Gurney Norman – författare

Appalachia has long been stereotyped as a region of feuds, moonshine stills, mine wars, environmental destruction, joblessness, and hopelessness. Robert Schenkkan''s 1992 Pulitzer-Prize winning play The Kentucky Cycle once again adopted these stereotypes, recasting the American myth as a story of repeated failure and poverty--the failure of the American spirit and the poverty of the American soul. Dismayed by national critics'' lack of attention to the negative depictions of mountain people in the play, a group of Appalachian scholars rallied against the stereotypical representations of the region''s people. In Back Talk from Appalachia, these writers talk back to the American mainstream, confronting head-on those who view their home region one-dimensionally. The essays, written by historians, literary scholars, sociologists, creative writers, and activists, provide a variety of responses. Some examine the sources of Appalachian mythology in nineteenth- and early twentieth-century literature. Others reveal personal experiences and examples of grassroots activism that confound and contradict accepted images of ""hillbillies."" The volume ends with a series of critiques aimed directly at The Kentucky Cycle and similar contemporary works that highlight the sociological, political, and cultural assumptions about Appalachia fueling today''s false stereotypes.

Appalachia has long been stereotyped as a region of feuds, moonshine stills, mine wars, environmental destruction, joblessness, and hopelessness. Robert Schenkkan''s 1992 Pulitzer-Prize winning play The Kentucky Cycle once again adopted these stereotypes, recasting the American myth as a story of repeated failure and poverty--the failure of the American spirit and the poverty of the American soul. Dismayed by national critics'' lack of attention to the negative depictions of mountain people in the play, a group of Appalachian scholars rallied against the stereotypical representations of the region''s people. In Back Talk from Appalachia, these writers talk back to the American mainstream, confronting head-on those who view their home region one-dimensionally. The essays, written by historians, literary scholars, sociologists, creative writers, and activists, provide a variety of responses. Some examine the sources of Appalachian mythology in nineteenth- and early twentieth-century literature. Others reveal personal experiences and examples of grassroots activism that confound and contradict accepted images of ""hillbillies."" The volume ends with a series of critiques aimed directly at The Kentucky Cycle and similar contemporary works that highlight the sociological, political, and cultural assumptions about Appalachia fueling today''s false stereotypes.

Published in 1977 by Gnomon Press. Kinfolks is a novelistic collection of short stories centered around Wilgus Collier, a young boy growing up in rural Kentucky during the 1940s and 1950s. The stories follow Wilgus from childhood into his early adulthood, exploring his relationships with his extended family and his Appalachian community. Gurney Norman introduces readers to Wilgus’s world through a series of vignettes that depict experiences with his family, particularly his parents and grandparents. These stories highlight the challenges and joys of rural life, offering a poignant look at complex family dynamics and the deep-rooted traditions of Appalachia. Throughout the book, Norman’s writing is characterized by its rich, evocative descriptions of the Appalachian landscape and its authentic portrayal of the region’s culture and people. Kinfolks-adapted for the screen as The Wilgus Stories-is celebrated for vivid storytelling that captures the essence of life in Kentucky coal country.

This first Gnomon Press edition was published in 1990. Divine Right’s Trip is a countercultural classic that captures the spirit of the 1960s and early 1970s. The novel follows Divine Right (D. R.) Davenport, a restless young man on a journey of self-discovery, as he embarks on a cross-country road trip in his beloved but unreliable old Volkswagen bus, Urge. Accompanied at times by his free-spirited girlfriend, Estelle, D. R. embarks on an odyssey that takes him through communes, small towns, and encounters with eccentric characters, each offering insights into D. R.’s own struggles with identity, freedom, and belonging. Originally published as a serial in the Last Whole Earth Catalog in 1971, Divine Right’s Trip is both a road novel and a coming-of-age story, reflecting the era’s tensions between individualism and community, rebellion and responsibility. Gurney Norman’s writing is infused with humor, sharp social observation, and a deep appreciation for the landscapes and people of Appalachia, where D. R. ultimately finds himself confronting his roots. A defining work of Appalachian literature and the countercultural movement, Divine Right’sTrip remains a thought-provoking exploration of personal growth, societal change, and the search for meaning in an ever-shifting world.

A classic tale of heroism and revolution by celebrated Kentucky writer Gurney Norman.First published in 1975 as a spoken-word record, Gurney Norman’s classic folktale tells the story of resistance among “the folks” in a mythical “hill domain” ruled by an absurd but evil king. Told in mock-heroic language, the story employs satire, comic irony, regional speech, and “the voice of a storyteller,” as a fugitive hero, Jack, leads the people in revolt against an oppressive monarchy.Featuring cover art by eastern Kentucky artist Pam Oldfield Meade, this new edition of Ancient Creek includes four essays about the story by scholar Annalucia Accardo, writer Dee Davis, professor Kevin I. Eyster, and the late poet and scholar Jim Wayne Miller.Published in 2012 by Old Cove Press

A new collection of stories from celebrated Kentucky author Gurney Norman“A beautiful book” … “A remarkable, eye-opening set of stories” … “Brilliantly arranged” … “An exhilarating mirroring of consciousness itself” … “Grand and important, funny and heartbreaking” … “An act of grace”Allegiance is a brilliant and original set of stories by former Kentucky Poet Laureate Gurney Norman. Spanning forty years of work, Allegiance is an autobiography told through stories—a rich personal journey into Norman’s life, place, and consciousness. In classic short stories, lyrical meditations, folktales, dreamscapes, and stream-of-consciousness writing, Norman imaginatively weaves together the threads of his life. Each story builds on what has come before, “prisms enlarging the effect of the whole …” The stories are humorous and heartbreaking, told mainly in the voice of Norman’s fictional narrator, Wilgus Collier. From his working-class childhood in the coalfields of Appalachia to the center of the 1960s counterculture and back again to Kentucky, Norman’s journey has been a life of many movements. This is a jacketed hardcover edition of Allegiance, featuring a foreword by poet Leatha Kendrick, an author’s note, and an original cover painting by Appalachian artist Pam Oldfield Meade. A selection of nonfiction pieces comprises the book’s epilogue.Published by Old Cove Press