Guy Woodward – författare

The theme of this volume is big data in ecology.

Updates and informs the reader on the latest research findings Written by leading experts in the field Highlights areas for future investigation

Advances in Ecological Research is one of the most successful series in the highly competitive field of ecology. Each volume publishes topical and important reviews, interpreting ecology as widely as in the past, to include all material that contributes to our understanding of the field. Topics in this invaluable series include the physiology, populations, and communities of plants and animals, as well as landscape and ecosystem ecology. Presents the most updated information on the field of ecology, publishing topical and important reviews Provides all information that relates to a thorough understanding of the field Includes data on physiology, populations, and communities of plants and animals New ideas on ES Integrative approach working across a variety of levels of biological organization and spatial and temporal scales Diversity of relevant subjects covered

Aquatic Functional Biodiversity: An Ecological and Evolutionary Perspective provides a general conceptual framework by some of the most prominent investigators in the field for how to link eco-evolutionary approaches with functional diversity to understand and conserve the provisioning of ecosystem services in aquatic systems. Rather than producing another methodological book, the editors and authors primarily concentrate on defining common grounds, connecting conceptual frameworks and providing examples by a more detailed discussion of a few empirical studies and projects, which illustrate key ideas and an outline of potential future directions and challenges that are expected in this interdisciplinary research field.

Recent years have seen an explosion of interest in using network approaches to disentangle the relationship between biodiversity, community structure and functioning. Novel methods for model construction are being developed constantly, and modern methods allow for the inclusion of almost any type of explanatory variable that can be correlated either with biodiversity or ecosystem functioning. As a result these models have been widely used in ecology, conservation and eco-evolutionary biology. Nevertheless, there remains a considerable gap on how well these approaches are feasible to understand the mechanisms on how biodiversity constrains the provisioning of ecosystem services.

Defines common theoretical grounds in terms of terminology and conceptual issues Connects theory and practice in ecology and eco-evolutionary sciences Provides examples for successful biodiversity conservation and ecosystem service management

Aquatic Functional Biodiversity: An Ecological and Evolutionary Perspective provides a general conceptual framework by some of the most prominent investigators in the field for how to link eco-evolutionary approaches with functional diversity to understand and conserve the provisioning of ecosystem services in aquatic systems. Rather than producing another methodological book, the editors and authors primarily concentrate on defining common grounds, connecting conceptual frameworks and providing examples by a more detailed discussion of a few empirical studies and projects, which illustrate key ideas and an outline of potential future directions and challenges that are expected in this interdisciplinary research field.Recent years have seen an explosion of interest in using network approaches to disentangle the relationship between biodiversity, community structure and functioning. Novel methods for model construction are being developed constantly, and modern methods allow for the inclusion of almost any type of explanatory variable that can be correlated either with biodiversity or ecosystem functioning. As a result these models have been widely used in ecology, conservation and eco-evolutionary biology. Nevertheless, there remains a considerable gap on how well these approaches are feasible to understand the mechanisms on how biodiversity constrains the provisioning of ecosystem services.- Defines common theoretical grounds in terms of terminology and conceptual issues- Connects theory and practice in ecology and eco-evolutionary sciences- Provides examples for successful biodiversity conservation and ecosystem service management

The theme of this volume is Trait-Based Ecology - From Structure to Function.

Advances in Ecological Research is one of the most successful series in the highly competitive field of ecology Each volume publishes topical and important reviews, interpreting ecology as widely as in the past, to include all material that contributes to our understanding of the field Topics in this invaluable series include the physiology, populations, and communities of plants and animals, as well as landscape and ecosystem ecology

Advances in Ecological Research is one of the most successful series in the highly competitive field of ecology. Each volume publishes topical and important reviews, interpreting ecology as widely as in the past, to include all material that contributes to our understanding of the field. Topics in this invaluable series include the physiology, populations, and communities of plants and animals, as well as landscape and ecosystem ecology. Presents the most updated information on the field of ecology, publishing topical and important reviews Provides all information that relates to a thorough understanding of the field Includes data on physiology, populations, and communities of plants and animals New ideas on ES Integrative approach working across a variety of levels of biological organization and spatial and temporal scales Diversity of relevant subjects covered

Culture, Northern Ireland, and the Second World War explores the impact of the Second World War on literature and culture in Northern Ireland between 1939 and 1970. It argues that the war, as a unique interregnum in the history of Northern Ireland, challenged the entrenched political and social makeup of the province and had a profound effect on its cultural life. Critical approaches to Northern Irish literature and culture have often been circumscribed bytopographies of partition and sectarianism, but the Second World War generated conditions for reimagining the province within broader European and global contexts. These have perhaps been obscured by the amount of critical attention that has been paid to the impact of the Troubles on the culture of theprovince, and for this reason the book focuses on material produced before the flaring of political violence towards the end of the 1960s. Drawing on archival research, over four chapters the book describes the activities of an eccentric collection of artists and writers during and after the Second World War, and considers how the awkward position of the province in relation to the war is reflected in their work

Culture, Northern Ireland, and the Second World War explores the impact of the Second World War on literature and culture in Northern Ireland between 1939 and 1970. It argues that the war, as a unique interregnum in the history of Northern Ireland, challenged the entrenched political and social makeup of the province and had a profound effect on its cultural life. Critical approaches to Northern Irish literature and culture have often been circumscribed by topographies of partition and sectarianism, but the Second World War generated conditions for reimagining the province within broader European and global contexts. These have perhaps been obscured by the amount of critical attention that has been paid to the impact of the Troubles on the culture of the province, and for this reason the book focuses on material produced before the flaring of political violence towards the end of the 1960s. Drawing on archival research, over four chapters the book describes the activities of an eccentric collection of artists and writers during and after the Second World War, and considers how the awkward position of the province in relation to the war is reflected in their work

During the Second World War, Britain was both strategically and imaginatively invested in Yugoslavia. The Balkan state was celebrated and idealized in home front propaganda as a site of resistance, a locus of spirituality, and then as a brave communist experiment containing the promise of utopia. After the war, many hailed Tito's Yugoslavia as an exceptional socialist society steering a course between the extremes of western free-market capitalism and Soviet repression, while others cursed the regime as totalitarian, or mourned the loss of a picturesque Ruritanian kingdom to a communist regime. From the BBC to Ealing Studios, from special operations memoirs to Cold War travelogues, this book explores and interrogates a peculiar fascination with Yugoslavia in mid-twentieth-century British and Irish literature and culture. Exploring representations of Yugoslavia in print, over the airwaves and on screen, it examines how and why many of the key British and Irish writers of the era became drawn into military and political debates around the fate of the country. The cast of characters is extensive and colourful, and includes Rebecca West, author of the colossal modernist travelogue Black Lamb and Grey Falcon (1941), the broadcaster and dramatist Denis Johnston, the poet and radio dramatist Louis MacNeice, novelists Lawrence Durrell and Anthony Powell, the historian E. P. Thompson, essayist Hubert Butler, special operations agent turned Conservative MP Fitzroy Maclean, and the Labour politicians Nye Bevan and Barbara Castle. Projections of other countries reveal much about culture and politics closer to home: by tracing the various roles played by this now-extinct Balkan state in the cultural imaginations of the declining imperial metropole and its former colony, this new cultural history illuminates forgotten lines of transmission between north-west and south-east Europe. Drawing on extensive archival research, Imagining Yugoslavia in Mid-Century British and Irish Writing is the first dedicated study of British and Irish cultural engagement with Yugoslavia in this period and makes a serious contribution to the cultural and intellectual history of the Second World War and Cold War.

During the Second World War, Britain was both strategically and imaginatively invested in Yugoslavia. The Balkan state was celebrated and idealized in home front propaganda as a site of resistance, a locus of spirituality, and then as a brave communist experiment containing the promise of utopia. After the war, many hailed Tito's Yugoslavia as an exceptional socialist society steering a course between the extremes of western free-market capitalism and Soviet repression, while others cursed the regime as totalitarian, or mourned the loss of a picturesque Ruritanian kingdom to a communist regime. From the BBC to Ealing Studios, from special operations memoirs to Cold War travelogues, this book explores and interrogates a peculiar fascination with Yugoslavia in mid-twentieth-century British and Irish literature and culture. Exploring representations of Yugoslavia in print, over the airwaves and on screen, it examines how and why many of the key British and Irish writers of the era became drawn into military and political debates around the fate of the country. The cast of characters is extensive and colourful, and includes Rebecca West, author of the colossal modernist travelogue Black Lamb and Grey Falcon (1941), the broadcaster and dramatist Denis Johnston, the poet and radio dramatist Louis MacNeice, novelists Lawrence Durrell and Anthony Powell, the historian E. P. Thompson, essayist Hubert Butler, special operations agent turned Conservative MP Fitzroy Maclean, and the Labour politicians Nye Bevan and Barbara Castle. Projections of other countries reveal much about culture and politics closer to home: by tracing the various roles played by this now-extinct Balkan state in the cultural imaginations of the declining imperial metropole and its former colony, this new cultural history illuminates forgotten lines of transmission between north-west and south-east Europe. Drawing on extensive archival research, Imagining Yugoslavia in Mid-Century British and Irish Writing is the first dedicated study of British and Irish cultural engagement with Yugoslavia in this period and makes a serious contribution to the cultural and intellectual history of the Second World War and Cold War.

During the Second World War, Britain was both strategically and imaginatively invested in Yugoslavia. The Balkan state was celebrated and idealized in home front propaganda as a site of resistance, a locus of spirituality, and then as a brave communist experiment containing the promise of utopia. After the war, many hailed Tito's Yugoslavia as an exceptional socialist society steering a course between the extremes of western free-market capitalism and Soviet repression, while others cursed the regime as totalitarian, or mourned the loss of a picturesque Ruritanian kingdom to a communist regime. From the BBC to Ealing Studios, from special operations memoirs to Cold War travelogues, this book explores and interrogates a peculiar fascination with Yugoslavia in mid-twentieth-century British and Irish literature and culture. Exploring representations of Yugoslavia in print, over the airwaves and on screen, it examines how and why many of the key British and Irish writers of the era became drawn into military and political debates around the fate of the country. The cast of characters is extensive and colourful, and includes Rebecca West, author of the colossal modernist travelogue Black Lamb and Grey Falcon (1941), the broadcaster and dramatist Denis Johnston, the poet and radio dramatist Louis MacNeice, novelists Lawrence Durrell and Anthony Powell, the historian E. P. Thompson, essayist Hubert Butler, special operations agent turned Conservative MP Fitzroy Maclean, and the Labour politicians Nye Bevan and Barbara Castle. Projections of other countries reveal much about culture and politics closer to home: by tracing the various roles played by this now-extinct Balkan state in the cultural imaginations of the declining imperial metropole and its former colony, this new cultural history illuminates forgotten lines of transmission between north-west and south-east Europe. Drawing on extensive archival research, Imagining Yugoslavia in Mid-Century British and Irish Writing is the first dedicated study of British and Irish cultural engagement with Yugoslavia in this period and makes a serious contribution to the cultural and intellectual history of the Second World War and Cold War.

This book offers the first sustained analysis of the interactions between British writers, propaganda and culture from the Second World War to the Cold War. It traces the involvement of a series of major cultural figures in domestic and international propaganda campaigns and throws new light on the global deployment of British propaganda and cultural diplomacy in colonial and post-colonial theatres such as Cyprus, India and Sierra Leone.Chapters re-evaluate the propaganda work of prominent writers including Arthur Koestler and Dylan Thomas in the light of new archival research, study how organisations including the BBC, British Council and Ministry of Information engaged with new media forms, analyse cultural representations of propaganda service and investigate how British literature and culture was deployed and projected as a form of soft power across the globe.Featuring contributions from a variety of disciplines, including literary studies, visual culture, book history and radio history, this book brings together a constellation of established and emerging scholars to show the crucial role played in shaping and mediating the techniques and content of British information campaigns of the mid-twentieth century.

This book offers the first sustained analysis of the interactions between British writers, propaganda and culture from the Second World War to the Cold War. It traces the involvement of a series of major cultural figures in domestic and international propaganda campaigns and throws new light on the global deployment of British propaganda and cultural diplomacy in colonial and post-colonial theatres such as Cyprus, India and Sierra Leone.Chapters re-evaluate the propaganda work of prominent writers including Arthur Koestler and Dylan Thomas in the light of new archival research, study how organisations including the BBC, British Council and Ministry of Information engaged with new media forms, analyse cultural representations of propaganda service and investigate how British literature and culture was deployed and projected as a form of soft power across the globe.Featuring contributions from a variety of disciplines, including literary studies, visual culture, book history and radio history, this book brings together a constellation of established and emerging scholars to show the crucial role played in shaping and mediating the techniques and content of British information campaigns of the mid-twentieth century.

This book offers the first sustained analysis of the interactions between British writers, propaganda and culture from the Second World War to the Cold War. It traces the involvement of a series of major cultural figures in domestic and international propaganda campaigns and throws new light on the global deployment of British propaganda and cultural diplomacy in colonial and post-colonial theatres such as Cyprus, India and Sierra Leone.Chapters re-evaluate the propaganda work of prominent writers including Arthur Koestler and Dylan Thomas in the light of new archival research, study how organisations including the BBC, British Council and Ministry of Information engaged with new media forms, analyse cultural representations of propaganda service and investigate how British literature and culture was deployed and projected as a form of soft power across the globe.Featuring contributions from a variety of disciplines, including literary studies, visual culture, book history and radio history, this book brings together a constellation of established and emerging scholars to show the crucial role played in shaping and mediating the techniques and content of British information campaigns of the mid-twentieth century.

This book offers the first sustained analysis of the interactions between British writers, propaganda and culture from the Second World War to the Cold War. It traces the involvement of a series of major cultural figures in domestic and international propaganda campaigns and throws new light on the global deployment of British propaganda and cultural diplomacy in colonial and post-colonial theatres such as Cyprus, India and Sierra Leone.Chapters re-evaluate the propaganda work of prominent writers including Arthur Koestler and Dylan Thomas in the light of new archival research, study how organisations including the BBC, British Council and Ministry of Information engaged with new media forms, analyse cultural representations of propaganda service and investigate how British literature and culture was deployed and projected as a form of soft power across the globe.Featuring contributions from a variety of disciplines, including literary studies, visual culture, book history and radio history, this book brings together a constellation of established and emerging scholars to show the crucial role played in shaping and mediating the techniques and content of British information campaigns of the mid-twentieth century.