Guy Ramsay – författare

This book examines how Chinese-language newspapers across greater China report on severe mental illness, and why they do so in the ways they do, given that reporting in local newspapers can strongly influence how Chinese readers view the illness.

By assessing how the reporting in three leading broadsheet newspapers from mainland China, Hong Kong, and Taiwan constructs the illness, the book considers how the distinct social and political histories of the three culturally Chinese communities shape the reporting, and whether it bears out or contests the intense stigma against the illness that prevails locally. The findings can usefully encourage and inform attempts to humanise, include, and empower those with a severe mental illness across greater China and the global Chinese diaspora.

Employing a well-tested, transparent discourse analytic approach, the book also includes numerous Chinese-English bilingual news report extracts to illustrate its claims. As such, Reporting Mental Illness in China will be of interest to sinologists, discourse analysts, mental health professionals and public health authorities across the globe, especially in places where there are large Chinese-speaking populations.

This book examines how Chinese-language newspapers across greater China report on severe mental illness, and why they do so in the ways they do, given that reporting in local newspapers can strongly influence how Chinese readers view the illness.

By assessing how the reporting in three leading broadsheet newspapers from mainland China, Hong Kong, and Taiwan constructs the illness, the book considers how the distinct social and political histories of the three culturally Chinese communities shape the reporting, and whether it bears out or contests the intense stigma against the illness that prevails locally. The findings can usefully encourage and inform attempts to humanise, include, and empower those with a severe mental illness across greater China and the global Chinese diaspora.

Employing a well-tested, transparent discourse analytic approach, the book also includes numerous Chinese-English bilingual news report extracts to illustrate its claims. As such, Reporting Mental Illness in China will be of interest to sinologists, discourse analysts, mental health professionals and public health authorities across the globe, especially in places where there are large Chinese-speaking populations.

With rapid economic progress and increasing life expectancy in East Asian societies, more attention is being paid by their governments, the media and the academy to mental illness and dementia. While clinical research on mental illness and dementia in Chinese societies acknowledges the importance of culture in shaping people’s experiences of these illnesses, how Chinese culture shapes people’s understandings of and responses to mental illness and dementia has yet to be interrogated to any depth.

Mental Illness, Dementia and Family in China breaks new ground in exploring how Chinese culture, namely, the understandings, norms, values and scripts that people acquire through being members of a Chinese community, shapes contemporary stories of mental illness, dementia and family care-giving. This book is innovative in examining and comparing stories which have been drawn from both real life (‘life stories’), as well as from film and television productions (‘filmic stories’). These two forms effectively complement each other, with life stories generally presenting an ‘insider’s’ account and filmic stories generally presenting an ‘outsider’s’ account. What remains unvoiced in one kind of story may be voiced in the other kind. Drawing on the perspectives and analytic approaches of narrative analysis and cultural studies, Guy Ramsay uncovers culturally-shaped continuities and departures in representations of time, identity and cause of illness as well as in the language employed in contemporary stories of mental illness, dementia and family care-giving in China.

This book will be invaluable to students and scholars working on Chinese cultural studies and Asian social policy, as well as those interested in psychiatry, mental health and disability studies more broadly.

With rapid economic progress and increasing life expectancy in East Asian societies, more attention is being paid by their governments, the media and the academy to mental illness and dementia. While clinical research on mental illness and dementia in Chinese societies acknowledges the importance of culture in shaping people’s experiences of these illnesses, how Chinese culture shapes people’s understandings of and responses to mental illness and dementia has yet to be interrogated to any depth.

Mental Illness, Dementia and Family in China breaks new ground in exploring how Chinese culture, namely, the understandings, norms, values and scripts that people acquire through being members of a Chinese community, shapes contemporary stories of mental illness, dementia and family care-giving. This book is innovative in examining and comparing stories which have been drawn from both real life (‘life stories’), as well as from film and television productions (‘filmic stories’). These two forms effectively complement each other, with life stories generally presenting an ‘insider’s’ account and filmic stories generally presenting an ‘outsider’s’ account. What remains unvoiced in one kind of story may be voiced in the other kind. Drawing on the perspectives and analytic approaches of narrative analysis and cultural studies, Guy Ramsay uncovers culturally-shaped continuities and departures in representations of time, identity and cause of illness as well as in the language employed in contemporary stories of mental illness, dementia and family care-giving in China.

This book will be invaluable to students and scholars working on Chinese cultural studies and Asian social policy, as well as those interested in psychiatry, mental health and disability studies more broadly.

Addiction to illicit drugs is a pressing social concern across greater China, where there are likely several million drug addicts at present. This research breaks new ground by examining Chinese people’s stories of drug addiction.

Chinese Stories of Drug Addiction systematically evaluates how drug addiction is represented and constructed in a series of contemporary life stories and filmic stories from mainland China, Taiwan and Hong Kong. These stories recount experiences leading up to and during drug addiction, as well as experiences during drug rehabilitation and recovery. Through analysis of these contemporary life stories and filmic stories, the book presents a comprehensive picture of how Chinese people from both inside the experience of drug addiction and outside of it make sense of a social practice that is deemed to be highly transgressive in Chinese culture. It employs a blended discourse analytic and narrative analytic approach to show how salient cultural, political and institutional discourses shape these Chinese stories and experiences. Complementing existing humanities research which documents the historical narrative of drug addiction in China at the expense of the contemporary narrative, the book also provides health and allied professionals with a rich insight into how Chinese people from different geographical locations and walks of life make sense of the experience of drug addiction.

Moving beyond historical narrative to examine contemporary stories, Chinese Stories of Drug Addiction offers a valuable contribution to the fields of Chinese studies and personal health and wellbeing, as well as being of practical use to health professionals.

Addiction to illicit drugs is a pressing social concern across greater China, where there are likely several million drug addicts at present. This research breaks new ground by examining Chinese people’s stories of drug addiction.

Chinese Stories of Drug Addiction systematically evaluates how drug addiction is represented and constructed in a series of contemporary life stories and filmic stories from mainland China, Taiwan and Hong Kong. These stories recount experiences leading up to and during drug addiction, as well as experiences during drug rehabilitation and recovery. Through analysis of these contemporary life stories and filmic stories, the book presents a comprehensive picture of how Chinese people from both inside the experience of drug addiction and outside of it make sense of a social practice that is deemed to be highly transgressive in Chinese culture. It employs a blended discourse analytic and narrative analytic approach to show how salient cultural, political and institutional discourses shape these Chinese stories and experiences. Complementing existing humanities research which documents the historical narrative of drug addiction in China at the expense of the contemporary narrative, the book also provides health and allied professionals with a rich insight into how Chinese people from different geographical locations and walks of life make sense of the experience of drug addiction.

Moving beyond historical narrative to examine contemporary stories, Chinese Stories of Drug Addiction offers a valuable contribution to the fields of Chinese studies and personal health and wellbeing, as well as being of practical use to health professionals.