Gregory Orr – författare

Orr explores the biographical sources of Kunitz's work, the strategies by which he achieves his aim of converting life into legend, and the theory and tactic of the dramatic lyric, the poetic form Kunitz has practiced and perfected over the course of a lifetime.

From the acclaimed American poet whose work the San Francisco Review called “mystical, carnal, reflective, wry” come three gorgeous poetic sequences. In the first, “Eden and After,” Gregory Orr retells the story of Adam and Eve. The second sequence, “The City of Poetry,” evokes and explores a visionary metropolis where “every poem is a house, and every house a poem.” The final sequence, “River Inside the River,” focuses on redemption through the mysterious power of language to resurrect the beloved and recover what is lost. River Inside the River combines Orr’s characteristic spirituality and meditative lyricism with storytelling and myth-making. These are poems that will sustain, console, and give hope, from a poet at the height of his powers.

This primer guides young poets towards a deeper understanding of how poetry can function in their lives, while introducing the art in an exciting new way. It provides writing exercises and explains topics such as the personal and cultural threshold, the four forces that animate poetic language, tactics of revision, ecstasy and engagement as motives for poetry, and how to locate and learn from our personal poetic forebears.

From this acclaimed American poet come three gorgeous poetic sequences. In the first, “Eden and After,” Gregory Orr retells the story of Adam and Eve. The second sequence, “The City of Poetry,” evokes and explores a visionary metropolis where “every poem is a house, and every house a poem.” The final sequence, “River Inside the River,” focuses on redemption through the mysterious power of language to resurrect the beloved and recover what is lost. River Inside the River combines Orr’s characteristic spirituality and meditative lyricism with storytelling and myth-making. These are poems that will sustain, console and give hope, from a poet at the height of his powers.

In this moving, playful and deeply philosophical volume, Gregory Orr seeks innovative ways for the imagination to respond to and create meaning out of painful experiences, while at the same time rejoicing in love and language. A passionate exploration of the forces that shape us, The Last Love Poem I Will Ever Write explores themes of survival and the powerlessness of the self in a chaotic and unfair world, finding hope in the emotions and vitality of poetry. With characteristic meditative lyricism, the poet reflects on grief and the power of language in extended odes (“Ode to Nothing”, “Ode to Words”) and slips effortlessly from personal trauma (“Song of What Happens”) to public catastrophe (“Charlottesville Elegy”).The Last Love Poem I Will Ever Write confirms Orr’s place among the preeminent lyric poets of his generation, engaging the deepest existential issues with wisdom and humour and transforming them into celebratory song.

The Warren Wilson College MFA Program for Writers has emerged as one of the most well-respected writing programs in the country, producing a generation of first-rate poets who are also deeply dedicated teachers of their art. Poets Teaching Poets collects essays by current and former lecturers at Warren Wilson, including acclaimed poets Joan Aleshire, Marianne Boruch, Carl Dennis, Stephen Dobyns, Reginald Gibbons, Louise Glück, Allen Grossman, Robert Haas, Tony Hoagland, Heather McHugh, Gregory Orr, Michael Ryan, Ellen Bryant Voigt, Alan Williamson, Eleanor Wilner, and Renate Wood.This passionate and provocative anthology presents an extended, insightful dialogue on an astonishing range of topics: writers from Homer, Dickinson, and Akhmatova to Bishop, O'Hara, Milosz, and Plath; meditations on the nature of the image and the discovery of the self in Greek verse; a passionate defense of lyric poetry; and other engaging themes. Whatever their subject, these essays are, at the core, passionate and thoughtful meditations on the place of poetry in contemporary culture.Poets Teaching Poets will be an invaluable tool for teachers and students of poetry and poetics at every level. It is essential reading for anyone interested in the connections between craft and the larger issues of art, and in the continuing and exciting relevance of poetry today.Gregory Orr is author of six books of poetry, most recently City of Salt, and of two books of criticism, Richer Entanglements: Essays and Notes on Poetry and Poems and Stanley Kunitz: An Introduction to the Poetry. He is Professor of English, University of Virginia. Ellen Bryant Voigt is founder and former director of the low-residency MFA Writing Program at Goddard College and teaches in its relocated incarnation at Warren Wilson College. She has published four volumes of poetry and has received numerous awards, including two Pushcart Prizes and fellowships from the Guggenheim Foundation and the National Endowment for the Arts.

Intended for general readers and for students and scholars of poetry, Poetry as Survival is a complex and lucid analysis of the powerful role poetry can play in confronting, surviving, and transcending pain and suffering.Gregory Orr draws from a generous array of sources. He weaves discussions of work by Keats, Dickinson, and Whitman with quotes from three-thousand-year-old Egyptian poems, Inuit songs, and Japanese love poems to show that writing personal lyric has helped poets throughout history to process emotional and experiential turmoil, from individual stress to collective grief. More specifically, he considers how the acts of writing, reading, and listening to lyric bring ordering powers to the chaos that surrounds us. Moving into more contemporary work, Orr looks at the poetry of Sylvia Plath, Stanley Kunitz, and Theodore Roethke, poets who relied on their own work to get through painful psychological experiences.As a poet who has experienced considerable trauma—especially as a child—Orr refers to the damaging experiences of his past and to the role poetry played in his ability to recover and survive. His personal narrative makes all the more poignant and vivid Orr's claims for lyric poetry's power as a tool for healing. Poetry as Survival is a memorable and inspiring introduction to lyric poetry's capacity to help us find safety and comfort in a threatening world.

City of Salt, Gregory Orr’s sixth book of poems, is largely autobiographical and presents moments of intense emotion which are anchored in clearly dramatized events. These are poems of elegy and celebration, and of occasions where the two modes fuse in acts of redemptive imagination.

In this moving, playful, and deeply philosophical volume, Gregory Orr seeks innovative ways for the imagination to respond to and create meaning out of painful experiences, while at the same time rejoicing in love and language. A passionate exploration of the forces that shape us, The Last Love Poem I Will Ever Write explores themes of survival and the powerlessness of the self in a chaotic and unfair world, finding hope in the emotions and vitality of poetry. With characteristic meditative lyricism, the poet reflects on grief and the power of language in extended odes (“Ode to Nothing,” “Ode to Words”) and slips effortlessly from personal trauma (“Song of What Happens”) to public catastrophe (“Charlottesville Elegy”).The Last Love Poem I Will Ever Write confirms Orr’s place among the preeminent lyric poets of his generation, engaging the deepest existential issues with wisdom and humor and transforming them into celebratory song.

From a master lyric poet characterized by Mary Oliver as “a Walt Whitman without an inch of Whitman’s bunting and oratory” comes this late-life collection that takes its overall title from the venerable phrase that alerted listeners and viewers to an urgent event of public significance. Again and again, the poems in We Interrupt This Broadcast dramatize, in simple and deep language, what it feels like to be alive in our time.The disconnects that haunt and animate these poems are political, ecological, and psychological. Some, like “Un-Earth: A Sequence,” revisit early trauma experienced both intimately and socially, while others contemplate our present ecological crises.Set against this somber background of disconnects, Gregory Orr invokes the natural world and human intimacy as sources of growth and hope. Giving voice to both personal and universal anguish, We Interrupt This Broadcast repeatedly transforms desolation into celebration, silence and suffering into song.From “So often there’s a disconnect . . .”So often there’s a disconnect: You know the worldIs ending and you eat your soup.I’m weeding in my gardenAs a flash flood warningComes my way, complete with siren.The sky’s gray, but nothing elseIndicates so dire a situation.

Hailed on its original publication as "eloquent testimony to the engaging power of art in a man's life" (Washington Post), this deeply moving memoir, long out of print, is reissued with an illuminating new afterword.When acclaimed poet Gregory Orr was twelve years old, he shot and killed his brother in a hunting accident. From the immediate aftermath—a period of shock, sadness, and isolation—it quickly became clear that support and guidance would not be coming from his distant mother. Nor would it come from his father, a philandering country doctor addicted to amphetamines. Left to his own devices, the boy suffered.Guilt weighed on him throughout a childhood split between the rural Hudson Valley and jungles of Haiti. As a young man, his feelings and a growing sense of idealism prompted him to activism in the civil rights movement, where he marched and was imprisoned, and then scarred again by a terrifying abduction. Eventually, Orr’s experiences led him to understand that art, particularly poetry, could work as a powerful source of healing and meaning to combat the trauma he carried.Throughout The Blessing, Orr articulates his journey in language as lyrical as it is authentic, gifting us all with a singular tale of survival, and of the transformation of suffering into art.