaking work of queer cinema, its anger undiminished. Livid, smutty, and barbed, it astutely captures the peril and fury of queer life in the United States under the shadow of HIV and AIDS. Davis’s fresh insight and rich context give new texture to this urgent and enduring film.

A Global Introduction. Film Studies A Global Introduction reroutes film studies from its Euro-American focus and canon in order to introduce students to a medium that has always been global but has become differently and insistently so in the digital age.

'Bargaining and puzzling; power and thought; dealing and agonising; compromise and commitment. These are two sides of political practitioners whether politician, public servant or campaigner. Understand the interplay and we can, just sometimes, make sense of the real world we seek to interpret.'Patrick Weller's observation comes from half a century of contemplating politics in action. The question of how government works lies at the heart of political science, and it has also been the career focus of this pioneer in the field.The Craft of Governing offers a tribute to the contribution of Patrick Weller to Australian political science, with chapters from leading political commentators including Michelle Grattan, Peter Shergold, Bob Jackson and James Walter. Contributors consider the role of the prime minister, approaches to studying executive government, the continuing significance of senior public servants and the nature of leadership in public bureaucracies. They also reflect on how insights from the study of domestic public policy can be applied to international organisations, challenges faced by Westminster democracies and approaches to political biography.The Craft of Governing is an invaluable resource for readers interested in approaches to studying politics and the development of political science as a discipline.

How can we queerly theorise and understand television? How can the realms of television studies and queer theory be brought together, in a manner beneficial and productive for both? Queer TV: Theories, Histories, Politics is the first book to explore television in all its scope and complexity – its industry, production, texts, audiences, pleasures and politics – in relation to queerness. With contributions from distinguished authors working in film/television studies and the study of gender/sexuality, it offers a unique contribution to both disciplines.An introductory chapter by the editors charts the key debates and issues addressed within the book, followed by three sections, each central to an understanding of the relationships between queerness and television: 'theories and approaches', histories and genres', and 'television itself'. Individual essays examine the relationships between queers, queerness, and television across the multiple sites of production, consumption, reception, interpretation and theorisation, as well as the textual and aesthetic dimensions of television and the televisual. The book crucially moves beyond lesbian and gay textual analyses of specific TV shows that have often focussed on evaluations of positive/negative representations and identities. Rather, the essays in Queer TV theorise not just the queerness in/on television (the production personnel, the representations it offers) but also the queerness of television as a distinct medium.

How can we queerly theorise and understand television? How can the realms of television studies and queer theory be brought together, in a manner beneficial and productive for both? Queer TV: Theories, Histories, Politics is the first book to explore television in all its scope and complexity – its industry, production, texts, audiences, pleasures and politics – in relation to queerness. With contributions from distinguished authors working in film/television studies and the study of gender/sexuality, it offers a unique contribution to both disciplines.An introductory chapter by the editors charts the key debates and issues addressed within the book, followed by three sections, each central to an understanding of the relationships between queerness and television: 'theories and approaches', histories and genres', and 'television itself'. Individual essays examine the relationships between queers, queerness, and television across the multiple sites of production, consumption, reception, interpretation and theorisation, as well as the textual and aesthetic dimensions of television and the televisual. The book crucially moves beyond lesbian and gay textual analyses of specific TV shows that have often focussed on evaluations of positive/negative representations and identities. Rather, the essays in Queer TV theorise not just the queerness in/on television (the production personnel, the representations it offers) but also the queerness of television as a distinct medium.

Birth is a throw of the dice. The consequences last a lifetime.We like to think of Australia as the land of the 'fair go', a land of choice and equal opportunity. But behind the facade of meritocracy lies an uncomfortable truth: much of your life is already decided by the lottery of where you are born and who you are born to. Entrenched inter-generational poverty, like the property of the wealthy, can be handed down from parent to child.With one in eight adults and one in six children living below the poverty line in Australia, Glyn Davis asks the question: If life is a game of chance, what responsibility do those who are given a head start have to look after those less fortunate?

Nominated for four Oscars, Far from Heaven earned rave reviews and won widespread cultural and critical recognition. A knowing and emotionally involving homage to the films of Douglas Sirk, this film is a key text in the canon of American independent cinema. This book offers a detailed and perceptive study of Haynes' film, with each chapter centred on a topic crucial for understanding Far from Heaven's richness and seductive pleasures (authorship, melodrama, queerness). The film is also positioned in relation to the rest of Todd Haynes' work, the New Queer Cinema movement, and the history of US independent cinema.Key Features* Introduces queer theory, and applies insights from the field to Far from Heaven.* Explores the changing meaning and form of independent film in the US.* Tackles the spectatorship issues surrounding retrospective viewing and rereading of classical Hollywood film.* Written by a leading authority on Todd Haynes.

Teen TV is the first anthology dedicated to a broad range of television programmes produced for and watched by teenagers. With extensive coverage of shows such as Dawson's Creek, Roswell, Buffy the Vampire Slayer and Australia's Heartbreak High, the book examines how these dramas construct and reaffirm distinct visions of 'youth'. Addressing a number of fundamental questions, the contributors ask: Is teen TV a genre in its own right? What other narrative forms do these programmes draw upon and why? How does teen TV interact with other entertainment industries, such as those of music and cinema? What position does teen TV hold within wider practices of consumption and identity inscription? The book offers a fascinating survey of the different forms teen TV takes and the many ways in which it is produced and consumed.

The seventh edition of this classic handbook on the policy process is fully updated, featuring new material on policy making amid local and global disruption, the contestable nature of modern policy advice, commissioning and contracting, public engagement and policy success and failure. The Australian Policy Handbook shows how public policy permeates every aspect of our lives. It is the stuff of government, justifying taxes, driving legislation and shaping our social services. Public policy gives us roads, railways and airports, emergency services, justice, education and health services, defence, industry development and natural resource management. While politicians make the decisions, public servants provide analysis and support for those choices. This updated edition includes new visuals and introduces a series of case studies for the first time. These cases—covering family violence, behavioural economics, justice reinvestment, child protection and more—illustrate the personal and professional challenges of policymaking practice. Drawing on their extensive practical and academic experience, the authors outline the processes used in making public policy. They systematically explain the relationships between political decision makers, public service advisers, community participants and those charged with implementation. The Australian Policy Handbook remains the essential guide for students and practitioners of policy making in Australia.

The seventh edition of this classic handbook on the policy process is fully updated, featuring new material on policy making amid local and global disruption, the contestable nature of modern policy advice, commissioning and contracting, public engagement and policy success and failure. The Australian Policy Handbook shows how public policy permeates every aspect of our lives. It is the stuff of government, justifying taxes, driving legislation and shaping our social services. Public policy gives us roads, railways and airports, emergency services, justice, education and health services, defence, industry development and natural resource management. While politicians make the decisions, public servants provide analysis and support for those choices. This updated edition includes new visuals and introduces a series of case studies for the first time. These cases—covering family violence, behavioural economics, justice reinvestment, child protection and more—illustrate the personal and professional challenges of policymaking practice. Drawing on their extensive practical and academic experience, the authors outline the processes used in making public policy. They systematically explain the relationships between political decision makers, public service advisers, community participants and those charged with implementation. The Australian Policy Handbook remains the essential guide for students and practitioners of policy making in Australia.

How have radical print cultures fostered and preserved queer lived experience from the 1960s to the present? What alternative stories about queer life across Europe can visual material reveal?Queer Print in Europe is the first book devoted to the exploration of queer print cultures in Europe, following the birth of an international gay rights movement in the late 1960s. By unearthing these ephemeral paper documents from archives and personal collections, including materials that have been out of circulation since they were first distributed, this book examines how the production and dissemination of queer print intersected with the emergence of LGBTQ+ activism within specific national contexts. This vital contribution to queer history explores borders and political movements, and the ways in which these materials contributed, through their international circulation, to the creation of a ‘post-national’ queer community.Illustrated throughout with examples of manifestos, flyers, posters, zines and other forms of print media, it features interviews with those responsible for making, distributing or archiving queer print, alongside a series of new theoretical essays that set particular publications and the individuals and groups that produced them in context. The book isolates specific instances of queer print media and scrutinises their design aesthetics, identifying both the significant contribution that queer print has made to histories of LGBTQ+ struggle and to the history of print design.

How have radical print cultures fostered and preserved queer lived experience from the 1960s to the present? What alternative stories about queer life across Europe can visual material reveal?Queer Print in Europe is the first book devoted to the exploration of queer print cultures in Europe, following the birth of an international gay rights movement in the late 1960s. By unearthing these ephemeral paper documents from archives and personal collections, including materials that have been out of circulation since they were first distributed, this book examines how the production and dissemination of queer print intersected with the emergence of LGBTQ+ activism within specific national contexts. This vital contribution to queer history explores borders and political movements, and the ways in which these materials contributed, through their international circulation, to the creation of a ‘post-national’ queer community.Illustrated throughout with examples of manifestos, flyers, posters, zines and other forms of print media, it features interviews with those responsible for making, distributing or archiving queer print, alongside a series of new theoretical essays that set particular publications and the individuals and groups that produced them in context. The book isolates specific instances of queer print media and scrutinises their design aesthetics, identifying both the significant contribution that queer print has made to histories of LGBTQ+ struggle and to the history of print design.

Pop Cinema is the first book devoted to moving image works which engage with the central thematics and aesthetics of Pop Art. The essays in the collection focus in on the core concerns of Pop as a widespread and ideologically complex art movement, and examine the ways in which artists in various global locations have used forms of film practice outside of the mainstream to explore those preoccupations. The book's contributors also identify the ways in which dominant Pop aesthetics flat planes of bold colour, mechanical forms of repetition, appropriation of materials from popular culture sources were adopted, reworked, or abandoned by such filmmakers. At root, the book asks three basic questions: what shapes might a Pop form of cinema take, what materials would it engage with, and what might it have to say?

Pop Cinema is the first book devoted to moving image works which engage with the central thematics and aesthetics of Pop Art. The essays in the collection focus in on the core concerns of Pop as a widespread and ideologically complex art movement, and examine the ways in which artists in various global locations have used forms of film practice outside of the mainstream to explore those preoccupations. The book’s contributors also identify the ways in which dominant Pop aesthetics – flat planes of bold colour, mechanical forms of repetition, appropriation of materials from popular culture sources – were adopted, reworked, or abandoned by such filmmakers. At root, the book asks three basic questions: what shapes might a Pop form of cinema take, what materials would it engage with, and what might it have to say?

Nicholas Ray’s 1955 film Rebel Without a Cause is a globally recognised landmark of post-war American cinema. The film follows twenty-four hours in the life of troubled teen Jim Stark (James Dean), the new boy in town, who becomes drawn into a maelstrom of shifting social allegiances, emotional turmoil, and violence. Rebel tackled head-on the thorny political issue of juvenile delinquency from the perspective of the adolescents, contributed to the genesis of the teen movie, and was pivotal in bringing The Method acting style to wider audiences. Dean’s nuanced and dextrous performance as the film’s lead character was paramount in establishing the actor’s iconicity.In his study of the film, Glyn Davis foregrounds the concept of rebellion, exploring in detail what it meant to be a rebel in the 1950s, the role that cinema has played in articulating rebellion and providing a haven for rebels, and why James Dean’s archetypal depiction of a teenage rebel has endured. Combining sharp close analysis with perceptive contextualisation, Davis scrutinises Nicholas Ray’s status as a maverick director, the challenges that The Method presented to calcified standards of performance in Hollywood, and the ways in which Rebel contributed to the shaping of new articulations of masculinity and sexuality. Ray’s film, Davis ultimately argues, has an ambiguous stance on rebellion, depicting both the lure and the terror of rejecting conformity.Davis examines the significant contributions to Rebel Without a Cause made by an array of cast and crew members: from screenwriter Stewart Stern to composer Leonard Rosenman, from production designer Malcolm Bert to costume designer Moss Mabry, from lead actors such as Dean and Mineo to secondary players such as Marietta Canty and Edward Platt. Highlighting the film's shifting critical reception, he unpacks its legacy and the reasons that it continues to resonate with contemporary audiences.