Gretchen Holbrook Gerzina – författare

Lucy Terry was a devoted wife and mother, and the first known African-American poet. Abijah Prince, her husband, was a veteran of the French and Indian Wars and an entrepreneur. Together they pursued what would become the cornerstone of the American dream — having a family and owning property where they could live, grow, and prosper. When bigoted neighbors tried to run them off their own property, they asserted their rights, as they would do many times, in court.Merging comprehensive research and grand storytelling, Mr. and Mrs. Prince reveals the true story of a remarkable pre-Civil War African-American family, as well as the challenges that faced African-Americans who lived in the North.Gretchen Holbrook Gerzina is the author and editor of several books, including Carrington, Black London (a New York Times notable book), Black Victorians/Black Victoriana, and Frances Hodgson Burnett. She is the Kathe Tappe Vernon Professor in Biography at Dartmouth College, where she is the first African-American woman to chair an Ivy League English Department. She has won grants from Fulbright and the National Endowment for Humanities and hosts "The Book Show," a nationally syndicated weekly radio program that airs on ninety stations across the country."Compelling ... History and mystery mix in this tale to make Mr. and Mrs. Prince as absorbing as it surprising and informative." — Christian Science Monitor

Here is an absorbing biography of the English artist Dora Carrington, who called herself simply "Carrington". She was a woman who made a vivid impression on those she met—she was portrayed (or caricatured), for example, in novels by Wyndham Lewis, D. H. Lawrence, and Aldous Huxley. Hopelessly in love with the noted writer Lytton Strachey, she achieved notoriety by killing herself shortly after his death. A talented painter, living a bohemian life, Carrington was torn by conflicts as an artist and a woman, including the shrewd and inquisitive Bloomsbury group. Carrington’s paintings, however, reveal much of her remarkable and original cast of mind, and since her death her reputation as an artist has grown steadily. Her work is new represented in major collections worldwide.

Born in England and transplanted to New York toward the end of the Civil War, Burnett made her home in both countries, and today both countries claim her as their own. The Secret Garden, her best-known work, became an instant modern classic and world-wide bestseller upon its publication in 1911. The text of this Norton Critical Edition is based on the first edition and is accompanied by explanatory annotations."Backgrounds and Contexts" and "Letters" illuminate important aspects of Burnett’s life and work and include her own writings on gardens and their spiritual healing. Four illustrations point to Burnett’s prominence in popular culture."Criticism" includes fourteen contemporary reviews and nine recent critical views of The Secret Garden, including Jerry Phillips’s sociopolitical interpretation and Phyllis Bixler’s comparative analysis of the Broadway musical adaptation of the novel.A Chronology and Selected Bibliography are also included.

Black Victorians/Black Victoriana is a welcome attempt to correct the historical record. Although scholarship has given us a clear view of nineteenth-century imperialism, colonialism, and later immigration from the colonies, there has for far too long been a gap in our understanding of the lives of blacks in Victorian England. Without that understanding, it remains impossible to assess adequately the state of the black population in Britain today. Using a transatlantic lens, the contributors to this book restore black Victorians to the British national picture. They look not just at the ways blacks were represented in popular culture but also at their lives as they experienced them-as workers, travelers, lecturers, performers, and professionals. Dozens of period photographs bring these stories alive and literally give a face to the individual stories the book tells.The essays taken as a whole also highlight prevailing Victorian attitudes toward race by focusing on the ways in which empire building spawned a "subculture of blackness" consisting of caricature, exhibition, representation, and scientific racism absorbed by society at large. This misrepresentation made it difficult to be both black and British while at the same time it helped to construct British identity as a whole. Covering many topics that detail the life of blacks during this period, Black Victorians/Black Victoriana will be a landmark contribution to the emergent field of black history in England.