Hans H. Rudnick – författare
Visar alla böcker från författaren Hans H. Rudnick. Handla med fri frakt och snabb leverans.
5 produkter
Ingardeniana II
New Studies in the Philosophy of Roman Ingarden With a New International Ingarden Bibliography
Inbunden, 1990
1637 kr
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This Ingardenia volume is the second in the Analecta Husserliana series that is entirely devoted to the phenomenology of Roman Ingarden. The first was volume IV (1976). Twenty years after Ingarden's death, this volume demonstrates that the Polish phenomenologist's contribution to philosophy and …
Ingardeniana II
New Studies in the Philosophy of Roman Ingarden With a New International Ingarden Bibliography
E-bok, 2012
2312 kr
Lägg i varukorg
This Ingardenia volume is the second in the Analecta Husserliana series that is entirely devoted to the phenomenology of Roman Ingarden. The first was volume IV (1976). Twenty years after Ingarden''s death, this volume demonstrates that the Polish phenomenologist''s contribution to philosophy and …
Ingardeniana II
New Studies in the Philosophy of Roman Ingarden With a New International Ingarden Bibliography
Häftad, 2011
1793 kr
Lägg i varukorg
This Ingardenia volume is the second in the Analecta Husserliana series that is entirely devoted to the phenomenology of Roman Ingarden. The first was volume IV (1976). Twenty years after Ingarden's death, this volume demonstrates that the Polish phenomenologist's contribution to philosophy and …
Heidegger on Truth and Myth
A Rejection of Postmodernism
Av Haim Gordon, Rivca Gordon m. fl.
Inbunden, 2006
671 kr
Tillfälligt slut
Truth and myth are predominant themes in Martin Heidegger’s thinking. Heidegger showed that ancient Greek understanding of truth as aletheia («unconcealment») can teach us about learning from the wisdom that is found in myths and can also enhance human existence. This book describes some of …
Parody
The Art That Plays with Art
Av Robert Chambers, Hans H. Rudnick
Inbunden, 2010
960 kr
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Parody: The Art That Plays with Art explodes the near-universal belief that parody is a copycat genre or that it consists of a collection of trivial and derivative forms. Parody is revealed as an über-technique, a principal source of innovation and invention in the arts. The technique is defined in …
