“A bold, wise, magical, and authentic novel about youthful infatuation and its legacy. Hannah Pittard’s beautifully confident prose is sure to make readers look back on their own teenage years with fresh wonder.”—Vendela Vida, author of The Lovers

Already acclaimed for her short fiction—a McSweeney’s Amanda Davis Highwire Fiction Award winner whose work was selected by Salman Rushdie for inclusion in 2008 Best American Short Stories’ 100 Distinguished Stories—Hannah Pittard proves herself a master of long form fiction as well with her haunting, masterfully crafted debut novel, The Fates Will Find Their Way. A powerful and beautiful literary masterwork reminiscent of The Virgin Suicides, Pittard’s The Fates Will Find Their Way tells the unforgettable story of a teenaged girl gone missing, and the boys she grew up with who find themselves caught in the mysterious wake of her absence for the rest of their lives.

“A bold, wise, magical, and authentic novel about youthful infatuation and its legacy. Hannah Pittard’s beautifully confident prose is sure to make readers look back on their own teenage years with fresh wonder.”—Vendela Vida, author of The Lovers

Already acclaimed for her short fiction—a McSweeney’s Amanda Davis Highwire Fiction Award winner whose work was selected by Salman Rushdie for inclusion in 2008 Best American Short Stories’ 100 Distinguished Stories—Hannah Pittard proves herself a master of long form fiction as well with her haunting, masterfully crafted debut novel, The Fates Will Find Their Way. A powerful and beautiful literary masterwork reminiscent of The Virgin Suicides, Pittard’s The Fates Will Find Their Way tells the unforgettable story of a teenaged girl gone missing, and the boys she grew up with who find themselves caught in the mysterious wake of her absence for the rest of their lives.

“Hannah Pittard’s memoir is so exquisitely crafted — I loved it.”—Ann Napolitano, New York Times bestselling author of Hello Beautiful “I loved this book, which I read in two breathless sittings. An intimate, bold, exquisite exploration of marriage, friendship, rivalry, betrayal.”—Megan Abbott, New York Times bestselling author of The Turnout and Beware the WomanWe Are Too Many is an unexpectedly funny, unflinchingly honest, and genre-bending memoir about a marriage-ending affair between award-winning author Hannah Pittard''s husband and her captivating best friend. In this wryly humorous and innovative look at a marriage gone wrong, Hannah Pittard recalls a decade’s worth of unforgettable conversations, beginning with the one in which she discovers her husband has been having sex with her charismatic best friend, Trish. These time-jumping exchanges are fast-paced, intimate, and often jaw-dropping in their willingness to reveal the vulnerabilities inherent in any friendship or marriage. Blending fact and fiction, sometimes re-creating exchanges with extreme accuracy and sometimes diving headlong into pure speculation, Pittard takes stock not only of her own past and future but also of the larger, more universal experiences they connect with—from the depths of female rage to the heartbreaking ways we inevitably outgrow certain people.Clever and bold and radically honest to an unthinkable degree, We Are Too Many examines the ugly, unfiltered parts of the female experience, as well as the many (happier) possibilities in starting any life over after a major personal catastrophe.

"I loved this book, which I read in two breathless sittings. An intimate, bold, exquisite exploration of marriage, friendship, rivalry, betrayal." —Megan Abbott, New York Times bestselling author of The Turnout and Beware the Woman We Are Too Many is an unexpectedly funny, unflinchingly honest, and genre-bending memoir about a marriage-ending affair between award-winning author Hannah Pittard's husband and her captivating best friend. In this wryly humorous and innovative look at a marriage gone wrong, Hannah Pittard recalls a decade’s worth of unforgettable conversations, beginning with the one in which she discovers her husband has been having sex with her charismatic best friend, Trish. These time-jumping exchanges are fast-paced, intimate, and often jaw-dropping in their willingness to reveal the vulnerabilities inherent in any friendship or marriage. Blending fact and fiction, sometimes re-creating exchanges with extreme accuracy and sometimes diving headlong into pure speculation, Pittard takes stock not only of her own past and future but also of the larger, more universal experiences they connect with—from the depths of female rage to the heartbreaking ways we inevitably outgrow certain people. Clever and bold and radically honest to an unthinkable degree, Hannah Pittard's We Are Too Many examines the ugly, unfiltered parts of the female experience, as well as the many (happier) possibilities in starting any life over after a major personal catastrophe.

Recommended Summer Reading according to The New York Times, Elle, Zibby Owens, and the Minnesota Star Tribune"A dishy work of autofiction that everyone will be talking about."-The New York TimesA refreshingly irreverent novel about art, desire, domesticity, freedom, and the intricacies of the twenty-first-century female experience, from the acclaimed writer Hannah PittardA novelist learns that an unflattering version of herself will appear prominently-and soon-in her ex-husband's debut novel. For a week, her life continues largely unaffected by the news-she cooks, runs, teaches, entertains-but the morning after baking mac 'n' cheese from scratch for her nephew's sixth birthday, she wakes up changed. The contentment she's long enjoyed is gone. In its place: nothing. A remarkably ridiculous midlife crisis ensues, featuring a talking cat and a game called Dead Body.Steeped in the strangeness of contemporary life and suggestive of expansive metaphoric possibilities, If You Love It, Let It Kill You is a deeply nuanced and disturbingly funny examination of memory, ownership, and artistic expression.

A Lit Hub Most Anticipated Book of the YearA refreshingly irreverent novel about art, desire, domesticity, freedom, and the intricacies of the twenty-first-century female experience, by the acclaimed writer Hannah PittardDivorced and childless by choice, Hana P. has built a cozy life in Lexington, Kentucky, teaching at the university, living with her boyfriend (a fellow academic) and helping raise his pre-teen daughter. Her sister’s sprawling family lives just across the street, and their long-divorced, deeply complicated parents have also recently moved to town.One day, Hana learns that an unflattering version of herself will appear prominently—and soon—in her ex-husband’s debut novel. For a week, her life continues largely unaffected by the news—she cooks, runs, teaches, entertains—but the morning after baking mac ’n’ cheese from scratch for her nephew’s sixth birthday, she wakes up changed. The contentment she’s long enjoyed is gone. In its place: nothing. A remarkably ridiculous midlife crisis ensues, featuring a talking cat, a visit to the dean’s office, a shadowy figure from the past, a Greek chorus of indignant students whose primary complaints concern Hana’s autofictional narrative, and a game called Dead Body.Steeped in the subtleties and strangeness of contemporary life, If You Love It, Let It Kill You is a deeply nuanced and disturbingly funny examination of memory, ownership, and artistic expression for readers of Miranda July’s All Fours and Sigrid Nunez’s The Friend.

A Lit Hub Most Anticipated Book of the YearA refreshingly irreverent novel about art, desire, domesticity, freedom, and the intricacies of the twenty-first-century female experience, by the acclaimed writer Hannah PittardDivorced and childless by choice, Hana P. has built a cozy life in Lexington, Kentucky, teaching at the university, living with her boyfriend (a fellow academic) and helping raise his pre-teen daughter. Her sister’s sprawling family lives just across the street, and their long-divorced, deeply complicated parents have also recently moved to town.One day, Hana learns that an unflattering version of herself will appear prominently—and soon—in her ex-husband’s debut novel. For a week, her life continues largely unaffected by the news—she cooks, runs, teaches, entertains—but the morning after baking mac ’n’ cheese from scratch for her nephew’s sixth birthday, she wakes up changed. The contentment she’s long enjoyed is gone. In its place: nothing. A remarkably ridiculous midlife crisis ensues, featuring a talking cat, a visit to the dean’s office, a shadowy figure from the past, a Greek chorus of indignant students whose primary complaints concern Hana’s autofictional narrative, and a game called Dead Body.Steeped in the subtleties and strangeness of contemporary life, If You Love It, Let It Kill You is a deeply nuanced and disturbingly funny examination of memory, ownership, and artistic expression for readers of Miranda July’s All Fours and Sigrid Nunez’s The Friend.

“A bold, wise, magical, and authentic novel about youthful infatuation and its legacy. Hannah Pittard’s beautifully confident prose is sure to make readers look back on their own teenage years with fresh wonder.”—Vendela Vida, author of The Lovers

Already acclaimed for her short fiction—a McSweeney’s Amanda Davis Highwire Fiction Award winner whose work was selected by Salman Rushdie for inclusion in 2008 Best American Short Stories’ 100 Distinguished Stories—Hannah Pittard proves herself a master of long form fiction as well with her haunting, masterfully crafted debut novel, The Fates Will Find Their Way. A powerful and beautiful literary masterwork reminiscent of The Virgin Suicides, Pittard’s The Fates Will Find Their Way tells the unforgettable story of a teenaged girl gone missing, and the boys she grew up with who find themselves caught in the mysterious wake of her absence for the rest of their lives.

“A bold, wise, magical, and authentic novel about youthful infatuation and its legacy. Hannah Pittard’s beautifully confident prose is sure to make readers look back on their own teenage years with fresh wonder.”—Vendela Vida, author of The Lovers

Already acclaimed for her short fiction—a McSweeney’s Amanda Davis Highwire Fiction Award winner whose work was selected by Salman Rushdie for inclusion in 2008 Best American Short Stories’ 100 Distinguished Stories—Hannah Pittard proves herself a master of long form fiction as well with her haunting, masterfully crafted debut novel, The Fates Will Find Their Way. A powerful and beautiful literary masterwork reminiscent of The Virgin Suicides, Pittard’s The Fates Will Find Their Way tells the unforgettable story of a teenaged girl gone missing, and the boys she grew up with who find themselves caught in the mysterious wake of her absence for the rest of their lives.

“Hannah Pittard’s memoir is so exquisitely crafted — I loved it.”—Ann Napolitano, New York Times bestselling author of Hello Beautiful “I loved this book, which I read in two breathless sittings. An intimate, bold, exquisite exploration of marriage, friendship, rivalry, betrayal.”—Megan Abbott, New York Times bestselling author of The Turnout and Beware the WomanWe Are Too Many is an unexpectedly funny, unflinchingly honest, and genre-bending memoir about a marriage-ending affair between award-winning author Hannah Pittard''s husband and her captivating best friend. In this wryly humorous and innovative look at a marriage gone wrong, Hannah Pittard recalls a decade’s worth of unforgettable conversations, beginning with the one in which she discovers her husband has been having sex with her charismatic best friend, Trish. These time-jumping exchanges are fast-paced, intimate, and often jaw-dropping in their willingness to reveal the vulnerabilities inherent in any friendship or marriage. Blending fact and fiction, sometimes re-creating exchanges with extreme accuracy and sometimes diving headlong into pure speculation, Pittard takes stock not only of her own past and future but also of the larger, more universal experiences they connect with—from the depths of female rage to the heartbreaking ways we inevitably outgrow certain people.Clever and bold and radically honest to an unthinkable degree, We Are Too Many examines the ugly, unfiltered parts of the female experience, as well as the many (happier) possibilities in starting any life over after a major personal catastrophe.

"I loved this book, which I read in two breathless sittings. An intimate, bold, exquisite exploration of marriage, friendship, rivalry, betrayal." —Megan Abbott, New York Times bestselling author of The Turnout and Beware the Woman We Are Too Many is an unexpectedly funny, unflinchingly honest, and genre-bending memoir about a marriage-ending affair between award-winning author Hannah Pittard's husband and her captivating best friend. In this wryly humorous and innovative look at a marriage gone wrong, Hannah Pittard recalls a decade’s worth of unforgettable conversations, beginning with the one in which she discovers her husband has been having sex with her charismatic best friend, Trish. These time-jumping exchanges are fast-paced, intimate, and often jaw-dropping in their willingness to reveal the vulnerabilities inherent in any friendship or marriage. Blending fact and fiction, sometimes re-creating exchanges with extreme accuracy and sometimes diving headlong into pure speculation, Pittard takes stock not only of her own past and future but also of the larger, more universal experiences they connect with—from the depths of female rage to the heartbreaking ways we inevitably outgrow certain people. Clever and bold and radically honest to an unthinkable degree, Hannah Pittard's We Are Too Many examines the ugly, unfiltered parts of the female experience, as well as the many (happier) possibilities in starting any life over after a major personal catastrophe.

Recommended Summer Reading according to The New York Times, Elle, Zibby Owens, and the Minnesota Star Tribune"A dishy work of autofiction that everyone will be talking about."-The New York TimesA refreshingly irreverent novel about art, desire, domesticity, freedom, and the intricacies of the twenty-first-century female experience, from the acclaimed writer Hannah PittardA novelist learns that an unflattering version of herself will appear prominently-and soon-in her ex-husband's debut novel. For a week, her life continues largely unaffected by the news-she cooks, runs, teaches, entertains-but the morning after baking mac 'n' cheese from scratch for her nephew's sixth birthday, she wakes up changed. The contentment she's long enjoyed is gone. In its place: nothing. A remarkably ridiculous midlife crisis ensues, featuring a talking cat and a game called Dead Body.Steeped in the strangeness of contemporary life and suggestive of expansive metaphoric possibilities, If You Love It, Let It Kill You is a deeply nuanced and disturbingly funny examination of memory, ownership, and artistic expression.

A Lit Hub Most Anticipated Book of the YearA refreshingly irreverent novel about art, desire, domesticity, freedom, and the intricacies of the twenty-first-century female experience, by the acclaimed writer Hannah PittardDivorced and childless by choice, Hana P. has built a cozy life in Lexington, Kentucky, teaching at the university, living with her boyfriend (a fellow academic) and helping raise his pre-teen daughter. Her sister’s sprawling family lives just across the street, and their long-divorced, deeply complicated parents have also recently moved to town.One day, Hana learns that an unflattering version of herself will appear prominently—and soon—in her ex-husband’s debut novel. For a week, her life continues largely unaffected by the news—she cooks, runs, teaches, entertains—but the morning after baking mac ’n’ cheese from scratch for her nephew’s sixth birthday, she wakes up changed. The contentment she’s long enjoyed is gone. In its place: nothing. A remarkably ridiculous midlife crisis ensues, featuring a talking cat, a visit to the dean’s office, a shadowy figure from the past, a Greek chorus of indignant students whose primary complaints concern Hana’s autofictional narrative, and a game called Dead Body.Steeped in the subtleties and strangeness of contemporary life, If You Love It, Let It Kill You is a deeply nuanced and disturbingly funny examination of memory, ownership, and artistic expression for readers of Miranda July’s All Fours and Sigrid Nunez’s The Friend.

A Lit Hub Most Anticipated Book of the YearA refreshingly irreverent novel about art, desire, domesticity, freedom, and the intricacies of the twenty-first-century female experience, by the acclaimed writer Hannah PittardDivorced and childless by choice, Hana P. has built a cozy life in Lexington, Kentucky, teaching at the university, living with her boyfriend (a fellow academic) and helping raise his pre-teen daughter. Her sister’s sprawling family lives just across the street, and their long-divorced, deeply complicated parents have also recently moved to town.One day, Hana learns that an unflattering version of herself will appear prominently—and soon—in her ex-husband’s debut novel. For a week, her life continues largely unaffected by the news—she cooks, runs, teaches, entertains—but the morning after baking mac ’n’ cheese from scratch for her nephew’s sixth birthday, she wakes up changed. The contentment she’s long enjoyed is gone. In its place: nothing. A remarkably ridiculous midlife crisis ensues, featuring a talking cat, a visit to the dean’s office, a shadowy figure from the past, a Greek chorus of indignant students whose primary complaints concern Hana’s autofictional narrative, and a game called Dead Body.Steeped in the subtleties and strangeness of contemporary life, If You Love It, Let It Kill You is a deeply nuanced and disturbingly funny examination of memory, ownership, and artistic expression for readers of Miranda July’s All Fours and Sigrid Nunez’s The Friend.