H. R. Giger - Böcker

The deluxe hardback edition of H. R. Giger’s illustrated work that went into designing the iconic Xenomorph for the film Alien, featuring remastered images from the Giger Museum archives and a foreword from Timothy Leary.Originally published in 1979, Giger's Alien is the ultimate illustrated diary on Giger's involvement in the making of the movie Alien and its titular monster, the Xenomorph.The classic status of Alien, the movie, is in large part due to Academy-Award winning artist and designer H. R. Giger. This book provides a complete illustrated record of the months of painstaking work that went into designing the most frightening movie monster of them all.This perennial bestseller takes the form of a high-quality illustrated diary, featuring sketches, original paintings, on-set photographs and stills from the finished movie; this is an exquisite blend of words and pictures. A must-buy for fans of H.R. Giger, Alien and science fiction films in general.

H. R. Giger, Oscar-winning designer of the hit movie Alien and widely considered the world’s finest dark fantasy artist, redefined edgy, contemporary art starting in the 1980s with his biomorphic creatures inhabiting gorgeously grim dystopias. His visionary art is unmistakable. Unfettered by labels or category, Giger’s work has appeared in every conceivable format — from set design to sculpture, paintings to airbrush, book covers to album covers. This massive, oversized volume, limited to just 300 copies worldwide, showcases 200 of Giger's paintings and sculptures, including design paintings for Emerson, Lake and Palmer albums, and the film Poltergeist II. The book is bound in black leather, with a black cloth slipcase — all embossed in gold foil. It includes a signed and numbered print of one of Giger’s drawings, which can be removed and framed. The foreword by longtime Giger fan Harlan Ellison, who calls him “our latter-day Hieronymus Bosch,” adds welcome context and insight.

Swiss artist HR Giger (1940–2014) is most famous for his creation of the space monster in Ridley Scott’s 1979 horror sci-fi film Alien, which earned him an Oscar. In retrospect, this was just one of the most popular expressions of Giger’s biomechanical arsenal of creatures, which consistently merged hybrids of human and machine into images of haunting power and dark psychedelia.The visions drew on demons of the past, harking back as far as Giger’s earliest childhood fears as well as evoking mythologies for the future. Above all, they gave expression to the collective fears and fantasies of his age: fear of the atom, of pollution and wasted resources, and of a future in which our bodies depend on machines for survival.From surrealist dream landscapes created with a spray gun and stencils to album cover designs, from guillotine-like sculptures to self-designed bars, Giger personally guides us through his multi-faceted universe in this definitive introduction to a master of horror. Detailed reproductions and designs and a foreword by Timothy Leary complement Giger’s intimate autobiographical texts.