Hamish Bowles – författare

Featuring thirty years of acclaimed interiors, paired with thoughtful advice and packaged with a real cloth case and mixed paper stocks, A Point of View is a rich album of Grenney s decorating work, from London townhouses to Long Island estates, with multiple images per page. Organized by room, these chapters feature Grenney s room-by-room decorating philosophy for entrances, living rooms, dining rooms, bedrooms, and kitchens, and explore thematic topics such as Englishness and composition and balance. Grenney also shares his own story, from his early years on the 70s London design scene to starting his own firm, from his first flat in London to his renovation of David Hicks former house, the Temple, to his new holiday house in Tangier. There is also a chapter on the iconic designers who have inspired him. Whether it s a country house or an urbane apartment, Grenney s world is one of settled calm and welcoming comfort, where there are always generous fireplaces to sit in front of, billiard rooms and stone-flagged passages, and utility rooms where boots and coats are stored; grandeur and modesty side by side. This book is a must for Anglophiles and design lovers.

This intoxicating and visually rich volume with texts by experts from India, Europe, and North America is published to accompany a major exhibition that celebrates the long historical contributions that Indian dress, textiles, and embroidery have had on Western fashion. From the introduction of chintz dressmaking fabrics in the eighteenth century to the early nineteenth-century vogue for light Indian fabrics, paisleys, and chikan embroideries to larger realities of empire and cultural appropriation, this volume features paintings, fashion magazine editorials, and portraits of influential people who championed Indian style throughout history. Traditional hues of brilliant royal blue, marigold, and fuchsia; intricate ikat and calico patterns; and sumptuous textiles enliven every page. Archival and contemporary fashion stories include kaleidoscopic images by photographers such as Henry Clarke in Udaipur in 1967, Arthur Elgort in Jaipur in 1999, and Mikael Jansson in Goa with Indian actress Lakshmi Menon in 2011. Traditional Indian embroidery techniques; design motifs; and dress forms such as saris, jodhpurs, and turbans are reimagined by renowned designers Paul Poiret, Elsa Schiaparelli, Pierre Balmain, Zandra Rhodes, Halston, Yves Saint Laurent, Oscar de la Renta, Gianni Versace, Jean Paul Gaultier, and Alexander McQueen, in addition to a wealth of contemporary Indian designers.

Introducing Hamish Bowles Yves Saint Laurent collection, this catalog is also the first to present work from three stages of the couturier s career: Dior, House of Yves Saint Laurent, and the SAINT LAURENT rive gauche line. Bowles was only nineteen when he acquired his first Yves Saint Laurent, a 1969 evening dress, found in a London thrift store. Organized chronologically, the book s 55 couture garments are newly photographed and accompanied by personal texts by Bowles, original sketches, archival editorial imagery, and more, gorgeously reproduced on multiple paper stocks. Accompanying a recent exhibition at the Yves Saint Laurent Museum in Marrakech, this volume is a testament to Saint Laurent s genius, his evolution through time, and his lasting influence. For students and collectors of Yves Saint Laurent, this monographic exhibition and catalog offer a rare opportunity to see previously unpublished material and new design details, drawn exclusively from a private collection instead of the runway. The included pieces were made for some of the most fashionable women of their time, including Betty Catroux, Nan Kempner, Lynn Wyatt, and Lily Safra.

An updated and expanded edition, covering the past five years of the Met Costume Institute’s exhibitions and galas through the lens of Vogue The Metropolitan Museum of Art Costume Institute’s annual fashion exhibition is the most prestigious of its kind, featuring subjects that both reflect the zeitgeist and contribute to its creation. Each exhibition—from 2005’s Chanel to 2011’s Alexander McQueen: Savage Beauty and 2012’s Schiaparelli and Prada: Impossible Conversations—creates a provocative and engaging narrative drawing hundreds of thousands of visitors. This updated edition includes material from 2015’s China: Through the Looking Glass, 2018’s Heavenly Bodies: Fashion and the Catholic Imagination (the most visited exhibition in the museum’s history), and 2019’s Camp: Notes on Fashion. The show’s opening-night gala, produced in collaboration with Vogue magazine, is regularly referred to as the party of the year, and draws a glamorous A-list crowd, drawing an unrivaled mix of Hollywood fashion. This updated edition of Vogue and the Metropolitan Museum of Art Costume Institute once again invites you into the stunning spectacle that comes when fashion and art meet at The Met.