Graham Anderson – författare

Fantasy in Greek and Roman Literature offers an overview of Greek and Roman excursions into fantasy, including imaginary voyages, dream-worlds, talking animals and similar impossibilities. This is a territory seldom explored and extends to rarely read texts such as the Aesop Romance, The Battle of the Frogs and the Mice, and The Pumpkinification of the Emperor Claudius.

Bringing this diverse material together for the first time, Anderson widens readers’ perspectives on the realm of fantasy in ancient literature, including topics such as dialogues with the dead, Utopian communities and fantastic feasts. Going beyond the more familiar world of myth, his examples range from The Golden Ass to the Late Antique Testament of a Pig. The volume also explores ancient resistance to the world of make-believe.

Fantasy in Greek and Roman Literature is an invaluable resource not only for students of classical and comparative literature, but also for modern writers on fantasy who want to explore the genre’s origins in antiquity, both in the more obvious and in lesser-known texts.

Fantasy in Greek and Roman Literature offers an overview of Greek and Roman excursions into fantasy, including imaginary voyages, dream-worlds, talking animals and similar impossibilities. This is a territory seldom explored and extends to rarely read texts such as the Aesop Romance, The Battle of the Frogs and the Mice, and The Pumpkinification of the Emperor Claudius.

Bringing this diverse material together for the first time, Anderson widens readers’ perspectives on the realm of fantasy in ancient literature, including topics such as dialogues with the dead, Utopian communities and fantastic feasts. Going beyond the more familiar world of myth, his examples range from The Golden Ass to the Late Antique Testament of a Pig. The volume also explores ancient resistance to the world of make-believe.

Fantasy in Greek and Roman Literature is an invaluable resource not only for students of classical and comparative literature, but also for modern writers on fantasy who want to explore the genre’s origins in antiquity, both in the more obvious and in lesser-known texts.

This anthology explores the multitude of evidence for recognisable fairy tales drawn from sources in the much older cultures of the ancient world, appearing much earlier than the 17th century where awareness of most fairy tales tends to begin.

It presents versions of Cinderella, The Emperor’s New Clothes, Snow White, The Frog Prince and a host of others where the similarities to familiar ‘modern’ versions far outweigh the differences. Here we find Cinderella as a courtesan, Snow White coming to a tragic end or an innocent heroine murdering her sisters. We find an emperor’s new clothes where the flatterers compare him to Alexander the Great, or a pair of adulterers caught in a magic trap. Tantalising fragments suggest that there is more to be discovered: we can point to a Sleeping Beauty where the girl takes on the green colouring of the surrounding wood, or we encounter a Rumpelstiltskin connected to a mystery cult. The overall picture suggests a much richer texture of popular tale as a fascinating new legacy of antiquity.

This volume breaks down the traditional barriers between Classical Mythology and the fairy tale, and will be an invaluable resource for anyone working on the history of fairy tales and folklore.

This anthology explores the multitude of evidence for recognisable fairy tales drawn from sources in the much older cultures of the ancient world, appearing much earlier than the 17th century where awareness of most fairy tales tends to begin.

It presents versions of Cinderella, The Emperor’s New Clothes, Snow White, The Frog Prince and a host of others where the similarities to familiar ‘modern’ versions far outweigh the differences. Here we find Cinderella as a courtesan, Snow White coming to a tragic end or an innocent heroine murdering her sisters. We find an emperor’s new clothes where the flatterers compare him to Alexander the Great, or a pair of adulterers caught in a magic trap. Tantalising fragments suggest that there is more to be discovered: we can point to a Sleeping Beauty where the girl takes on the green colouring of the surrounding wood, or we encounter a Rumpelstiltskin connected to a mystery cult. The overall picture suggests a much richer texture of popular tale as a fascinating new legacy of antiquity.

This volume breaks down the traditional barriers between Classical Mythology and the fairy tale, and will be an invaluable resource for anyone working on the history of fairy tales and folklore.

This original and compelling study argues against the traditional identification of Arthur as a king in Celtic Britain. Instead, Graham Anderson explores the evidence for two much older figures, known to classical writers as kings of Arcadia and Lydia, over a millenium before.

He shows how these kings can be clearly connected with traditional Arthurian characters and adventure, including an ancient Gawain, a Lady of Shallott, and a predecessor of Excalibur, and shows that the Arthurian universe found in Welsh tales and French romances is already anticipated in these earliest of Arthurian materials.

This radical reassessment of the Arthurian legends provides a new perspective on on age-old historical puzzle, and will provoke debate amongst Classical and Medieval scholars and Arthurian enthusiasts.

This original and compelling study argues against the traditional identification of Arthur as a king in Celtic Britain. Instead, Graham Anderson explores the evidence for two much older figures, known to classical writers as kings of Arcadia and Lydia, over a millenium before.

He shows how these kings can be clearly connected with traditional Arthurian characters and adventure, including an ancient Gawain, a Lady of Shallott, and a predecessor of Excalibur, and shows that the Arthurian universe found in Welsh tales and French romances is already anticipated in these earliest of Arthurian materials.

This radical reassessment of the Arthurian legends provides a new perspective on on age-old historical puzzle, and will provoke debate amongst Classical and Medieval scholars and Arthurian enthusiasts.