Hannah McCann – författare

This edited collection sees experts across a wide range of academic fields turn their attention to all things Taylor Swift. From looking at how being part of Swift’s fandom helps fans gain skills for other areas of their life, to Swift’s inspiration for drag persona Taylor Sheesh in the Philippines, to whether Swift’s lyrics suggest she endorses the use of public transport, this book covers it all.

This book contributes to the rising area of Swift Studies, with an introductory explanation of how biases in the academy regarding popular culture, pop music as a genre, and femininities, have traditionally worked against a focus on Swift. The collection is divided into five sections which cover: Swift fans (“Swifties”) and fandom; Swift in relation to gender, femininity, and feminism; the limits of Swift in terms of Whiteness and colonialism; queer engagements with Swift; and Swift’s impact on/relation to the music industry, cities, and communities.

The chapters in the collection do not necessarily look at Swift the individual person, but rather, Swift the phenomenon. This book will be useful for teachers and students across an array of disciplines including but not limited to Cultural Studies, Media and Communications, Sport Studies, History, Gender and Sexuality Studies, English and Literature, Law, Sociology, Indigenous Studies, Urban Planning, Geography, and Business Studies. This collection prioritises voices from the Asia-Pacific, offering an important contribution to Swift Studies. This book has something for everyone, from the Swift fan to the Swift skeptic.

This edited collection sees experts across a wide range of academic fields turn their attention to all things Taylor Swift. From looking at how being part of Swift’s fandom helps fans gain skills for other areas of their life, to Swift’s inspiration for drag persona Taylor Sheesh in the Philippines, to whether Swift’s lyrics suggest she endorses the use of public transport, this book covers it all.

This book contributes to the rising area of Swift Studies, with an introductory explanation of how biases in the academy regarding popular culture, pop music as a genre, and femininities, have traditionally worked against a focus on Swift. The collection is divided into five sections which cover: Swift fans (“Swifties”) and fandom; Swift in relation to gender, femininity, and feminism; the limits of Swift in terms of Whiteness and colonialism; queer engagements with Swift; and Swift’s impact on/relation to the music industry, cities, and communities.

The chapters in the collection do not necessarily look at Swift the individual person, but rather, Swift the phenomenon. This book will be useful for teachers and students across an array of disciplines including but not limited to Cultural Studies, Media and Communications, Sport Studies, History, Gender and Sexuality Studies, English and Literature, Law, Sociology, Indigenous Studies, Urban Planning, Geography, and Business Studies. This collection prioritises voices from the Asia-Pacific, offering an important contribution to Swift Studies. This book has something for everyone, from the Swift fan to the Swift skeptic.

Queering Femininity focuses on femininity as a style of gender presentation and asks how (and whether) it can be refigured as a creative and queer style of the body. Drawing on a range of feminist texts and interviews with self-identifying queer femmes from the LGBTQ community, Hannah McCann argues that the tendency to evaluate femininity as only either oppressive or empowering limits our understanding of its possibilities. She considers the dynamic aspects of feminine embodiment that cannot simply be understood in terms of gender normativity and negotiates a path between understanding both the attachments people hold to particular gender identities and styles, and recognising the punitive realities of dominant gender norms and expectations. Topics covered range from second wave feminist critiques of beauty culture, to the importance of hair in queer femme presentation.

This book offers students and researchers of Gender, Queer and Sexuality Studies a fresh new take on the often troubled relationship between feminism and femininity, a critical but generous reading that highlights the potential for an affirmative orientation that is not confined by the demands of identity politics.

Queering Femininity focuses on femininity as a style of gender presentation and asks how (and whether) it can be refigured as a creative and queer style of the body. Drawing on a range of feminist texts and interviews with self-identifying queer femmes from the LGBTQ community, Hannah McCann argues that the tendency to evaluate femininity as only either oppressive or empowering limits our understanding of its possibilities. She considers the dynamic aspects of feminine embodiment that cannot simply be understood in terms of gender normativity and negotiates a path between understanding both the attachments people hold to particular gender identities and styles, and recognising the punitive realities of dominant gender norms and expectations. Topics covered range from second wave feminist critiques of beauty culture, to the importance of hair in queer femme presentation.

This book offers students and researchers of Gender, Queer and Sexuality Studies a fresh new take on the often troubled relationship between feminism and femininity, a critical but generous reading that highlights the potential for an affirmative orientation that is not confined by the demands of identity politics.