Graham Anderson – författare

The Greek and Roman world is often noted for the rationalism of a few outstanding thinkers. This book is about the traditional superstitions, beliefs, taboos, folk-remedies, ghost stories, and folk tales that haunted the rest. Along the way it considers such questions as, Do modern approaches help or hinder our attempts to see ancient superstition from the inside? Can we break down the barriers between folk tales and myths? Did it really matter whether a healing herb was picked by moonlight or not? Was there a Cinderella tale in the ancient world?The volume begins by asking how we can attempt to define folklore in the first place, and how we can make sense of the vast amount of materials available. It examines the prejudices of writers who report folkloric information and explores the cultural contexts that shaped their materials. It includes numerous examples and texts, such as tales, legends, proverbs, jokes, riddles, and traditional customs. The volume overviews critical approaches to the study of ancient folklore, and it surveys the presence of Greek and Roman folklore in classical culture. Because of the tremendous interest in the ancient world, this volume will meet the needs of high school students and general readers.

Fantasy in Greek and Roman Literature offers an overview of Greek and Roman excursions into fantasy, including imaginary voyages, dream-worlds, talking animals and similar impossibilities. This is a territory seldom explored and extends to rarely read texts such as the Aesop Romance, The Battle of the Frogs and the Mice, and The Pumpkinification of the Emperor Claudius. Bringing this diverse material together for the first time, Anderson widens readers’ perspectives on the realm of fantasy in ancient literature, including topics such as dialogues with the dead, Utopian communities and fantastic feasts. Going beyond the more familiar world of myth, his examples range from The Golden Ass to the Late Antique Testament of a Pig. The volume also explores ancient resistance to the world of make-believe. Fantasy in Greek and Roman Literature is an invaluable resource not only for students of classical and comparative literature, but also for modern writers on fantasy who want to explore the genre’s origins in antiquity, both in the more obvious and in lesser-known texts.

Holy men, both pagan and Christian are persistent and puzzling figures in the religious life of the Roman Empire. In this first historical study of Holy Men for more than half a century, Dr Anderson applies techniques of literary analysis to throw light on the lifestyles and behaviour of these figures, from Jesus Christ to Peregrinus Proteus to dio Chrysostom, stressing their individuality as much as their common features.Sage, Saint and Sophist examines the variety of services, real or imaginary, that these colouful figures had to offer and how they maintained their credibility to become the objects of successful religious cults.

Sophism was the single most important movement in second century literature: prose of that period came to be written as entertainment rather than confined to historical subjects. Graham Anderson shows how the Greek sophists' skills in public speaking enabled them to perform effectively across a variety of activities. As he presents the sophists' roles as civic celebrities side-by-side with their roles as transmitters of Hellenic culture and literary artists, a co-ordinated view of the Second Sophistic as a complex phenomenon emerges.

In this, the first modern study of the ancient fairytale, Graham Anderson asks whether the familiar children's fairytale of today existed in the ancient world. He examines texts from the classical period and finds many stories which resemble those we know today, including:* a Jewish Egyptian Cinderella* a Snow White whose enemy is the goddess Artemis* a Pied Piper at Troy.He puts forward many previously unsuspected candidates as classical variants of the modern fairytale and argues that the degree of violence and cruelty in the ancient tales means they must have been meant for adults.

In this, the first modern study of the ancient fairytale, Graham Anderson asks whether the familiar children's fairytale of today existed in the ancient world. He examines texts from the classical period and finds many stories which resemble those we know today, including:* a Jewish Egyptian Cinderella* a Snow White whose enemy is the goddess Artemis* a Pied Piper at Troy.He puts forward many previously unsuspected candidates as classical variants of the modern fairytale and argues that the degree of violence and cruelty in the ancient tales means they must have been meant for adults.

This original and compelling study argues against the traditional identification of Arthur as a king in Celtic Britain. Instead, Graham Anderson explores the evidence for two much older figures, known to classical writers as kings of Arcadia and Lydia, over a millenium before.He shows how these kings can be clearly connected with traditional Arthurian characters and adventure, including an ancient Gawain, a Lady of Shallott, and a predecessor of Excalibur, and shows that the Arthurian universe found in Welsh tales and French romances is already anticipated in these earliest of Arthurian materials.This radical reassessment of the Arthurian legends provides a new perspective on on age-old historical puzzle, and will provoke debate amongst Classical and Medieval scholars and Arthurian enthusiasts.

This original and compelling study argues against the traditional identification of Arthur as a king in Celtic Britain. Instead, Graham Anderson explores the evidence for two much older figures, known to classical writers as kings of Arcadia and Lydia, over a millenium before.He shows how these kings can be clearly connected with traditional Arthurian characters and adventure, including an ancient Gawain, a Lady of Shallott, and a predecessor of Excalibur, and shows that the Arthurian universe found in Welsh tales and French romances is already anticipated in these earliest of Arthurian materials.This radical reassessment of the Arthurian legends provides a new perspective on on age-old historical puzzle, and will provoke debate amongst Classical and Medieval scholars and Arthurian enthusiasts.

Sophism was the single most important movement in second century literature: prose of that period came to be written as entertainment rather than confined to historical subjects. Graham Anderson shows how the Greek sophists' skills in public speaking enabled them to perform effectively across a variety of activities. As he presents the sophists' roles as civic celebrities side-by-side with their roles as transmitters of Hellenic culture and literary artists, a co-ordinated view of the Second Sophistic as a complex phenomenon emerges.

A number of ancient novelists were skilful storytellers and resourceful literary artists, and their works are often carefully individualised presentations of an ancient and distinguished heritage.Ancient Fiction, first published in 1984, examines the tales retold by these novelists in light of more recently discovered Near Eastern texts, and in this way offers a tentative solution to Rohde’s celebrated problem about the origins of the Greek novel. Among the surprises that emerge are an ancient stratum of the Arabian Nights and a possible Tristan-Romance, as well as an animal Satyricon and a human Golden Ass. This new framework is, however, incidental to an examination of the achievements of ancient novelists in their own right. In presenting character, structuring narrative, imposing a veneer of sophistication or contriving a religious ethos, these writers demonstrate that their work is worthy of sympathetic study, rather dismissal as the pulp fiction of the ancient world.

Holy men, both pagan and Christian are persistent and puzzling figures in the religious life of the Roman Empire. In this first historical study of Holy Men for more than half a century, Dr Anderson applies techniques of literary analysis to throw light on the lifestyles and behaviour of these figures, from Jesus Christ to Peregrinus Proteus to dio Chrysostom, stressing their individuality as much as their common features.Sage, Saint and Sophist examines the variety of services, real or imaginary, that these colouful figures had to offer and how they maintained their credibility to become the objects of successful religious cults.

Fantasy in Greek and Roman Literature offers an overview of Greek and Roman excursions into fantasy, including imaginary voyages, dream-worlds, talking animals and similar impossibilities. This is a territory seldom explored and extends to rarely read texts such as the Aesop Romance, The Battle of the Frogs and the Mice, and The Pumpkinification of the Emperor Claudius. Bringing this diverse material together for the first time, Anderson widens readers’ perspectives on the realm of fantasy in ancient literature, including topics such as dialogues with the dead, Utopian communities and fantastic feasts. Going beyond the more familiar world of myth, his examples range from The Golden Ass to the Late Antique Testament of a Pig. The volume also explores ancient resistance to the world of make-believe. Fantasy in Greek and Roman Literature is an invaluable resource not only for students of classical and comparative literature, but also for modern writers on fantasy who want to explore the genre’s origins in antiquity, both in the more obvious and in lesser-known texts.

A number of ancient novelists were skilful storytellers and resourceful literary artists, and their works are often carefully individualised presentations of an ancient and distinguished heritage.Ancient Fiction, first published in 1984, examines the tales retold by these novelists in light of more recently discovered Near Eastern texts, and in this way offers a tentative solution to Rohde’s celebrated problem about the origins of the Greek novel. Among the surprises that emerge are an ancient stratum of the Arabian Nights and a possible Tristan-Romance, as well as an animal Satyricon and a human Golden Ass. This new framework is, however, incidental to an examination of the achievements of ancient novelists in their own right. In presenting character, structuring narrative, imposing a veneer of sophistication or contriving a religious ethos, these writers demonstrate that their work is worthy of sympathetic study, rather dismissal as the pulp fiction of the ancient world.

This study of Philostratus , first published in 1986, presents the Greek biographer’s treatment of both sophists and holy men in the social and intellectual life of the early Roman Empire, which also displays his own distinctive literary personality as a superficial dilettante and an engrossing snob. Through him we gain a glimpse of the rhetorical schools and their rivalries, as well as a bizarre portrayal of the celebrated first-century holy man Apollonius of Tyana, long loathed by his later Christian press as a Pagan Christ. Rarely does a biographer’s reputation revolve round the charge that he forged his principal source. Graham Anderson’s account produces new evidence which supports Philostratus’ credibility, but it also extends the charges of ignorance and bias in his handling of fellow-sophists. Philostratus is intended for any reader interested in the social, cultural and literary history of the Roman Empire as well as the professional classicist.

This study of Philostratus , first published in 1986, presents the Greek biographer’s treatment of both sophists and holy men in the social and intellectual life of the early Roman Empire, which also displays his own distinctive literary personality as a superficial dilettante and an engrossing snob. Through him we gain a glimpse of the rhetorical schools and their rivalries, as well as a bizarre portrayal of the celebrated first-century holy man Apollonius of Tyana, long loathed by his later Christian press as a Pagan Christ. Rarely does a biographer’s reputation revolve round the charge that he forged his principal source. Graham Anderson’s account produces new evidence which supports Philostratus’ credibility, but it also extends the charges of ignorance and bias in his handling of fellow-sophists. Philostratus is intended for any reader interested in the social, cultural and literary history of the Roman Empire as well as the professional classicist.

This anthology explores the multitude of evidence for recognisable fairy tales drawn from sources in the much older cultures of the ancient world, appearing much earlier than the 17th century where awareness of most fairy tales tends to begin.It presents versions of Cinderella, The Emperor’s New Clothes, Snow White, The Frog Prince and a host of others where the similarities to familiar ‘modern’ versions far outweigh the differences. Here we find Cinderella as a courtesan, Snow White coming to a tragic end or an innocent heroine murdering her sisters. We find an emperor’s new clothes where the flatterers compare him to Alexander the Great, or a pair of adulterers caught in a magic trap. Tantalising fragments suggest that there is more to be discovered: we can point to a Sleeping Beauty where the girl takes on the green colouring of the surrounding wood, or we encounter a Rumpelstiltskin connected to a mystery cult. The overall picture suggests a much richer texture of popular tale as a fascinating new legacy of antiquity.This volume breaks down the traditional barriers between Classical Mythology and the fairy tale, and will be an invaluable resource for anyone working on the history of fairy tales and folklore.

This anthology explores the multitude of evidence for recognisable fairy tales drawn from sources in the much older cultures of the ancient world, appearing much earlier than the 17th century where awareness of most fairy tales tends to begin.It presents versions of Cinderella, The Emperor’s New Clothes, Snow White, The Frog Prince and a host of others where the similarities to familiar ‘modern’ versions far outweigh the differences. Here we find Cinderella as a courtesan, Snow White coming to a tragic end or an innocent heroine murdering her sisters. We find an emperor’s new clothes where the flatterers compare him to Alexander the Great, or a pair of adulterers caught in a magic trap. Tantalising fragments suggest that there is more to be discovered: we can point to a Sleeping Beauty where the girl takes on the green colouring of the surrounding wood, or we encounter a Rumpelstiltskin connected to a mystery cult. The overall picture suggests a much richer texture of popular tale as a fascinating new legacy of antiquity.This volume breaks down the traditional barriers between Classical Mythology and the fairy tale, and will be an invaluable resource for anyone working on the history of fairy tales and folklore.