Guy Delisle – författare

How do you capture a changing world in the blink of an eye? Sacramento, California, 1870. Pioneer photographer Eadweard Muybridge becomes entangled in railroad robber baron Leland Stanford s delusions of grandeur. Tasked with proving Stanford s belief that a horse s hooves do not touch the ground while galloping at full speed, Muybridge gets to work with his camera. In doing so, he inadvertently creates one of the single most important technological advancements of our age the invention of time-lapse photography and the mechanical ability to capture motion. Critically-acclaimed cartoonist Guy Delisle (Pyongyang, Hostage) returns with another engrossing foray into nonfiction: a biography about Eadweard Muydbridge, the man who made pictures move. Despite career breakthrough after career breakthrough, Muybridge would only be hampered by betrayal, intrigue, and tragedy. Delisle s keen eye for details that often go unnoticed in search of a broader emotional truth brings this historical figure and those around him to life through an uncompromising lens. Translated from the French by Helge Dascher & Rob Aspinall, Muybridge turns a spotlight on what lives in the shadow of an individual s ambition for greatness, and proves that Eadweard Muybridge deserves to be far more than just another historical footnote.

Guy Delisle's newest travelogue revolves around a year spent in Burma (also known as Myanmar) with his wife and son. Burma is notorious for its use of concealment and isolation as social control: where scissor-wielding censors monitor the papers, the de facto leader of the opposition has been under decade-long house arrest, insurgent-controlled regions are effectively cut off from the world, and rumour is the most reliable source of current information.An impressive and moving work of comics journalism from the author of Pyongyang and Shenzen.

Famously referred to as part of the 'Axis-of-Evil', North Korea remains one of the most secretive and mysterious nations in the world today. A series of manmade and natural catastrophes have also left it one of the poorest. When the fortress-like country recently opened the door a crack to foreign investment, cartoonist Guy Delisle found himself in its capital Pyongyang on a work visa for a French film animation company, becoming one of the few Westerners to witness current conditions in the surreal showcase city. Armed with a smuggled radio and a copy of 1984, Delisle could only explore Pyongyang and its countryside while chaperoned by his translator and a guide. But among the statues, portraits and propaganda of leaders Kim Il-Sung and his son Kim Jong-Il - the world's only Communist dynasty - Delisle was able to observe more than was intended of the culture and lives of the few North Koreans he encountered. His astute and wry musings on life in the austere and grim regime form the basis of this remarkable graphic novel. Pyongyang is an informative, personal and accessible look at an enigmatic country.

Guy Delisle expertly lays the groundwork for a cultural road map of contemporary Jerusalem, utilizing the classic stranger-in-a-strange-land point of view that made his other books, Pyongyang, Shenzhen, and Burma Chronicles, required reading for understanding what daily life is like in cities few are able to travel to. In Jerusalem: Chronicles from the Holy City, Delisle explores the complexities of a city that represents so much to so many. He eloquently examines the impact of the conflict on the lives of people on both sides of the wall while drolly recounting the quotidian: checkpoints, traffic jams, and holidays.When observing the Christian, Jewish, and Muslim populations that call Jerusalem home, Delisle's drawn line is both sensitive and fair, assuming nothing and drawing everything. Jerusalem showcases once more Delisle's mastery of the travelogue.

Guy Delisle expertly lays the groundwork for a cultural road map of contemporary Jerusalem, utilizing the classic stranger-in-a-strange-land point of view that made his other books, Pyongyang, Shenzhen, and Burma Chronicles, required reading for understanding what daily life is like in cities few are able to travel to. In Jerusalem: Chronicles from the Holy City, Delisle explores the complexities of a city that represents so much to so many. He eloquently examines the impact of the conflict on the lives of people on both sides of the wall while drolly recounting the quotidian: checkpoints, traffic jams, and holidays.When observing the Christian, Jewish, and Muslim populations that call Jerusalem home, Delisle's drawn line is both sensitive and fair, assuming nothing and drawing everything. Jerusalem showcases once more Delisle's mastery of the travelogue.

Guy Delisle's newest travelogue revolves around a year spent in Burma (also known as Myanmar) with his wife and son. Burma is notorious for its use of concealment and isolation as social control: where scissor-wielding censors monitor the papers, the de facto leader of the opposition has been under decade-long house arrest, insurgent-controlled regions are effectively cut off from the world, and rumour is the most reliable source of current information.An impressive and moving work of comics journalism from the author of Pyongyang and Shenzen.

Famously referred to as part of the 'Axis-of-Evil', North Korea remains one of the most secretive and mysterious nations in the world today. A series of manmade and natural catastrophes have also left it one of the poorest. When the fortress-like country recently opened the door a crack to foreign investment, cartoonist Guy Delisle found himself in its capital Pyongyang on a work visa for a French film animation company, becoming one of the few Westerners to witness current conditions in the surreal showcase city. Armed with a smuggled radio and a copy of 1984, Delisle could only explore Pyongyang and its countryside while chaperoned by his translator and a guide. But among the statues, portraits and propaganda of leaders Kim Il-Sung and his son Kim Jong-Il - the world's only Communist dynasty - Delisle was able to observe more than was intended of the culture and lives of the few North Koreans he encountered. His astute and wry musings on life in the austere and grim regime form the basis of this remarkable graphic novel. Pyongyang is an informative, personal and accessible look at an enigmatic country.

Guy Delisle's work for a French animation studio requires him to oversee production at various Asian studios on the grim frontiers of free trade. His employer puts him up for months at a time in 'cold and soulless' hotel rooms where he suffers the usual deprivations of a man very far from home. After Pyongyang, his book about the strange society that is North Korea, Delisle turned his attention to Shenzhen, the cold, urban city in Southern China that is sealed off with electric fences and armed guards from the rest of the country. The result is another brilliant graphic novel - funny, scary, utterly original and illuminating.

HOW DOES ONE SURVIVE WHEN ALL HOPE IS LOST? In the middle of the night in 1997, Doctors Without Borders administrator Christophe André was kidnapped by armed men and taken away to an unknown destination in the Caucasus region. For three months, André was kept handcuffed in solitary confinement, with little to survive on and almost no contact with the outside world. Close to twenty years later, award-winning cartoonist Guy Delisle (Pyongyang, Jerusalem, Shenzhen, Burma Chronicles) recounts André’s harrowing experience in Hostage, a book that attests to the power of one man’s determination in the face of a hopeless situation. Marking a departure from the author’s celebrated first-person travelogues, Delisle tells the story through the perspective of the titular captive, who strives to keep his mind alert as desperation starts to set in. Working in a pared down style with muted colour washes, Delisle conveys the psychological effects of solitary confinement, compelling us to ask ourselves some difficult questions regarding the repercussions of negotiating with kidnappers and what it really means to be free. Thoughtful, intense, and moving, Hostage takes a profound look at what drives our will to survive in the darkest of moments.

Ever wanted to know how to be awarded the Best Dad in the Whole World? Guy Delisle has all the answers for you in these light-hearted, entertaining tales of parental mishaps and practi--cal jokes gone wrong. Whether he's helping remove a pesky, wob--bly, but not quite loose tooth or trying to win at hide-and-seek, his antics will resonate with every parent who has ever wanted to give a sarcastic answer to a funny question from their kid. Even More Bad Parenting Advice marks Guy Delisle's second foray into the world of offering bad advice to parents, and a sec--ond opportunity to express the minor frustrations and many joys of parenting. Delisle's skilful hand at illustration and ironic way with words, which helped to popularize his travelogues about daily life in faraway places, are just as much the stars here as he or his children are. His sense of comic timing shines through in these simply told stories; with their lively flow, a change in facial expression or a few words can serve as the anecdote's punch line.Even More Bad Parenting Advice celebrates the reality that parenting isn't all first steps and gold-starred report cards; it's stinky diapers and never-ending drives to the grocery store too.

Jerusalem: Chronicles from the Holy City is the acclaimed graphic memoirist Guy Delisle's strongest work yet, a thoughtful and moving travelogue about life in contemporary Jerusalem.

The perennial graphic novel about the "e;Hermit Country"e; with new cover and introduction by Gore VerbinskiPyongyang: A Journey in North Korea is Guy Delisle's graphic novel that made his career,an international bestseller for over ten years. Delisle became one of the few Westerners to be allowed access to the fortresslike country when he was working in animation for a French company. While living in the nation's capital for two months on a work visa, Delisle observed everything he was allowed to see of the culture and lives of the few North Koreans he encountered, bringing a sardonic and skeptical perspective on a place rife with propaganda. As a guide to the country, Delisle is a non-believer with a keen eye for the humor and tragedy of dictatorial whims, expressed in looming architecture and tiny, omnipresent photos of the President. The absurd vagaries of everyday life become fodder for a frustrated animator s musings as boredom and censorship sink in. Delisle himself is the ideal foil for North Korean spin, the grumpy outsider who brought a copy of George Orwell s 1984 with him into the totalitarian nation. Pyongyang is an informative, personal, and accessible look at a dangerous and enigmatic country. Pyongyang has been translated from the French by Helge Dascher. Dascher has been translating graphic novels from French and German to English for over twenty years. A contributor to Drawn & Quarterly since the early days, her translations include acclaimed titles such as the Aya series by Marguerite Abouet and Clement Oubrerie, Hostage by Guy Delisle, and Beautiful Darkness by Fabien Vehlmann and Kerascoet. With a background in art history and history, she also translates books and exhibitions for museums in North America and Europe. She lives in Montreal.

Shenzhen is entertainingly compact with Guy Delisle's observations of life in urban southern China, sealed off from the rest of the country by electric fences and armed guards. With a dry wit and a clean line, Delisle makes the most of his time spent in Asia overseeing outsourced production for a French animation company. By translating his fish-out-of-water experiences into accessible graphic novels, Delisle skillfully notes the differences between Western and Eastern cultures, while also conveying his compassion for the simple freedoms that escape his colleagues in the Communist state. Shenzhen has been translated from the French by Helge Dascher. Dascher has been translating graphic novels from French and German to English for over twenty years. A contributor to Drawn & Quarterly since the early days, her translations include acclaimed titles such as the Aya series by Marguerite Abouet and Clement Oubrerie, Hostage by Guy Delisle, and Beautiful Darkness by Fabien Vehlmann and Kerascoet. With a background in art history and history, she also translates books and exhibitions for museums in North America and Europe. She lives in Montreal.

2012 Favue D'or at the Festival Intl de la bande dessinee d'AngoulemeAcclaimed graphic memoirist Guy Delisle returns with his strongest work yet a thoughtful and moving travelogue about life in the Holy City. Guy Delisle expertly lays the groundwork for a cultural road map of contemporary Jerusalem, utilizing the classic stranger in a strange land point of view that made his other books, Pyongyang, Shenzhen, and Burma Chronicles, required reading for understanding what daily life is like in cities few are able to travel to. In Jerusalem: Chronicles from the Holy City, Delisle explores the complexities of a city that represents so much to so many. He eloquently examines the impact of the conflict on the lives of people on both sides of the wall while drolly recounting the quotidian: checkpoints, traffic jams, and holidays. When observing the Christian, Jewish, and Muslim populations that call Jerusalem home, Delisle s drawn line is both sensitive and fair, assuming nothing and drawing everything. Jerusalem showcases once more Delisle s mastery of the travelogue. Jerusalem has been translated from the French by Helge Dascher. Dascher has been translating graphic novels from French and German to English for over twenty years. A contributor to Drawn & Quarterly since the early days, her translations include acclaimed titles such as the Aya series by Marguerite Abouet and Clement Oubrerie, Hostage by Guy Delisle, and Beautiful Darkness by Fabien Vehlmann and Kerascoet. With a background in art history and history, she also translates books and exhibitions for museums in North America and Europe. She lives in Montreal.

Meditations on fatherhood from the author of Jerusalem: Chronicles from the Holy CityWith A User s Guide to Neglectful Parenting, the trademark dry humor that pervades Guy Delisle s landmark and praised graphic travelogues takes center stage. Quick, light vignettes play on the worries and cares any young parent might have, and offer wry solutions to the petty frustrations of being a dad who works from home. Readers familiar with Delisle s stranger-in-a-strange-land technique for storytelling (employed in Jerusalem, Pyongyang, Burma Chronicles, and Shenzhen) will recognize the titular parent in this book; Delisle s travelogues were simultaneously portraits of complex places and times, and portraits of a stay-at-home dad s ever-changing relationship with his children while his wife is out working for Doctors Without Borders. The relationship between young child and all-too-irony-aware parent is beautifully done here, and Delisle s loose flowing style has been set free, creating a wonderful sense of motion throughout. A User s Guide to Neglectful Parenting is an intimate, offbeat look at the joys of parenting. A User's Guide to Neglectful Parenting has been translated from the French by Helge Dascher. Dascher has been translating graphic novels from French and German to English for over twenty years. A contributor to Drawn & Quarterly since the early days, her translations include acclaimed titles such as the Aya series by Marguerite Abouet and Clement Oubrerie, Hostage by Guy Delisle, and Beautiful Darkness by Fabien Vehlmann and Kerascoet. With a background in art history and history, she also translates books and exhibitions for museums in North America and Europe. She lives in Montreal.

The Handbook to Lazy Parenting is the bestselling cartoonist Guy Delisle's final tribute to the frequently hilarious and absurd situations that any parent will find themselves in when raising young children--all told with his trademark sarcastic wit. But even as his children grow older, wiser, and less interested in their father's antics, Delisle has no shortage of bad-parenting stories, only now, sometimes the joke is on him! From trying to convince Louis to play video games instead of letting him do his homework, to forgetting Alice in a stationery store after buying a pen, to tricking the kids out of dessert to make up for his own blunder, Delisle tells relatable stories of parenthood, the mistakes we have trouble admitting to, and the impulse that we all sometimes have to give a comically serious answer to a child's comically serious question. With impressive timing and pacing in these lighthearted vignettes, Delisle delivers his gut-wrenchingly funny punch lines in self-deprecating fashion, letting everyone know who is ultimately the butt of the joke. The Handbook to Lazy Parenting will delight parents, of course, but also anyone who has raised or known an inquisitive child and needs some pro tips on being, well, a bad dad!

How does one survive when all hope is lost? In the middle of the night in 1997, Doctors Without Borders administrator Christophe Andre was kidnapped by armed men and taken away to an unknown destination in the Caucasus region. For three months, Andre was kept handcuffed in solitary confinement, with little to survive on and almost no contact with the outside world. Close to twenty years later, award-winning cartoonist Guy Delisle (Pyongyang, Jerusalem, Shenzhen, Burma Chronicles) recounts Andre s harrowing experience in Hostage, a book that attests to the power of one man s determination in the face of a hopeless situation. Marking a departure from the author s celebrated first-person travelogues, Delisle tells the story through the perspective of the titular captive, who strives to keep his mind alert as desperation starts to set in. Working in a pared down style with muted colour washes, Delisle conveys the psychological effects of solitary confinement, compelling us to ask ourselves some difficult questions regarding the repercussions of negotiating with kidnappers and what it really means to be free. Thoughtful, intense, and moving, Hostage takes a profound look at what drives our will to survive in the darkest of moments. Hostage has been translated from the French by Helge Dascher. Dascher has been translating graphic novels from French and German to English for over twenty years. A contributor to Drawn & Quarterly since the early days, her translations include acclaimed titles such as the Aya series by Marguerite Abouet and Clement Oubrerie, Pyongyang by Guy Delisle, and Beautiful Darkness by Fabien Vehlmann and Kerascoet. With a background in art history and history, she also translates books and exhibitions for museums in North America and Europe. She lives in Montreal.

A funny and insightful retrospective collection from a celebrated cartoonist. Universally beloved cartoonist Guy Delisle showcases a career-spanning collection of his work with a sly sense of humour and warm characterization. Before Delisle became an international superstar with his globe-hopping travelogues, he was an animator experimenting with the comics form. Always aware of the elasticity of the human form and honing his keen observer s eye, young Delisle created hilarious set pieces. World Record Holders ranges from wistful childhood nostalgia to chagrined post-fame encounters, touching on formally ambitious visual puns and gut-busting what-ifs. Delisle again and again shows how life is both exhilarating and embarrassing. Delisle visits an exhibition of his work in another country and is confronted by an angry spouse who blames him for destroying her marriage. A juvenile game of Bows and Arrows turns menacing as arrows shot straight up in the air turn into barely visible missiles of death. A coded message from space creates different reactions from different people debates, dance festivals, gallery shows. Translated by Helge Dascher and Rob Aspinall.

"e;From the author of Pyongyang: A Journey in North Korea and Shenzhen: A Travelogue from China, is Burma Chronicles, an informative look at a country that uses concealment and isolation as social control. It is drawn with Guy Delisle's minimal line while interspersed with wordless vignettes and moments of his distinctive slapstick humor. Burma Chronicles has been translated from the French by Helge Dascher. Dascher has been translating graphic novels from French and German to English for over twenty years. A contributor to Drawn & Quarterly since the early days, her translations include acclaimed titles such as the Aya series by Marguerite Abouet and Clement Oubrerie, Hostage by Guy Delisle, and Beautiful Darkness by Fabien Vehlmann and Kerascoet. With a background in art history and history, she also translates books and exhibitions for museums in North America and Europe. She lives in Montreal."e;

Universally beloved cartoonist Guy Delisle showcases a career-spanning collection of his work with a sly sense of humor and warm characterization. Before Delisle became an international superstar with his globe-hopping travelogues, he was an animator experimenting with the comics form. Always aware of the elasticity of the human form and honing his keen observer’s eye, young Delisle created hilarious set pieces.World Record Holders ranges from wistful childhood nostalgia to chagrined post-fame encounters, touching on formally ambitious visual puns and gut-busting what-ifs. Delisle again and again shows how life is both exhilarating and embarrassing. Delisle visits an exhibition of his work in another country and is confronted by an angry spouse who blames him for destroying her marriage. A juvenile game of Bows and Arrows turns menacing as arrows shot straight up in the air turn into barely visible missiles of death. A coded message from space creates different reactions from different people—debates, dance festivals, gallery shows. Translated by Helge Dascher.

For three summers beginning when he was 16, cartoonist Guy Delisle worked at a pulp and paper factory in Quebec City. Factory Summers chronicles the daily rhythms of life in the mill, and the twelve hour shifts he spent in a hot, noisy building filled with arcane machinery. Delisle takes his noted outsider perspective and applies it domestically, this time as a boy amongst men through the universal rite of passage of the summer job. Even as a teenager, Delisle’s keen eye for hypocrisy highlights the tensions of class and the rampant sexism an all-male workplace permits.Guy works the floor doing physically strenuous tasks. He is one of the few young people on site, and furthermore gets the job through his father’s connections, a fact which rightfully earns him disdain from the lifers. Guy’s dad spends his whole career in the white collar offices, working 9 to 5 instead of the rigorous 12-hour shifts of the unionized labor. Guy and his dad aren’t close, and Factory Summers leaves Delisle reconciling whether the job led to his dad’s aloofness and unhappiness.On his days off, Guy finds refuge in art, a world far beyond the factory floor. Delisle shows himself rediscovering comics at the public library, and preparing for animation school–only to be told on the first day, “There are no jobs in animation.” Eager to pursue a job he enjoys, Guy throws caution to the wind.Translated by Helge Dascher and Rob Aspinall

How do you capture a changing world in the blink of an eye?Sacramento, California, 1870. Pioneer photographer Eadweard Muybridge becomes entangled in railroad robber baron Leland Stanford’s delusions of grandeur. Tasked with proving Stanford’s belief that a horse’s hooves do not touch the ground while galloping at full speed, Muybridge gets to work with his camera. In doing so, he inadvertently creates one of the single most important technological advancements of our age—the invention of time-lapse photography and the mechanical ability to capture motion. Critically-acclaimed cartoonist Guy Delisle (Pyongyang, Hostage) returns with another engrossing foray into nonfiction: a biography about Eadweard Muydbridge, the man who made pictures move. Despite career breakthrough after career breakthrough, Muybridge would only be hampered by betrayal, intrigue, and tragedy. Delisle’s keen eye for details that often go unnoticed in search of a broader emotional truth brings this historical figure and those around him to life through an uncompromising lens. Translated from the French by Helge Dascher & Rob Aspinall, Muybridge turns a spotlight on what lives in the shadow of an individual’s ambition for greatness, and proves that Eadweard Muybridge deserves to be far more than just another historical footnote.

Guy Delisle's work for a French animation studio requires him to oversee production at various Asian studios on the grim frontiers of free trade. His employer puts him up for months at a time in 'cold and soulless' hotel rooms where he suffers the usual deprivations of a man very far from home. After Pyongyang, his book about the strange society that is North Korea, Delisle turned his attention to Shenzhen, the cold, urban city in Southern China that is sealed off with electric fences and armed guards from the rest of the country. The result is another brilliant graphic novel - funny, scary, utterly original and illuminating.

HOW DOES ONE SURVIVE WHEN ALL HOPE IS LOST? In the middle of the night in 1997, Doctors Without Borders administrator Christophe André was kidnapped by armed men and taken away to an unknown destination in the Caucasus region. For three months, André was kept handcuffed in solitary confinement, with little to survive on and almost no contact with the outside world. Close to twenty years later, award-winning cartoonist Guy Delisle (Pyongyang, Jerusalem, Shenzhen, Burma Chronicles) recounts André’s harrowing experience in Hostage, a book that attests to the power of one man’s determination in the face of a hopeless situation. Marking a departure from the author’s celebrated first-person travelogues, Delisle tells the story through the perspective of the titular captive, who strives to keep his mind alert as desperation starts to set in. Working in a pared down style with muted colour washes, Delisle conveys the psychological effects of solitary confinement, compelling us to ask ourselves some difficult questions regarding the repercussions of negotiating with kidnappers and what it really means to be free. Thoughtful, intense, and moving, Hostage takes a profound look at what drives our will to survive in the darkest of moments.