Grace Nichols – författare

Build your child’s reading confidence at home with books at the right levelIn these two animal stories from the Caribbean, find out in the first why Tiger wanted to get rid of all the other animals and keep the jungle for himself and what clever Anansi did about it, and in the second how shy Owl nearly lost everything because he didn't have the courage to show his face. Topaz/Band 13 books offer longer and more demanding reads for children to investigate and evaluate.Text type: Two stories from another culture.The feelings roller coaster for Owl on pages 30-31 help children to discuss the different emotions addressed in the story.Curriculum links: Geography: Passport to the world; Citizenship: Living in a diverse world; ICT: Combining text and graphics.This book has been quizzed for Accelerated Reader.

A wonderful anthology of poetry by award winning poets John Agard and Grace Nichols, brought to life with beautiful illustrations by Satoshi Kitamura. Purple/Band 8 books offer developing readers literary language, with some challenging vocabulary.Text type: A poetry book.An illustration on pages 22 and 23 encourages children to recap the poems they have read in the anthology.Curriculum links: Art and Design: Portraying relationships; Music: Play it again – exploring rhythmic patterns; Citizenship: Living in a diverse world

Build your child’s reading confidence at home with books at the right levelLearn all about the strange goings on in Cotton Tree Village with these four traditional tales from the Caribbean, beautifully told here by award-winning authors, John Agard and Grace Nichols.Emerald/Band 15 books provide a widening range of genres including science fiction and biography, prompting more ways to respond to texts.Text type: Traditional tales from another cultureCurriculum links: English: fairy stories, myths and legends; books from other cultures and traditionsThis book has been quizzed for Accelerated Reader.

'Beneath the folk rhythms and the lyrical simplicities, Nichols's poems preach disquiet' OBSERVER'Not only rich music, an easy lyricism, but also grit, and earthy honesty, a willingness to be vulnerable and clean' GWENDOLYN BROOKS'Grace Nichols has wit, acidity, tenderness, any number of gifts at her disposal' JEANETTE WINTERSONCelebrating five decades of the feminist publisher, each of the Five Gold Reads represents an iconic moment in Virago's history, from the 1970s to today.A stunning collection of poems from Grace Nicholas, winner of the Queen's Gold Medal for Poetry 2021Nichols gives us images that stare us straight in the eye, images of joy, challenge, accusation. Her 'fat black woman' is brash; rejoices in herself; poses awkward questions to politicians, rulers, suitors. In other sequences of this collection, Grace Nichols writes in a language that is wonderfully vivid yet economical of the pleasures and sadnesses of memory, of loving, of 'the power to be what I am, a woman, charting my own futures'.

A collection of poems by Grace Nicholls and James Carter. At Key Stage 2 Wordsmith gives you ‘single voice’ collections of poetry. This approach enables children to familiarise themselves with the poets as individuals, learning about their lives and inspirations to help bring their work to life.

A stunning collection of poems from Grace Nichols, winner of the Queen's Gold Medal for Poetry 2021Beautyis a fat black woman walking the fields pressing a breezed hibiscus to her cheekwhile the sun lights up her feetNichols gives us images that stare us straight in the eye, images of joy, challenge, accusation. Her 'fat black woman' is brash; rejoices in herself; poses awkward questions to politicians, rulers, suitors, to a white world that still turns its back. Grace Nichols writes in a language that is wonderfully vivid yet economical of the pleasures and sadnesses of memory, of loving, of 'the power to be what I am, a woman, charting my own futures'.'Unquestionably one of our most important living poets' i-D magazine 'Not only rich music, an easy lyricism, but also grit, and earthy honesty, a willingness to be vulnerable and clean' Gwendolyn Brooks 'Beneath the folk rhythms and the lyrical simplicities, Nichols's poems preach disquiet' Observer 'Grace Nichols has wit, acidity, tenderness, any number of gifts at her disposal' Jeanette Winterson

An award-winning collection of poetry vividly evoking the experience of living in the Caribbean – and of leaving for other lands.This prestigious anthology, which won the 2003 CLPE Poetry Award, conjures up the sights and sounds, tastes and tales of the Caribbean; the experience of living there – and of leaving for other lands. A companion to the acclaimed A Caribbean Dozen, this book contains more than fifty poems by over thirty poets, including John Agard, Grace Nichols, James Berry, Valerie Bloom and Benjamin Zephaniah.

'A delightful gathering of cross-cultural poems' Irish Examiner'The rhythms and language of these poems will continue to delight children' School Librarian MagazineFrom tropical summer to icy winter, this wonderful collection of children's poetry evokes the sights, sounds and seasons of two very different places. Perfect for reading aloud and reciting with children aged 7 and above, these joyful poems reflect life in the Caribbean and Britain from the voice of a best-loved poet. Grace Nichols' first collection of poetry for children, Come on into my Tropical Garden, was published in 1988. Give Yourself a Hug followed in 1994. Sun Time Snow Time combines these two collections in a single-volume edition.Book Band: Dark Red

In The Insomnia Poems Grace Nichols explores those nocturnal hours when Sleep (the thief who nightly steals your brain) is hard to come by, and the politics of the day hard to shut out, never mind the lavender-scented pillow. Here memories of her own Guyana childhood mingle with the sleeping spectres of dreams and folk legends such as Sleeping Beauty. A lyrical interweaving of tones and textures invites the reader into the zones between sleep and no-sleep, between the solitude of the dark and the awakening of the light. The Insomnia Poems was Grace Nichols's first new collection since Picasso, I Want My Face Back (2009). Neither that collection nor this one is included in her Bloodaxe retrospective, I Have Crossed an Ocean (2010).

In Passport to Here and There Grace Nichols traces a journey that moves from the coastal memories of a Guyana childhood to life in Britain and her adoptive Sussex landscape. In these movingly redemptive and celebratory poems, she embraces connections and re-connections, with the ability to turn the ordinary into something vivid and memorable whether personal or public, contemporary or historical, most notably in a sonnet-sequence which grew out of a recent return trip to Guyana. Her ninth collection of adult poems and her fourth book with Bloodaxe, Passport to Here and There makes a significant contribution both to Caribbean and to British poetry.Our Demerara voices rising and fallinggrowing more and more goldenlike a canefield's metamorphosisfrom shoots into sugar --the crystal memory shared with a river…Passport to Here and There is Grace Nichols's third new collection since her Bloodaxe retrospective, I Have Crossed an Ocean (2010), following Picasso, I Want My Face Back (2009) and The Insomnia Poems (2017). It is a Poetry Book Society Special Commendation.

The Tracks of My Name sees Grace Nichols embarking on a journey across the English countryside to the small town of Olney in Buckinghamshire. Olney was where the one-time English slave-trader (later abolitionist) John Newton lived and wrote his famous hymn, Amazing Grace which inspired her Guyanese Methodist parents to name her Grace Olney after both hymn and place. A narrative sequence that reads as a personal quest, The Tracks of My Name lyrically and imaginatively explores the relationship between memory and history, conscience and greed, as well as a sense of place and love of landscape, through her own distinctive way of viewing the world. Elsewhere she continues the interweave between her Guyanese/Caribbean and British heritages, striking a more celebratory note with poems that draw from her various cultures. And as the ocean lashed its leviathan tails and Wind wailed like a chainsaw carried by drowned slaves, John Newton, the self-confessed blasphemer, began to pray The Tracks of My Name is Grace Nichols's fourth new collection with Bloodaxe since her retrospective, I Have Crossed an Ocean (2010), following Picasso, I Want My Face Back (2009), The Insomnia Poems (2017) and Passport to Here and There (2020). She was awarded the Queen's Gold Medal for Poetry for 2021. Her poetry is studied in UK schools as part of the GCSE National Curriculum.

Art, landscape and memory are interwoven strands in the fabric of Grace Nichols' Picasso, I Want My Face Back. The collection opens with a long poem in the voice of Dora Maar, who, as Picasso's muse and mistress, was the inspiration for his iconic painting, "The Weeping Woman". The poems are almost interlocking reflections that echo the cubistic manner of the painting and allow us to enter the shifting surfaces of Dora Maar's mind and her journey of self reclamation.