Gretchen Felker-Martin – författare

Invasion of the Bodysnatchers meets Tell Me I’m Worthless in this relentless and visceral horror about a group of queer kids trying to survive the conversion camp from hell, from the author of the critically-acclaimed ManhuntSomething evil is buried deep in the desert.It wants your body.It wears your skin.In the summer of 1995, seven queer kids abandoned by their parents at a remote conversion camp came face to face with it. They survived—but at Camp Resolution, everybody leaves a different person.Sixteen years later, only the scarred and broken survivors of that terrible summer can put an end to the horror before it's too late.The fate of the world depends on it.

A queer horror novella about the occult, cult cinema, queer desires and other things left on the cutting room floor. Perfect for fans of Paul Tremblay and Cassandra Khaw. From the USA Today bestselling author of CuckooEllen, a deeply closeted lesbian spends all her time in solitude, restoring films at a failing archive in 1980s New York City.When a group of German academics present her with a print of an infamous exploitation film believed to have been destroyed during the Holocaust, Ellen finds herself forced to confront her own repressed sexuality. And the more she works on the restoration, the more obsessed she becomes with its depictions of occult practices and queer debauchery.She's soon convinced that the depraved acts portrayed in the film are not fiction, but reality.And that they're happening to her.

A queer horror novella about the occult, cult cinema, queer desires and other things left on the cutting room floor. Perfect for fans of Paul Tremblay and Cassandra Khaw. From the USA Today bestselling author of CuckooEllen, a deeply closeted lesbian spends all her time in solitude, restoring films at a failing archive in 1980s New York City.When a group of German academics present her with a print of an infamous exploitation film believed to have been destroyed during the Holocaust, Ellen finds herself forced to confront her own repressed sexuality. And the more she works on the restoration, the more obsessed she becomes with its depictions of occult practices and queer debauchery.She’s soon convinced that the depraved acts portrayed in the film are not fiction, but reality.And that they’re happening to her.