Gordon Pocock – författare
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520 kr
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Corneille and Racine may seem like marble monuments of an unchanging typical classicism. Mr Pocock is concerned to show that each of these great dramatists was a living writer, struggling to create developing forms and that the rules of neo-classical decorum were a strait-jacket to them. We can see in their writings a hesitation between poetic drama which creates its own forms from within and naturalistic drama which opts for truth to common life and a medium. In an interesting and comprehensive examination of the two authors, Mr Pocock shows the range of Coneille's achievement, and explains that a good seal which had been dismissed as decadence or incompetence was the result of his casting about for new forms. A section on Racine shows him opting for a deepening mode of drama which rejects naturalism and is implicitly subversive of neo-classical rules.
520 kr
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Boileau has traditionally been regarded as the spokesman of French neo-classicism, but some elements of scholarship have discounted the importance of neo-classical doctrine in general and of Boileau's particular contribution to it. Many critical approaches have stressed instead the liveliness and wit of Boileau's poems, his love of language and his passionate temperament. Mr Pocock uses these critical approaches to demonstrate in detail how Boileau's verve, love of contrasts, and essentially dramatic imagination animate the major poems. But he also argues that such approaches do not in themselves suffice to explain Boileau's special qualities. Neo-classicism was an important element in the intellectual life of Europe in the most critical period of the decline of Christianity and the rise of rationalism and science. Mr Pocock proposes a reformulation of those views which take account not only of modern criticism but also of Boileau's commitment to neo-classicism and his embodiment of it in his work.