Hamlin Garland – författare

Hamlin Garland, a Pulitzer Prize-winner and author of more than forty books, was a central figure in American literary life for half a century. He was intimately involved with many of the major literary, social, and artistic movements in American culture, and his extensive correspondence with the intellectual leaders of American culture was almost unparalleled in scope. This volume brings together a rich, representative sample of Garland's letters. They are addressed to an impressive roster of individuals: Samuel Clemens, William Dean Howells, Walt Whitman, Zona Gale, Theodore Roosevelt, Van Wyck Brooks, Howard Mumford Jones, Brander Matthews, Stephen Crane, George Washington Cable, and many others. The letters touch on an equally broad range of subjects, from the U.S. government's reprehensible treatment of Native Americans to environmental issues to the major literary figures and controversies of Garland's day.Frank, opinionated, and wide-ranging, Garland's letters provide a valuable and entertaining portrait of American cultural and intellectual life in the years between 1890 and 1940.

Boy Life on the Prairie was first published in 1899, some eighteen years before the appearance of Hamlin Garland's A Son of the Middle Border. The broad scope of the latter book, as B. R. McElderry, Jr., tells us in the introduction to this new edition of Boy Life, has overshadowed the "earlier and better book of reminiscence dealing specifically with Garland's boyhood experiences on an Iowa farm from 1869 to about 1881. When he wrote Boy Life on the Prairie Garland was much closer to the subject than he was in 1917, and he had the advantage of a more restricted aim: to tell directly and specifically what it was like to grow up in northeast Iowa in the years just after the Civil War. It may safely be said that no one else has given so clear and informative an account. When one considers other accounts of boyhood in nineteenth-century America—those of Aldrich, Clemens, Warner, and Howells, for example—one is impressed with the thoroughness and precision of Garland's book. Aside from Main-Travelled Roads, Boy Life, is probably the best single book that Garland ever wrote."The Bison Book edition is the first in more than fifty years to reproduce in full the 1899 text. It also includes an introduction addressed "To My Young Readers" and the "Author's Notes" which appeared in the 1926 edition published by Allyn & Bacon. The forty-seven line drawings and six full-page illustrations by E. W. Deming are reproduced from the 1899 edition. In his introduction, Dr. McElderry provides a thorough and interesting analysis of Boy Life and compares it with the sketches written in 1888 which were Garland's first attempt at reminiscence, as well as with A Son of the Middle Border.

This edition of Hamlin Garland's best novel—best both for historical reasons and intrinsically—-reprints Rose of Dutcher's Coolly in its original form. Partly in response to the attack on it when it appeared in 1895, Garland revised the novel in 1899, and this revision was used as the text of all later republications of Rose. As well as comparing the 1895 and 1899 editions, Donald Pizer's introduction places the novel in the context of Garland's career and in particular defines his attitude toward woman's sexuality as revealed in Rose—an attitude that was then considered radical and that lead to the attempted suppression of the book.

Main-Travelled Roads contains eleven stories in this expanded and revised 1922 edition of an undisputed American classic. "Under the Lion's Paw" shows an honest, hard-working farmer victimized by a greedy landlord. Equally powerful is the semi-autobiographical "Up the Coolly," concerning a successful son who returns from the East to find his mother and brother trapped on a poor farm, defeated in spite of their best efforts. "Mrs. Ripley's Trip" is a tender story of an elderly couple settled in their frugal country ways, with the wife determined to realize her dream of revisiting childhood scenes. Although Garland paints no pretty pictures, he offers exhilarating moments in the lives of these farm people and never ignores the strength of individual will. William Dean Howells's introduction to the 1922 edition has been retained.

Widely regarded as the best of Hamlin Garland's novels, Rose of Dutcher's Coolly tells the story of a country girl of precocious ability who is raised by her widower father on a small Wisconsin farm. She wants to be a poet and eventually attends the university, where her talent is encouraged. A carefully crafted defense of the New Woman, the first generation of women to achieve economic and social independence, Rose of Dutcher's Coolly deals with issues that are still with us—the nature of femininity, the problem of reconciling career and family, the meaning of "love," and the need for equal opportunity. Above all, it records a nineteenth-century man's vision of a world that still eludes us, one in which men and women are equal partners. This edition reprints the text of the 1895 printing and includes an introduction that places the novel in the historical context of the early feminist movement.

A Hopi child is torn from his parents and sent off to boarding school; white settlers encroach on the Cheyenne reservation, and the Cheyenne vow to fight to the death rather than give up their land; Howling Wolf witnesses the brutal murder of his brother and, when he protests, is in turn brutalized; after Sitting Bull's triumph over Custer's forces, he vows to fight to the death rather than submit to the white invaders. In these and other stories written from 1890–1905, Hamlin Garland sought to capture his vision of the spirit of the Native American Indian in transition. Based on ten years of visits to reservations in the American West, these stories are of interest for readers today in part because they illustrate a sincere and well-intentioned white reformer coming to understand a culture radically at odds with his own—and discovering in the process that his own culture is less "advanced" than he had supposed.

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