Hannah Andrews – författare

Undertaking a thorough and timely investigation of the relationship between television and cinema in Britain since 1990, Hannah Andrews explores the convergence between the two forms, at industrial, cultural and intermedial levels, and the ways in which the media have also been distinguished from one another through discourse and presentation.

Undertaking a thorough and timely investigation of the relationship between television and cinema in Britain since 1990, Hannah Andrews explores the convergence between the two forms, at industrial, cultural and intermedial levels, and the ways in which the media have also been distinguished from one another through discourse and presentation.

Undertaking a thorough and timely investigation of the relationship between television and cinema in Britain since 1990, Hannah Andrews explores the convergence between the two forms, at industrial, cultural and intermedial levels, and the ways in which the media have also been distinguished from one another through discourse and presentation.

TV and Caricature explores how the traditional art form of caricature is adapted for the medium of television. The book introduces the 'televisual caricature' a mediated, humorous impersonation of a public figure that exaggerates their persona, often with satirical intent.TV and Caricature examines the aesthetic, industrial and cultural dimensions of televisual caricature. It explores a range of programming in which it appears, including animation, sketch comedy, magazine programming and reality TV. It analyses televisual caricature's style and form, industrial contexts and cultural politics.It presents case studies, including televisual caricatures of Margaret Thatcher and Donald Trump, and the popular puppet sketch series Spitting Image. It confronts televisual caricature's troubling manifestations, including blackface performance in Fantasy Football League and Bo Selecta, reflecting on how these instances have been revisited in the context of the contemporary 'culture wars'.Combining theoretical analysis, practitioner interview, archival research and critical reading, this book illuminates caricature's surprising place in television history.

TV and Caricature explores how the traditional art form of caricature is adapted for the medium of television. The book introduces the ‘televisual caricature’— a mediated, humorous impersonation of a public figure that exaggerates their persona, often with satirical intent.TV and Caricature examines the aesthetic, industrial and cultural dimensions of televisual caricature. It explores a range of programming in which it appears, including animation, sketch comedy, magazine programming and reality TV. It analyses televisual caricature’s style and form, industrial contexts and cultural politics.It presents case studies, including televisual caricatures of Margaret Thatcher and Donald Trump, and the popular puppet sketch series Spitting Image. It confronts televisual caricature’s troubling manifestations, including blackface performance in Fantasy Football League and Bo Selecta, reflecting on how these instances have been revisited in the context of the contemporary ‘culture wars’.Combining theoretical analysis, practitioner interview, archival research and critical reading, this book illuminates caricature’s surprising place in television history.

“Biographical Television Drama breaks new ground as, to my knowledge, the first book-length exploration of the terms in which television engages in biographical storytelling. Backed by robust research in biography studies and British television history, Hannah Andrews deftly unravels the complexities behind the accessibility of biographical television drama. Her book tackles key questions head-on, notably rhetorics and style, narrative and performance and, innovatively, ethics, while also shedding light on the interconnections with other biographical screen forms through a rich corpus. This is an essential critical study that vindicates television drama’s unique place in the histories and practices of screen biography.”-Belén Vidal, Senior Lecturer in Film Studies at King’s College London and co-editor of The Biopic in Contemporary Film CultureThis book explores what happens when biography and television meet, in a novel fusionof the two fields of study. Andrews compares core concepts in biography and television studies such as intimacy, the presentation of the self and the uneasy relationship between fact and fiction. The book examines biographical drama’s generic hybridity, accounting for the influence of the film biopic, docudrama, melodrama and period drama. It discusses biographical television drama’s representation of real lives in terms of visual style, performance and self-reflexivity. Andrews also assesses how life stories are shaped for televisual narrative formats and analyses the adaptation process for the biographical drama. Finally, the book considers various kinds of reputation – of the broadcast institution, author, biographical subject – in relation to the ethics of televisual biography.

“Biographical Television Drama breaks new ground as, to my knowledge, the first book-length exploration of the terms in which television engages in biographical storytelling. Backed by robust research in biography studies and British television history, Hannah Andrews deftly unravels the complexities behind the accessibility of biographical television drama. Her book tackles key questions head-on, notably rhetorics and style, narrative and performance and, innovatively, ethics, while also shedding light on the interconnections with other biographical screen forms through a rich corpus. This is an essential critical study that vindicates television drama’s unique place in the histories and practices of screen biography.”

-Belén Vidal, Senior Lecturer in Film Studies at King’s College London and co-editor of The Biopic in Contemporary Film Culture

This book explores what happens when biography and television meet, in a novel fusionof the two fields of study. Andrews compares core concepts in biography and television studies such as intimacy, the presentation of the self and the uneasy relationship between fact and fiction. The book examines biographical drama’s generic hybridity, accounting for the influence of the film biopic, docudrama, melodrama and period drama. It discusses biographical television drama’s representation of real lives in terms of visual style, performance and self-reflexivity. Andrews also assesses how life stories are shaped for televisual narrative formats and analyses the adaptation process for the biographical drama. Finally, the book considers various kinds of reputation – of the broadcast institution, author, biographical subject – in relation to the ethics of televisual biography.