Hari Kunzru – författare

A sweeping, colourful adventure from the acclaimed author of White TearsDiscover Hari Kunzru's smash-hit debut novelThis is the extraordinary story of a child conceived in a wild monsoon night, a boy destined to be an outsider, a man with many names and no name.Born into luxury but disinherited and cast out onto the streets of Agra, Pran Nath must become a chameleon. Chasing his fortune, he will travel from the red light district of Bombay to the green lawns of England to the unmapped African wilderness. He will play many different roles -- a young prize in a brothel, the adopted son of Scottish missionaries, the impeccably educated young Englishman headed for Oxford -- in order to find the role that will finally fit.Daring and riotously inventive, The Impressionist is an odyssey of self-discovery: a tale of the many lives one man can live and of the universal search for true identity.

Hari Kunzru's Transmission is a witty novel about cyberspace, a Bollywood dancer and a world where everyone is connected.It's the twenty-first century, and everything and everyone is connected.Meet Arjun Mehta, an Indian cybergeek catapulted into California's spiralling hi-tech sector; Leela Zahir, beguiling Bollywood actress filming in the midge-infested Scottish wilds; and Guy Swift, hyped-up marketing exec lost in a blue-sky tomorrow of his own devising. Three dislocated individuals seeking nodes of connectivity - a place to fit in. Yet this is the twenty-first century, and their lives are about to become unexpectedly entangled as a virus spreads, and all their futures are rewired. But will it take them further from their dreams, or closer to their hearts?'An aphoristic joke, a neat turn of phrase; a joke that makes you laugh . . . there's nothing Kunzru couldn't manage in prose. Thoroughly engrossing' Literary Review'Funny, heartfelt and beautifully written, confirms Kunzru as one of the most talented writers of his generation' Image'Very enjoyable, I couldn't put it down. Funny and wry; it is deftly plotted; its characters intimately drawn. Blissful' Observer'Utterly affecting, a novel with devastating satirical bite' Financial TimesHari Kunzru is the author of the novels The Impressionist, Transmission, My Revolutions and Gods Without Men, and the story collection Noise. He lives in New York.

Gods Without Men is Hari Kunzru's epic novel of intertwined lives and a vast expanse of American desert.In the Californian desert . . .A four-year-old boy goes missing.A British rock star goes quietly mad.An alien-worshipping cult is born.An Iraqi teenager takes part in a war game.In a remote town, near a rock formation known as The Pinnacles, lives intertwine, stories echo, and the universal search for meaning and connection continues.'Kunzru's great American novel' Independent'Readers speak of it in hushed tones as conveying the secrets of the universe' Newsday'Extraordinary, smart, innovative, a revelation. Has the counterculture feel of a late-1960s US campus hit - something by Vonnegut or Pynchon or Wolfe. Genuinely interesting and exhilarating. Extremely enjoyable' Guardian'Astonishing, mind-blowing. One of the most original novels I've read in years' Counterpunch'One of the most socially observant and skilful novelists around. Consistently gripping and entertaining' Literary Review'A great sprawling narrative, as vast as the canvas on which it is written' Washington Post'Reverberates long after you finish reading it' New YorkerHari Kunzru is the author of the novels The Impressionist, Transmission, My Revolutions and Gods Without Men, and the story collection Noise. He lives in New York.

'A stunning, audacious new thriller... It will shock you, horrify you, unsettle you, and that's exactly the point. As brave as it is brutal, it lets nothing and nobody off the hook' NPR'A book that everyone should be reading right now' TIME New Yorkers Carter and Seth chop up old music to make it new again, ripping off black culture to line white pockets. They are young, hungry and talented. But one day they stumble on an old blues song - an undiscovered gem just waiting to be found - and land themselves in a heap of trouble.Seeking answers, Seth travels deep into the heart of the old South, accompanied by Carter's bewitching sister Leonie. But this is America, where ghosts lie uneasy in shallow graves and tugging one loose thread can unravel a bloody history of injustice. And the closer Seth gets to the haunting truth, the more he feels pursued . . .White Tears is a nail-biting ride through the terrifying spectre of America's past. It's about black lives and white privilege and the music that runs through the country's veins like blood.

From one of the sharpest voices in fiction today, a profound and enthralling novel about beauty, power, and capital's influence on art and those who devote their lives to creating it.'Blue Ruin is bracingly intelligent and often just plain beautiful. It’s a reminder that fiction, at its best, is a place to encounter new experiences and dwell in big ideas. Kunzru is known for ambitious novels that bring politics to rich, imaginative life; Blue Ruin shows him at the top of his game.' Sandra Newman, Guardian 'Book of the Day''I read everything Hari Kunzru writes, for my highest pleasure and my deepest sustenance.' Rachel Kushner'Genuinely thrilling...both a sharp dissection of the oily inner workings of the art world, and a compelling portrait of one man’s desperate attempt to escape complicity in the capitalist machine.' Financial TimesOnce Jay was tipped for greatness, a rising star of the London art scene. Now, he lives out of his car and earns money delivery groceries to the wealthy of upstate New York, while all around a terrible pandemic rages.  When Jay arrives at a house set in an enormous acreage of woodland, he is shocked to see somebody he thought forever lost to him. Standing on the porch is Alice, a lover from his art school days. Their relationship was tumultuous and destructive, ultimately ending when she left him for his best friend and fellow artist Rob. Alice and Rob have achieved the riches and success for which Jay once seemed destined. Ashamed and debilitated by the virus that has ravaged his body, Jay hopes she won't recognise him behind his dirty surgical mask. When she does, however, she invites him to recover on the property, setting in motion a reckoning decades in the making.  Gripping and brilliantly orchestrated, Blue Ruin moves back and forth through time to deliver an extraordinary portrait of an artist as he reunites with his past and confronts the world he once loved and left behind.'Kunzru's brilliance is his ability to fold vertiginous questions [...] into his storytelling. In its unnerving depiction of [...] uneasy relationships, Blue Ruin not only keeps pace with White Tears and Red Pill, but also confirms his status as a master choreographer of the present moment's creeping anxiety.' Literary Review“[Blue Ruin] promises to be harrowing and darkly funny. Kunzru has a knack for the nightmarish present, and few things feel more nightmarish than a forced confrontation with the past in the early stages of the pandemic.” Lit Hub, 'Most Anticipated Books of 2024'“Kunzru’s [Blue Ruin] is a triumph of beauty and a true ode to the artist.” Oprah Daily, 'Most Anticipated Books of 2024'“Kunzru takes on the excessive and rapacious tendencies of the art world in his dazzling latest . . . [Blue Ruin] is immensely satisfying.” Publishers Weekly“A lively, ever-intensifying story of race, immigration, work, and what it means to earn a living . . . [Blue Ruin is] a darkly ironic tale of two bubbles—an art world divorced from economic reality and a Covid era that segregated us from society . . . A dark, smart, provocative tale of the perils of art making.” Kirkus“Exquisite writing and keen insights into class tensions and creative dilemmas. Kunzru affirms that it’s always a good time to live an examined life, even during a pandemic.” Booklist

From one of the sharpest voices in fiction today, a profound and enthralling novel about beauty, power, and capital's influence on art and those who devote their lives to creating it.'Blue Ruin is bracingly intelligent and often just plain beautiful. It’s a reminder that fiction, at its best, is a place to encounter new experiences and dwell in big ideas. Kunzru is known for ambitious novels that bring politics to rich, imaginative life; Blue Ruin shows him at the top of his game.' Sandra Newman, Guardian 'Book of the Day''I read everything Hari Kunzru writes, for my highest pleasure and my deepest sustenance.' Rachel Kushner'Genuinely thrilling...both a sharp dissection of the oily inner workings of the art world, and a compelling portrait of one man’s desperate attempt to escape complicity in the capitalist machine.' Financial TimesOnce Jay was tipped for greatness, a rising star of the London art scene. Now, he lives out of his car and earns money delivery groceries to the wealthy of upstate New York, while all around a terrible pandemic rages.  When Jay arrives at a house set in an enormous acreage of woodland, he is shocked to see somebody he thought forever lost to him. Standing on the porch is Alice, a lover from his art school days. Their relationship was tumultuous and destructive, ultimately ending when she left him for his best friend and fellow artist Rob. Alice and Rob have achieved the riches and success for which Jay once seemed destined. Ashamed and debilitated by the virus that has ravaged his body, Jay hopes she won't recognise him behind his dirty surgical mask. When she does, however, she invites him to recover on the property, setting in motion a reckoning decades in the making.  Gripping and brilliantly orchestrated, Blue Ruin moves back and forth through time to deliver an extraordinary portrait of an artist as he reunites with his past and confronts the world he once loved and left behind.'Kunzru's brilliance is his ability to fold vertiginous questions [...] into his storytelling. In its unnerving depiction of [...] uneasy relationships, Blue Ruin not only keeps pace with White Tears and Red Pill, but also confirms his status as a master choreographer of the present moment's creeping anxiety.' Literary Review“[Blue Ruin] promises to be harrowing and darkly funny. Kunzru has a knack for the nightmarish present, and few things feel more nightmarish than a forced confrontation with the past in the early stages of the pandemic.” Lit Hub, 'Most Anticipated Books of 2024'“Kunzru’s [Blue Ruin] is a triumph of beauty and a true ode to the artist.” Oprah Daily, 'Most Anticipated Books of 2024'“Kunzru takes on the excessive and rapacious tendencies of the art world in his dazzling latest . . . [Blue Ruin] is immensely satisfying.” Publishers Weekly“A lively, ever-intensifying story of race, immigration, work, and what it means to earn a living . . . [Blue Ruin is] a darkly ironic tale of two bubbles—an art world divorced from economic reality and a Covid era that segregated us from society . . . A dark, smart, provocative tale of the perils of art making.” Kirkus“Exquisite writing and keen insights into class tensions and creative dilemmas. Kunzru affirms that it’s always a good time to live an examined life, even during a pandemic.” Booklist

From one of the sharpest voices in fiction today, a profound and enthralling novel about beauty, power, and capital's influence on art and those who devote their lives to creating it. Once, Jay was an artist. Shortly after graduating from his London art school, he was tipped for greatness, a promising career already taking shape before him. Now, undocumented in the United States, he lives out of his car and makes a living as an essential worker, delivering groceries in a wealthy area of upstate New York. The pandemic is still at its height--the greater public panicked in quarantine--and though he has returned to work, Jay hasn't recovered from the effects of a recent Covid case. When Jay arrives at a house set in an enormous acreage of woodland, he finds the last person he ever expected to see again: Alice, a former lover from his art school days. Their relationship was tumultuous and destructive, ultimately ending when she ghosted him and left for America with his best friend and fellow artist, Rob. In the twenty years since, their fortunes could not be more different: as Jay teeters on the edge of collapse, Alice and Rob have found prosperity in a life surrounded by beauty. Ashamed, Jay hopes she won't recognize him behind his dirty surgical mask; when she does, she invites him to recover on the property--where an erratic gallery owner and his girlfriend are isolating as well--setting a reckoning decades in the making into motion. Gripping and brilliantly orchestrated, Blue Ruin moves back and forth through time to deliver an extraordinary portrait of an artist as he reunites with his past and confronts the world he once loved and left behind.

When a Brooklyn writer leaves behind his young family to take up the offer of a three month residency at the Deuter Centre on the shore of Berlin’s Lake Wannsee, he arrives with romantic dreams of days devoted to total artistic absorption. However, The Deuter Centre turns out to be anything but the idyllic writerly retreat he imagines and, rather than study at the clinical and closely monitored desk assigned to him, he opts to spend much of the time holed up in his bedroom watching Blue Lives, an ultraviolent cop show with a bleak and merciless view of the world. One night, while at a glamourous party in the city, he meets Anton, the charismatic creator of Blue Lives, and they strike up a passionate and alcohol-fueled conversation about the pessimism at the show’s core. It is a conversation that marks the beginning of the writer’s obsession with Anton and leads him on a journey into the heart of moral darkness that threatens to destroy everything he holds most dear, including his own mind. Red Pill is a novel about the alt-right, online culture, creativity, sanity and history. It is the story of the 21st century, told through the prism of the centuries that preceded it, and it shows how the darkest chapters of our past have returned to haunt our present. More than anything, though, Red Pill is a story about love and how it can endure in a world where everything else seems to have lost all meaning.

‘The book I wish I’d written? Whatever Hari Kunzru is publishing next’ Aravind Adiga‘Astonishing, absorbing, terrifying. Immensely good.’ Philip Pullman'‘Red Pill stands as a final blast of sanity against this new, deranged reality. It is a literary masterpiece for a barbaric new world rapidly running out of room for literary masterpieces.’ The Spectator'[A] deeply intelligent and artfully constructed novel.' Financial TimesFrom the author of White Tears comes a breathtaking, state-of-the-world novel about one man’s struggle to defend his values and create a reality free from the shadows of the past.  ‘From now on when you see something, you’re seeing it because I want you to see it. When you think of something, it’ll be because I want you to think about it…’  And with those words, the obsession begins.  A writer has left his family in Brooklyn for a three month residency at the Deuter Centre in Berlin, hoping for undisturbed days devoted to artistic absorption.  When nothing goes according to plan, he finds himself holed up in his room watching Blue Lives, a violent cop show with a bleak and merciless worldview. One night at a party he meets Anton, the charismatic creator of the show, and strikes up a conversation.  It is a conversation that leads him on a journey into the heart of moral darkness. A conversation thatthreatens to destroy everything he holds most dear, including his own mind.  Red Pill is a novel about the alt-right, online culture, creativity, sanity and history. It tells the story of the 21st century through the prism of the centuries that preceded it, showing how the darkest chapters of our past haunt our present. More than anything, though, this is a novel about love and how it can endure in a world where everything else seems to have lost all meaning.    Praise for White Tears‘Exquisitely attuned’ Washington Post‘Electrifying, subversive and wildly original’ TheNew Yorker'A book that everyone should be reading right now' TIME Magazine‘Haunting, doom-drenched, genuinely and viscerally disturbing...’ The Independent