Graham Tulloch – författare

One of the BBC's '100 Novels That Shaped Our World''Fight on, brave knights! Man dies, but glory lives!'Banished from England for seeking to marry against his father's wishes, Ivanhoe joins Richard the Lion Heart on a crusade in the Holy Land. On his return, his passionate desire is to be reunited with the beautiful but forbidden lady Rowena, but he soon finds himself playing a more dangerous game as he is drawn into a bitter power struggle between the noble King Richard and his evil and scheming brother John. The first of Scott's novels to address a purely English subject, Ivanhoe is set in a highly romanticized medieval world of tournaments and sieges, chivalry and adventure where dispossessed Saxons are pitted against their Norman overlords, and where the historical and fictional seamlessly merge.'One of the most exciting stories in the language' A. N. WilsonEdited with an introduction and notes by Graham Tulloch

The first of Scott’s Waverley novels burst upon an astonished world in 1814. Its publication marked the emergence of the modern novel in the western world, influencing all the great nineteenth-century writers. This handsome new edition of Sir Walter Scott’s novels captures the original power and freshness of his best-loved novels.

Scott wrote short stories throughout his career, some included within novels, others published separately in periodicals. This collection of the stories from periodicals extends from his earliest published fiction to his last and comprises pieces from The Edinburgh Annual Register (1811), The Sale-Room (1817), Blackwood's Edinburgh Magazine (1817-1818) and The Keepsake (1828-1831). Only three of these stories have been regularly reprinted; the other five are here made readily available for the first time. Publication in periodicals offered Scott new opportunities to explore the potential of the short story form and to demonstrate his enormous versatility as a writer of fiction.

The Siege of Malta is one of Scott's most moving works. The story of the Siege itself is remarkable, with its combination of individual defeat and group survival against overwhelming odds. It had been part of Scott's mental furniture from his early days, and it acquires a new and powerful resonance when remembered alongside his then-failing health. To read it is an enlarging experience, which anyone at all interested in Scott should share. The incomplete narrative of Bizarro is also a fascinating document from the end of Scott's life. In it he returns to the figure of the bandit/outlaw which had intrigued him all his life and had played such an important part in two of his greatest novels, in the persons of Rob Roy himself in Rob Roy and Robin Hood in Ivanhoe. * The only available editions of these two works by Scott* Provides reading texts that remain broadly faithful to the manuscripts, but tidying them up in the way that the original intermediaries might have been expected to do* Diplomatic transcriptions, which involves attempting to reproduce the manuscripts as faithfully as possible in type, using appropriate conventions to indicate deletions and doubtful readings* Access to a digital reproduction of the manuscripts on an accompanying CD* An Essay on the Text that outlines its genesis and composition, describing the manuscripts, and presenting and illustrating the procedures involved in preparing the reading text* A Historical Note and set of Explanatory Notes along with a combined Glossary* Accompanying CD-rom containing digital photographs of the manuscripts.

In starting The Three Perils of Man Hogg embarked on an ambitious project of emulating and perhaps surpassing his friend and rival Walter Scott in Scott’s own chosen literary territory, chivalry and the Borders. Originally envisaged as a two volume ‘Border Romance’, entitled The Perilous Castle and centred around Roxburgh Castle, it expanded to include events at Roxburgh Castle, home of the legendary wizard Michael Scott, leading eventually to the adoption of the title The Three Perils of Man: War, Women, and Witchcraft. Hogg offers a devastating critique of chivalry and combines it with a study of the supernatural, an area in which he had been steeped from his childhood, and which produces some of his finest writing, including a magnificent portrait of the Devil disguised as an abbot. A host of other characters led by the lovable Charlie Scott of Yardbire provide us with a vision of everyday Borders life and values to set against the more fantastic worlds of chivalry and wizardry. Included in the novel is a story-telling contest which features some of Hogg’s most powerful short stories. This edition is based on the first edition of 1822 but draws on the newly available manuscript in the Fales Library of New York University to provide a number of new readings, including the restoration of Hogg’s original audacious choice of the name Sir Walter Scott for a key character. It includes an introduction describing the genesis, composition, publication and subsequent revision of the novel, a historical and geographical note, full explanatory notes and a glossary. It also contains a comprehensive essay on the manuscript by Gillian Hughes.

This volume contains the original versions of James Hogg’s contributions to Scottish periodicals, including newspapers, literary journals and specialist agricultural journals, which were an important outlet for Hogg’s work throughout his literary life and his contributions cover many of his favourite themes and styles including the supernatural, rural life, current events, books, human relationships and Scottish history appearing in short stories, songs, poems, newspaper reports, letters to the editor, travel writing and articles on Scottish life, culture and country. The volume provides examples of the range and diversity of themes, genres and styles found in Hogg’s work from the time when he first came to live in Edinburgh to try and establish himself as an author in 1810 till the time of his death.

What can two countries at the edge of Europe with very different histories, people and climates have in common? When brought together as they are in this book, probably for the first time, Sicily and Scotland prove to have some surprising similarities as well as more predictable differences. Both once independent nations, they are now part of larger nation states, but each still retains a deep sense of independent cultural and political identity rooted in its separate history and language which is explored in literature and film. Both favoured destinations of tourists, they have proved immensely attractive to travel writers, here represented by studies of Scottish travellers writing about Sicily. Finally they have both been great emigrant nations, sending their people across the globe to settle in faraway places, although their experiences in their new nations were very different. This book focuses on these three major strands of comparison and contrast: literature and film, travel writing and emigration. It explores the work of some of each nation's most famous writers (Sciascia, Lampedusa, Scott and Stevenson) and some well known and acclaimed films by directors of the stature of Visconti, Tornatore, Forsyth and Loach. It considers the string of Scots who, before it was discovered by tourists, made the long and unfamiliar journey to Sicily culminating in Patrick Brydone’s Tour Through Sicily and Malta which proved to be immensely popular and went through many editions after its first appearance in 1773. Finally it provides a comparison of the experience of Sicilian and Scottish emigrants through a general survey of Scottish migration, the particular case study of Sicilians in Australia, and one man’s personal account of the lives of his Sicilian and Scottish ancestors in America. The writers of this book present a fascinating comparison of these two places which have been much studied but almost never brought together before.