Greg Mitchell – författare

Read the incredible true story of the daring escapes from East Berlin.'A story with so much inherent drama.' The Guardian'One of the great untold stories of the Cold War.' Alex Kershaw, author of Avenue of Spies _______________In the summer of 1962, the year after the construction of the Berlin Wall, a group of young West Germans risked prison, Stasi torture and even death to liberate friends, lovers, and strangers in East Berlin by digging tunnels under the Wall.As Greg Mitchell's riveting narrative unfolds we meet a host of extraordinary characters who demonstrate astonishing courage in the face of adversity: the legendary cyclist who became East Berlin's most wanted man; the tunneller who had already served four years in the East German gulag; the young East Berliner who escapes with her baby, then marries one of the tunnellers; an engineer who would later help build the tunnel under the English Channel; and the Stasi informer who betrays them all.Capturing the spirit of a divided Berlin and celebrating the subversive power of ordinary people in desperate circumstances, The Tunnels is an exhilarating real-life thriller with themes that reverberate today._________________'A stark reminder that barriers can never cut people off entirely but only succeed in driving them underground.' New York Times

Read the incredible true story of the daring escapes from East Berlin.'A story with so much inherent drama.' The Guardian'One of the great untold stories of the Cold War.' Alex Kershaw, author of Avenue of Spies _______________In the summer of 1962, the year after the construction of the Berlin Wall, a group of young West Germans risked prison, Stasi torture and even death to liberate friends, lovers, and strangers in East Berlin by digging tunnels under the Wall.As Greg Mitchell's riveting narrative unfolds we meet a host of extraordinary characters who demonstrate astonishing courage in the face of adversity: the legendary cyclist who became East Berlin's most wanted man; the tunneller who had already served four years in the East German gulag; the young East Berliner who escapes with her baby, then marries one of the tunnellers; an engineer who would later help build the tunnel under the English Channel; and the Stasi informer who betrays them all.Capturing the spirit of a divided Berlin and celebrating the subversive power of ordinary people in desperate circumstances, The Tunnels is an exhilarating real-life thriller with themes that reverberate today._________________'A stark reminder that barriers can never cut people off entirely but only succeed in driving them underground.' New York Times

The shocking and significant story of how the White House and Pentagon scuttled an epic Hollywood production. Soon after atomic bombs exploded over Hiroshima and Nagasaki in 1945, MGM set out to make a movie studio chief Louis B. Mayer called “the most important story” he would ever film: a big budget dramatization of the Manhattan Project and the invention and use of the revolutionary new weapon.Over at Paramount, Hal B. Wallis was ramping up his own film version. His screenwriter: the novelist Ayn Rand, who saw in physicist J. Robert Oppenheimer the model for a character she was sketching for Atlas Shrugged. Greg Mitchell’s The Beginning or the End chronicles the first efforts of American media and culture to process the Atomic Age. A movie that began as a cautionary tale inspired by atomic scientists aiming to warn the world against a nuclear arms race would be drained of all impact due to revisions and retakes ordered by President Truman and the military—for reasons of propaganda, politics, and petty human vanity (this was Hollywood).Mitchell has found his way into the lofty rooms, from Washington to California, where it happened, unearthing hundreds of letters and dozens of scripts that show how wise intentions were compromised in favor of defending the use of the bomb and the imperatives of postwar politics. As in his acclaimed Cold War true-life thriller The Tunnels, he exposes how our implacable American myth-making mechanisms distort our history.