Graham Swift – författare

Now a major film starring Olivia Colman, Colin Firth, Odessa Young and Josh O’Connor (The Crown), scripted by Alice Birch (Normal People)'Exquisite . . . Mothering Sunday shows love, lust and ordinary decency straining against the bars of an unjust English caste system' Kazuo IshiguroIt is March 30th 1924. It is Mothering Sunday.How will Jane Fairchild, orphan and housemaid, occupy her time when she has no mother to visit? How, shaped by the events of this never to be forgotten day, will her future unfold?Beginning with an intimate assignation and opening to embrace decades, Mothering Sunday has at its heart both the story of a life and the life that stories can magically contain. Constantly surprising, joyously sensual and deeply moving, it is Graham Swift at his thrilling best.Praise for Mothering Sunday:‘Mothering Sunday is a powerful, philosophical and exquisitely observed novel about the lives we lead, and the parallel lives – the parallel stories – we can never know … It may just be Swift’s best novel yet’ The Observer'Dazzling . . . a vanished world is resurrected with superb immediacy . . . wonderfully accomplished' Sunday Times'Stunning . . . It is about the most perfect novel you could wish to read' The Guardian'From start to finish Swift's is a novel of stylish brilliance and quiet narrative verve . . . Swift is a writer at the very top of his game' Evening StandardFrom the Booker-winning author of Last Orders and Waterland comes a long-awaited new novel. ‘Mothering Sunday is bathed in light; and even when tragedy strikes, it blazes irresistibly… Swift’s small fiction feels like a masterpiece’ The Guardian‘Mastery and resonance . . . It’s one of the novel’s great strengths to be able to shift with such agility between focus scene and lifetime recollection . . . the languid, blissful minutes of March 30, 1924 seem to contain all the succeeding decades’ Times Literary Supplement 'A dazzling read: sexy, stylish, subversive' Herald Scotland'A jewel of a book, a subtle, erotically charged novella suspended between past and future' Hermione Lee'A work of gold from the subtle pen of the great Graham Swift' Le Monde'With this novel he captures what it means to be alive' Der Spiegel‘An exquisite novella of love and loss . . . a short yet powerful and intricately layered work . . . every sentence counting and not a word out of place’ The Australian

WINNER OF THE BOOKER PRIZE 1996Four men once close to Jack Dodds, a London butcher, meet to carry out his peculiar last wish: to have his ashes scattered into the sea at Margate. For reasons best known to herself, Jack’s widow, Amy, declines to join them . . . On the surface a simple tale of an increasingly bizarre day’s outing, this Booker-prize winning, internationally acclaimed novel is a resonant and classic exploration of the complexity and courage of ordinary lives. Intensely local but overwhelmingly universal, faithful to the fleeting rhythms and accidental eloquence of everyday speech but also to the timeless truths of life and death, it succeeds in being comic and heartstopping, affectionate and wise, and in conferring on its stumbling, disappointed characters an enduring decency, dignity and depth.  ‘A surpassing testament to Swift’s vibrant and powerful gifts’ The Times‘A triumph . . . a story about the most fundamental things of all’ Evening Standard

The remarkable new work of fiction from the Booker Prize-winning author of Last Orders, Waterland and Mothering Sunday'His archly modulated, precise prose, reminiscent at times of his friend Kazuo Ishiguro’s, has lost none of its power ... immensely readable late-career Swift from start to finish, Twelve Post-War Tales is a marvel of the storyteller's art.' Financial Times‘There can surely be no better contemporary writer to take on history’s circularities that Graham Swift. … “Growing up in the 1950s there was all the evidence of war.” Swift has said. This beautiful cluster of stories shows how vital it remains in recollection.’ Observer'Skilful, generous and humane, these 12 tales suggest the complexity and heartbreak of being engaged on such an uncertain journey.' Guardian‘The characters in this collection share their thoughts and memories with the reader as though with a close friend, and the warmth of their confidences balances against their sadness. We feel we’ve been in the trenches with them, even when a story has gone no farther than the living room.’ Wall Street Journal'These stories, depth charges of love, anguish, resentment, each in their way relating to the effects of WW2, are so good. Swift at his best – and he’s on top form here – has the humanity and wry humour of William Trevor’, Patrick Gale'Quite wonderful. Such grace and clarity - I'm filled with admiration', Philip PullmanIn the aftermath of the Second World War Private Joseph Caan, a young Jewish soldier stationed in Germany, seeks the truth about lost family members; in the 1960s a father focuses on his daughter’s wedding even as the Cuban Missile Crisis brings the world to the brink of disaster; in 2001, while planes fly into the Twin Towers, a maid working for US Embassy staff in London wonders if her birth on the day of the Kennedy assassination shaped her life; and at the height of a pandemic lockdown, Dr. Cole, a retired specialist in respiratory disease, returns to work and recalls a formative childhood encounter with illness and much more. These are just a few of the challenged characters we meet in Graham Swift’s Twelve Post-war Tales. Tender, humane, funny and moving, Swift’s latest work of fiction displays his quietly commanding ability to set the personal and the ordinary against the harsh sweep of history. It is an outstanding achievement, confirming his status as one of the great and subtlest voices of our age.

A collection of new stories from the Booker-prize winning author of Last Orders, and of the Sunday Times bestseller Mothering Sunday.Meet Dr Shah, who has never been to India, and Mrs Kaminski, on her way to Poland via A&E. Meet Holly and Polly, who have come to their own Anglo-Irish understanding; Charlie and Don, who have seen the docks turn into Docklands; Daisy Baker, terrified of Yorkshire; and Johnny Dewhurst, stranded on Exmoor.Binding these stories together is Graham Swift's affectionate but unflinching instinct for the story of us all: an evocation of that mysterious body that is a nation, deepened by the palpable sense of our individual bodies finding or losing their way in the nationless territory of birth, ageing, sex and death.Praise for Mothering Sunday:'Bathed in light; and even when tragedy strikes, it blazes irresistibly… Swift’s small fiction feels like a masterpiece’ Guardian‘Alive with sensuousness and sensuality … wonderfully accomplished, it is an achievement’ Sunday Times‘From start to finish Swift’s is a novel of stylish brilliance and quiet narrative verve. The archly modulated, precise prose (a hybrid of Henry Green and Kazuo Ishiguro) is a glory to read. Now 66, Swift is a writer at the very top of his game’ Evening Standard‘Mothering Sunday is a powerful, philosophical and exquisitely observed novel about the lives we lead, and the parallel lives – the parallel stories – we can never know … It may just be Swift’s best novel yet’ Observer

Set in the bleak Fen Country of East Anglia, and spanning some 240 years in the lives of its haunted narrator and his ancestors, Waterland is a book that takes in eels and incest, ale-making and madness, the heartless sweep of history and a family romance as tormented as any in Greek tragedy.

Prentis, the narrator of this nightmarish novel, catalogs "dead crimes" for a branch of the London Police Department and suspects that he is going crazy. His files keep vanishing. His boss subjects him to cryptic taunts. His family despises him. And as Prentis desperately tries to hold on to the scraps of his sanity, he uncovers a conspiracy of blackmail and betrayal that extends from his department and into the buried past of his father, a war hero code-named "Shuttlecock"--and, lately, a resident of a hospital for the insane.

The men and women in these spare, Kafkaesque stories are engaged in struggles that are no less brutal because they are fought by proxy. In Graham Swift''s taut prose, these quiet combative relationships--between a mismatched couple; an aging doctor and his hypochondriacal patient; a teenage refugee swept up in the conflict between an oppressively sentimental father and his rebellious son--become a microcosm for all human cruelty and need."Swift proves throughout this ambitious collection that he is a master of his language and the construction of provocative situations."--Houston Chronicle

Set in the bleak Fen Country of East Anglia, and spanning some 240 years in the lives of its haunted narrator and his ancestors, Waterland is a book that takes in eels and incest, ale-making and madness, the heartless sweep of history and a family romance as tormented as any in Greek tragedy."Waterland, like the Hardy novels, carries with all else a profound knowledge of a people, a place, and their interweaving.... Swift tells his tale with wonderful contemporary verve and verbal felicity.... A fine and original work."--Los Angeles Times

The Sweet-Shop Owner is set during a single June day in the life of an outwardly unremarkable man whose inner world proves to be exceptionally resonant. As he tends to his customers, Willy Chapman, the sweet-shop owner, confronts the specters of his beautiful and distant wife and his clever, angry daughter, the history through which he has passed, and the great, unrequited passion that has tormented him for forty years.

Out of This World interweaves the history of a blighted family with the tragic and ludicrous history of the twentieth century. Its alternating narrators are a father and daughter--each obsessed with the other and irrevocably estranged--surveying their losses and grievances on opposite sides of the Atlantic. "A moving, ingenious and often very funny tale that takes us deep into his characters'' wounded, resilient hearts with breathtaking virtuosity...rich, complicated, joyful, arresting."--USA Today

An in-depth review of important preparative methods for the synthesis and chemical modification of polymers, this authoritative second edition examines the advantages and limitations of various polymerization applications and procedures. It features new approaches and innovative strategies from the most prominent industry and academic laboratories, reflecting the burgeoning role of polymers in modern science and technology. The book analyzes biodegradable polymers for biomedical applications; investigates the use of polyolefins, polymeric dienes, aromatic polyethers, polymides, and metal-containing macromolecules; and covers polymers of acrylic acid, methacrylic acid, and maleic acid.

An in-depth review of important preparative methods for the synthesis and chemical modification of polymers, this authoritative second edition examines the advantages and limitations of various polymerization applications and procedures. It features new approaches and innovative strategies from the most prominent industry and academic laboratories,

FROM THE BESTSELLING AUTHOR OF LAST ORDERS AND MOTHERING SUNDAY, andreissuedfor the first time in Scribner, a brilliant collection of essays, as well as brand new material, that will delight and intrigue readers. In Making an Elephant, Graham Swift brings together a richly varied selection of essays, portraits, poetry, and reflections on his life in writing.Full of insights into his passions and motivations, and wise about the friends, family, and other writers who have mattered to him over the years, this is a revealing and intimate collection. Kazuo Ishiguro advises on how to choose a guitar, Salman Rushdie arrives for Christmas under guard, and Ted Hughes shares the secrets of a Devon river. There are private moments, too, with long-dead writers, as well as musings on history and memory that readers of Swift''s novels will recognize and love.Praise for Mothering Sunday: Bathed in light; and even when tragedy strikes, it blazes irresistibly Swift''s small fiction feels like a masterpiece'' Guardian '';Alive with sensuousness and sensuality wonderfully accomplished, it is an achievement'' Sunday Times '';From start to finish Swift''s is a novel of stylish brilliance and quiet narrative verve. The archly modulated, precise prose (a hybrid of Henry Green and Kazuo Ishiguro) is a glory to read. Now 66, Swift is a writer at the very top of his game'' Evening Standard '';Mothering Sunday is a powerful, philosophical and exquisitely observed novel about the lives we lead, and the parallel lives the parallel stories we can never know It may just be Swift''s best novel yet'' Observer

FROM THE BESTSELLING AUTHOR OF LAST ORDERS AND MOTHERING SUNDAY, reissuedfor the first time in Scribner Graham Swift''s first collection of short stories confirms his power to bring an edge of the extraordinary, the dangerous or the subversive into otherwise familiar, safe, even comforting settings. On a holiday beach, a mismatched couple wage a sexually charged war for the devotion of their literally floundering son. A family doctor, oppressed by his own domestic insecurities, intimidates an apparent time-wasting patient. A zookeeper becomes the keeper of a bizarre fixation . . . While vividly evoking a recognisable English geography, these startling stories have an eye for the foreign, for the experience of refugees or for less definable zones of bewilderment and strangeness. More than one has a touch of the ghostly. Highly located yet haunted and haunting, they penetrate a hidden world of human dislocation.'';Graham Swift should be read by everyone with an interest in the art of the short story'' Paul Bailey, Evening Standard'';A masterful collection of stories''USA Today

A collection of new stories from the Booker-prize winning author of Last Orders, and of the Sunday Times bestseller Mothering Sunday. Meet Dr Shah, who has never been to India, and Mrs Kaminski, on her way to Poland via A&E. Meet Holly and Polly, who have come to their own Anglo-Irish understanding; Charlie and Don, who have seen the docks turn into Docklands; Daisy Baker, terrified of Yorkshire; and Johnny Dewhurst, stranded on Exmoor. Binding these stories together is Graham Swifts affectionate but unflinching instinct for the story of us all: an evocation of that mysterious body that is a nation, deepened by the palpable sense of our individual bodies finding or losing their way in the nationless territory of birth, ageing, sex and death. Praise for Mothering Sunday: Bathed in light; and even when tragedy strikes, it blazes irresistibly Swift''s small fiction feels like a masterpiece'' Guardian '';Alive with sensuousness and sensuality wonderfully accomplished, it is an achievement'' Sunday Times '';From start to finish Swift''s is a novel of stylish brilliance and quiet narrative verve. The archly modulated, precise prose (a hybrid of Henry Green and Kazuo Ishiguro) is a glory to read. Now 66, Swift is a writer at the very top of his game'' Evening Standard '';Mothering Sunday is a powerful, philosophical and exquisitely observed novel about the lives we lead, and the parallel lives the parallel stories we can never know It may just be Swift''s best novel yet'' Observer

***LONGLISTED FOR THE WALTER SCOTT PRIZE*** From the Booker-winning author of Last Orders and Waterland comes a long-awaitednew novel. '';Mothering Sunday is bathed in light; and even when tragedy strikes, it blazes irresistibly Swift''s small fiction feels like a masterpiece'' TheGuardian It is March 30th 1924. It is Mothering Sunday. How will Jane Fairchild, orphan and housemaid, occupy her time when she has no mother to visit? How, shaped by the events of this never to be forgotten day, will her future unfold? Beginning with an intimate assignation and opening to embrace decades, Mothering Sunday has at its heart both the story of a life and the life that stories can magically contain. Constantly surprising, joyously sensual and deeply moving, it is Graham Swift at his thrilling best.Praise forMothering Sunday: '';Mothering Sunday is a powerful, philosophical and exquisitely observed novel about the lives we lead, and the parallel lives the parallel stories we can never know It may just be Swift''s best novel yet''TheObserver Dazzling . . . a vanished world is resurrected with superb immediacy . . . wonderfully accomplishedSunday Times Stunning . . . It is about the most perfect novel you could wish to readThe Guardian From start to finish Swifts is a novel of stylish brilliance and quiet narrative verve . . . Swift is a writer at the very top of his gameEvening Standard Exquisite . . .Mothering Sundayshows love, lust and ordinary decency straining against the bars of an unjust English caste systemKazuo Ishiguro '';Mastery and resonance . . . It''s one of the novel''s great strengths to be able to shift with such agility between focus scene and lifetime recollection . . . the languid, blissful minutes of March 30, 1924 seem to contain all the succeeding decades''Times Literary Supplement A dazzling read: sexy, stylish, subversiveHerald Scotland A jewel of a book, a subtle, erotically charged novella suspended between past and futureHermione Lee A work of gold from the subtle pen of the great Graham SwiftLe Monde With this novel he captures what it means to be aliveDer Spiegel '';An exquisite novella of love and loss . . . a short yet powerful and intricately layered work . . . every sentence counting and not a word out of place'' The Australian

The remarkable new work of fiction from the Booker Prize-winning author of Last Orders, Waterland and Mothering Sunday'His archly modulated, precise prose, reminiscent at times of his friend Kazuo Ishiguro’s, has lost none of its power ... immensely readable late-career Swift from start to finish, Twelve Post-War Tales is a marvel of the storyteller's art.' Financial Times‘There can surely be no better contemporary writer to take on history’s circularities that Graham Swift. … “Growing up in the 1950s there was all the evidence of war.” Swift has said. This beautiful cluster of stories shows how vital it remains in recollection.’ Observer'Skilful, generous and humane, these 12 tales suggest the complexity and heartbreak of being engaged on such an uncertain journey.' Guardian‘The characters in this collection share their thoughts and memories with the reader as though with a close friend, and the warmth of their confidences balances against their sadness. We feel we’ve been in the trenches with them, even when a story has gone no farther than the living room.’ Wall Street Journal'These stories, depth charges of love, anguish, resentment, each in their way relating to the effects of WW2, are so good. Swift at his best – and he’s on top form here – has the humanity and wry humour of William Trevor’, Patrick Gale'Quite wonderful. Such grace and clarity - I'm filled with admiration', Philip PullmanIn the aftermath of the Second World War Private Joseph Caan, a young Jewish soldier stationed in Germany, seeks the truth about lost family members; in the 1960s a father focuses on his daughter’s wedding even as the Cuban Missile Crisis brings the world to the brink of disaster; in 2001, while planes fly into the Twin Towers, a maid working for US Embassy staff in London wonders if her birth on the day of the Kennedy assassination shaped her life; and at the height of a pandemic lockdown, Dr. Cole, a retired specialist in respiratory disease, returns to work and recalls a formative childhood encounter with illness and much more. These are just a few of the challenged characters we meet in Graham Swift’s Twelve Post-war Tales. Tender, humane, funny and moving, Swift’s latest work of fiction displays his quietly commanding ability to set the personal and the ordinary against the harsh sweep of history. It is an outstanding achievement, confirming his status as one of the great and subtlest voices of our age.

The remarkable new work of fiction from the Booker Prize-winning author of Last Orders, Waterland and Mothering Sunday 'His archly modulated, precise prose, reminiscent at times of his friend Kazuo Ishiguro’s, has lost none of its power ... immensely readable late-career Swift from start to finish, Twelve Post-War Tales is a marvel of the storyteller's art.' Financial Times ‘There can surely be no better contemporary writer to take on history’s circularities that Graham Swift. … “Growing up in the 1950s there was all the evidence of war.” Swift has said. This beautiful cluster of stories shows how vital it remains in recollection.’ Observer ‘The characters in this collection share their thoughts and memories with the reader as though with a close friend, and the warmth of their confidences balances against their sadness. We feel we’ve been in the trenches with them, even when a story has gone no farther than the living room.’ Wall Street Journal ‘[A] subtle, empathic collection written with tenderness and gentle humour’, Sydney Morning Herald ‘[S]ome of Graham Swift’s finest stories. … A clever, subtle and satisfying collection’, NZ Listener'A brilliant, illuminating collection of short fiction, perhaps the author's best’, Kirkus 'Humane, deceptively simple and utterly compelling, this might well be Swift's best book.' Daunt Books 'These stories, depth charges of love, anguish, resentment, each in their way relating to the effects of WW2, are so good. Swift at his best – and he’s on top form here – has the humanity and wry humour of William Trevor’, Patrick Gale 'Quite wonderful. Such grace and clarity - I'm filled with admiration', Philip Pullman In the aftermath of the Second World War Private Joseph Caan, a young Jewish soldier stationed in Germany, seeks the truth about lost family members; in the 1960s a father focuses on his daughter’s wedding even as the Cuban Missile Crisis brings the world to the brink of disaster; in 2001, while planes fly into the Twin Towers, a maid working for US Embassy staff in London wonders if her birth on the day of the Kennedy assassination shaped her life; and at the height of a pandemic lockdown, Dr. Cole, a retired specialist in respiratory disease, returns to work and recalls a formative childhood encounter with illness and much more. These are just a few of the challenged characters we meet in Graham Swift’s Twelve Post-war Tales.   Tender, humane, funny and moving, Swift’s latest work of fiction displays his quietly commanding ability to set the personal and the ordinary against the harsh sweep of history. It is an outstanding achievement, confirming his status as one of the great and subtlest voices of our age.   Praise for Swift's most recent novel, Here We Are    'A magical piece of writing: the work of a novelist on scintillating form.' Guardian    ‘Here We Are smuggles within the pages of a seemingly commonplace tale depths of emotion and narrative complexity that take the breath away.’ Observer    ‘The book’s power comes precisely from the fact that it performs its magic in front of your eyes, leaving nowhere to hide . . . you wonder how he does it.’ Financial Times    ‘With a wizardry of his own, Swift conjures up an about-to-disappear little world and turns it into something of wider resonance.’ Sunday Times    'Swift has no equal in evoking the atmosphere of an era while probing human psychology with irony and tenderness.' L’Express, France    ‘Swift doesn’t write, he whispers’, Corriere della Sera, Italy    “In a dozen pages Swift can embrace a whole life”, Frankfurter Allgemeine Zeitung, Germany