Godfrey Cheshire – författare

Personal in My Memory"The South in Popular Filmby some of our favorite writers and filmmakers with an introduction by Godfrey CheshireAlice Walker, Allan Gurganus, Randall Kenan, Joe Flora, Kenneth Turan, Elizabeth Spencer, and Andrew Garrison tell how their favorite Southern films marked them indelibly."We have two imaginary kingdoms. One, ''the South,'' exists primarily in song, oral traditions and folkways, native art and literature. The other, ''Hollywood,'' creates mass-produced audiovisual entertainments for American and world audiences, and develops its own mythology."

A dialogue about cinema's legacy and best directors through essays by three of the best long-form critics out there, collected from the legendary NYPress for the first time.Comprising of the kind of long-form criticism that is all too rare these days, the weekly film columns in the NYPress included polemics, reviews, interviews, festival reports and features. A far cry from what is often derisively termed the "consumer report" mode of criticism, Cheshire, Seitz and White were passionately engaged with the film culture of both their own time, and what had come before. They constituted three distinctly different voices: equally accomplished, yet notably individual, perspectives on cinema. Their distinctive tastes and approaches were often positioned in direct dialogue with each other, a constant critical conversation that frequently saw each writer directly challenging his colleagues. Dialogue is important in criticism, and here you can find a healthy example of it existing under one proverbial roof. This three-way dialogue between Cheshire, Seitz and White assesses the 1990s in cinema, along with pieces on New York's vibrant repertory scene that allow us to read the authors' takes on directors such as Hitchcock, Lean, Kubrick, Welles, Fassbinder and Bresson; as well as topics such as the legacy of Star Wars, film noir, early film projection in New York City, the New York Film Critics Circle, Sundance, the terrorist attacks of 9/11 and the emerging cinema of Iran and Taiwan.

A dialogue about cinema''s legacy and best directors through essays by three of the best long-form critics out there, collected from the legendary NYPress for the first time.Comprising of the kind of long-form criticism that is all too rare these days, the weekly film columns in the NYPress included polemics, reviews, interviews, festival reports and features. A far cry from what is often derisively termed the "consumer report" mode of criticism, Cheshire, Seitz and White were passionately engaged with the film culture of both their own time, and what had come before. They constituted three distinctly different voices: equally accomplished, yet notably individual, perspectives on cinema. Their distinctive tastes and approaches were often positioned in direct dialogue with each other, a constant critical conversation that frequently saw each writer directly challenging his colleagues. Dialogue is important in criticism, and here you can find a healthy example of it existing under one proverbial roof. This three-way dialogue between Cheshire, Seitz and White assesses the 1990s in cinema, along with pieces on New York''s vibrant repertory scene that allow us to read the authors'' takes on directors such as Hitchcock, Lean, Kubrick, Welles, Fassbinder and Bresson; as well as topics such as the legacy of Star Wars, film noir, early film projection in New York City, the New York Film Critics Circle, Sundance, the terrorist attacks of 9/11 and the emerging cinema of Iran and Taiwan.

“What’s most remarkable about this volume is its transparency. Throughout, in new, rewritten and republished pieces, you can see Godfrey’s questing and questioning mind latching onto a subject for which he has a deep affinity, learning as much as he can about it—by pondering the works themselves, talking to their creators, and absorbing the culture that birthed the scene—and then figuring out a way to transmit his enthusiasm to the widest American audience possible.”—Matt Zoller Seitz“I admire Godfrey for his strong support of Iranian cinema and his efforts to introduce Iranian films to American audiences. Although movies are shown by distributors and exhibitors, it’s really the critics who bring the audience. Godfrey’s reviews also help us in Iran by providing critical support against those who attempt to suppress us and keep us from working.”—Jafar Panahi, filmmaker