Gregson Davis – författare

Horace's Odes have a surface translucency that belies their rhetorical sophistication. Gregson Davis brings together recent trends in the study of Augustan poetry and critical theory and deftly applies them to individual poems. Exploring four rhetorical strategies--what he calls modes of assimilation, authentication, consolation, and praise and dispraise--Davis produces enlightening, new interpretations of this classic work. Polyhymnia, named after one of the Muses invoked in Horace's opening poem, revises the common image of Horace as a complacent, uncomplicated, and basically superficial singer. Focusing on the artistic persona--the lyric "self" that is constituted in the text--Davis explores how the lyric speaker constructs subtle "arguments" whose building-blocks are topoi, recurrent motifs, and generic conventions. By examining the substructure of lyric argument in groupings of poems sharing similar strategies, the author discloses the major principles that inform Horatian lyric composition.

Aimé Césaire is arguably the best-known poet in the French Caribbean. His poetry and drama have established his formidable reputation as the leading francophone poet and elder statesman of the twentieth century. In this study Gregson Davis examines the evolution of Césaire's poetic career and his involvement with many of the most seminal political and aesthetic movements of the twentieth century. Davis relates Césaire's extraordinary dual career as writer and elected politician to the recurrent themes in his writings. As one of the most profound critics of colonialism, Césaire, the acknowledged inventor of the famous term 'negritude', has been a hugely influential figure in shaping the contemporary discourse on the postcolonial predicament. Gregson Davis's account of Césaire's intellectual growth is grounded in a careful reading of the poetry, prose and drama that illustrates the full range and depth of his literary achievement.

Aimé Césaire is arguably the best-known poet in the French Caribbean. His poetry and drama have established his formidable reputation as the leading francophone poet and elder statesman of the twentieth century. In this study Gregson Davis examines the evolution of Césaire's poetic career and his involvement with many of the most seminal political and aesthetic movements of the twentieth century. Davis relates Césaire's extraordinary dual career as writer and elected politician to the recurrent themes in his writings. As one of the most profound critics of colonialism, Césaire, the acknowledged inventor of the famous term 'negritude', has been a hugely influential figure in shaping the contemporary discourse on the postcolonial predicament. Gregson Davis's account of Césaire's intellectual growth is grounded in a careful reading of the poetry, prose and drama that illustrates the full range and depth of his literary achievement.

The role of Greek thought in the final days of the Roman republic is a topic that has garnered much attention in recent years. This volume of essays, commissioned specially from a distinguished international group of scholars, explores the role and influence of Greek philosophy, specifically Epicureanism, in the late republic. It focuses primarily (although not exclusively) on the works and views of Cicero, premier politician and Roman philosopher of the day, and Lucretius, foremost among the representatives and supporters of Epicureanism at the time. Throughout the volume, the impact of such disparate reception on the part of these leading authors is explored in a way that illuminates the popularity as well as the controversy attached to the followers of Epicurus in Italy, ranging from ethical and political concerns to the understanding of scientific and celestial phenomena. This title is also available as Open Access on Cambridge Core.

This book collects essays and other contributions by colleagues, students, and friends of the late Diskin Clay, reflecting the unusually broad range of his interests. Clay’s work in ancient philosophy, and particularly in Epicurus and Epicureanism and in Plato, is reflected chapters on Epicurean concerns by André Laks, David Sedley and Martin Ferguson Smith, as well as Jed Atkins on Lucretius and Leo Strauss; Michael Erler contributes a chapter on Plato. James Lesher discusses Xenophanes and Sophocles, and Aryeh Kosman contributes a jeu d’esprit on the obscure Pythagorean Ameinias. Greek cultural history finds multidisciplinary treatment in Rebecca Sinos’s study of Archilochus’ Heros and the Parian Relief, Frank Romer’s mythographic essay on Aphrodite’s origins and archaic mythopoieia more generally, and Kyriakos Tsantsanoglou’s explication of Callimachus’s kenning of Mt. Athos as "ox-piercing spit of your mother Arsinoe." More purely literary interests are pursued in chapters on ancient Greek (Joseph Russo on Homer, Dirk Obbink on Sappho), Latin (Jenny Strauss Clay and Gregson Davis on Horace), and post-classical poetry (Helen Hadzichronoglou on Cavafy, John Miller on Robert Pinsky and Ovid). Peter Burian contributes an essay on the possibility and impossibility of translating Aeschylus. In addition to these essays, two original poems (Rosanna Warren and Jeffrey Carson) and two pairs of translations (from Horace by Davis and from Foscolo by Burian) recognize Clay’s own activity as poet and translator. The volume begins with an Introduction discussing Clay’s life and work, and concludes with a bibliography of Clay’s publications.