Grace Dominick Grace – författare

Gotlieb is a writer central to the Canadian science fiction canon. Though she has been called the queen of Canadian SF by Robert J. Sawyer, and though David Ketterer has suggested that she is Canadian SF, Gotlieb has been largely overlooked by SF studies. This book delves deeply into her body of work and traces her career in detail. Offering close readings of Gotlieb''s novels, short stories (including ones not reprinted since their initial appearances), and SF-related poetry, this study explores Gotlieb''s development as a writer and her characteristic themes.

The book also references her manuscripts when the differences between them and the published stories provide insights into her working methods. The book enumerates and analyzes Gotlieb''s innovative explorations of common SF tropes such as the superhuman, human-alien interaction, and the galactic empire, her prevalent thematic concerns (e.g., reproduction, colonization, the mind-body relationship, the essence of "humanity") as well as her stylistically dense and literary approach to the genre.

Though it lasted just two seasons, Twin Peaks (1990-1991) raised the bar for television and is now considered one of the great dramas in TV history. Its complex plots and sensational visuals both inspired and alienated audiences. After 25 years, the cult classic is being revived.

This collection of new essays explores its filmic influences, its genre-bending innovations and its use of horror and science fiction conventions, from the original series through the earlier film prequel Twin Peaks: Fire Walk with Me and subsequent video releases.

Supernatural is one of the most successful horror TV shows ever, providing fifteen seasons of the adventures of Dean and Sam Winchester as they hunt monsters and save the world. It has nurtured a passionate fan base, which has been far more directly integrated into the show than is typical. Wry and self-aware, Supernatural repeatedly breaks out of the televisual box to acknowledge its fans and its own fictionality.

Though there have already been several studies of Supernatural, this volume is the first to focus extensively and intensively on the show''s metafictional elements. This essay collection argues that Supernatural is not merely a horror show, but is a show about how horror works as a genre, and how fans interact with their favorite material. From exploring how the show has equated authorship with divinity, to considering its incorporation of fandom and closely reading several key episodes, the essays in this volume seek to examine the multiple layers of textuality found in Supernatural.