Harold Schechter – författare

Known for meticulously researched and brilliantly detailed accounts of horrific true crime legends, Harold Schechter takes readers inside the very heart and mind of true evil. As an infant, Earle Leonard Nelson possessed the power to unsettle his elders. As a child he was unnaturally obsessed with the Bible; before he reached puberty, he had an insatiable, aberrant sex drive. By his teens, even Earle's own family had reason to fear him. But no one in the bone-chilling winter of 1926 could have predicted his degeneracy would erupt into a sixteen-month frenzy of savage rape, barbaric murder, and unimaginable defilement - deeds that would become hallmarks of one of the most notorious fiends of the Twentieth century, whose blood-lust would not be equaled until the likes of Henry Lee Lucas, John Wayne Gacy, and Jeffrey Dahmer.

Superbly rendering the 1830s Baltimore of Edgar Allan Poe, this tale taps into the dark genius of the legendary author and follows a labyrinthine path into the heart of a most heinous crime.

Harold Schecter looks at the impossible tales and images of popular art - the space odysseys and extraterrestrial civilizations, the caped crusaders and men of steel, and monsters from the ocean floor. He finds close connections between religious myth and popular entertainment.

The news of shocking crimes and the books and movies they inspire have made serial killers a topic of both tabloid attention and serious study. Renowned true-crime expert Harold Schechter and co-author David Everitt uncover the methods behind the madness of this macabre yet compelling subject. Packed with hundreds of entries spanning the entire spectrum of serial murder, this vivid and comprehensive resource examines these horrific crimes - and their notorious killers - from every angle. From well-publicized facts to little-known details, these entries cover every dark chapter of serial murder and offer an unprecedented look at this gruesome phenomenon that continues to exert a firm grip on the nation's imagination.

The heinous bloodlust of Dr. H.H. Holmes is notorious -- but only Harold Schechter's Depraved tells the complete story of the killer whose evil acts of torture and murder flourished within miles of the Chicago World's Fair. "Destined to be a true crime classic" (Flint Journal, MI), this authoritative account chronicles the methods and madness of a monster who slipped easily into a bright, affluent Midwestern suburb, where no one suspected the dapper, charming Holmes -- who alternately posed as doctor, druggist, and inventor to snare his prey -- was the architect of a labyrinthine "Castle of Horrors." Holmes admitted to twenty-seven murders by the time his madhouse of trapdoors, asphyxiation devices, body chutes, and acid vats was exposed. The seminal profile of a homegrown madman in the era of Jack the Ripper, Depraved is also a mesmerizing tale of true detection long before the age of technological wizardry.

The shocking story of one of the most notorious female serial killers in American history from “an author who shows real mastery of the true crime genre” (NPR). In 1891, Jane Toppan, a proper New England matron, embarked on a profession as a private nurse. Selfless and good-natured, she worked for some of Boston’s most prominent families, but they had no idea what they were welcoming into their homes. Her dark past of tragedy, abuse, and mental illness was carefully hidden. No one who knew Jane as a nurse had any idea that she was morbidly obessed with autopsies, or that she conducted her own after-hours experiments on patients, deriving sexual satisfaction in their slow, agonizing deaths from poison. Self-schooled in the art of murder, Jane was just beginning her career as the most prolific domestic fiend of the nineteenth century.

A professor of American literature and culture, renowned for his true-crime writing, Harold Schechter's Outcry discovers that a killer's instincts never die.When reporter Paul Novak investigates a series of brutal murders, he didn't plan to pry into the legend of Ed Gein, the butcher of Plainfield, Wisconsin. But when local lore leads him to the ramshackle home of a bizarre young man and his mother, Paul realizes he's stumbled across Ed Gein's best kept secret

Historical fact and startling literary invention converge in this stunning novel by "America's principal chronicler of its greatest psychopathic killers" (The Boston Book Review). Praised by Caleb Carr for his "brilliantly detailed and above all riveting" true-crime writing, Harold Schechter brings his expertise to a marvelous work of fiction in the tradition of Carr's own The Alienist. Superbly rendering the 1830s Baltimore of Edgar Allan Poe, Schechter taps into the dark genius of that legendary author -- and follows a labyrinthine path into the heart of a most heinous crime.He is an aspiring writer, plagued by dreadful ruminations -- a man whose troubled nights are haunted by dreams of his angelic cousin Virginia. He is Edgar Allan Poe, a literary critic known for his uncompromising standards and scathing pen. His recently published attack on the autobiography of Colonel David Crockett, U.S. congressman and celebrated American hero, has brought the indignant frontiersman -- unexpected, uninvited -- to the chamber door of Poe's private sanctum. Neither man is prepared for where this fateful meeting will take them: on a quest for a killer through the city's highest and lowest streets and byways.In a modest boarding house, an elderly widow of sad circumstance has been found murdered by an unknown assailant. On the wall above her bed, scrawled in the victim's blood, is a single, cryptic word. But the meaning of the chilling clue is merely one piece in a complex puzzle that ensnares the writer and the politician in a twisted and deadly game. For the ghastly crimes, each more bizarre than the last, have only just begun.Combining the phantasmagoric voice of Poe's legendary tales with an historian's exactness, Harold Schechter hovers between fact and fiction, horror and passion, destiny and doom, while conjuring historical detail with uncanny precision. Published to coincide with the 150th anniversary of Poe's death, Nevermore is both a tour de force of narrative suspense and a dazzling secret history of one of American literature's unique and enduring figures.

The false teeth of a female serial killer from 1908, the cut-and-paste confession of the Black Dahlia killer, the newly cracked cipher of the Zodiac killer, the shotgun used in the Clutter family murders, which were made famous by Truman Capote's true crime classic In Cold Blood-these are more than simple artefacts that once belonged to notorious murderers. They are objets of fascination to the legion of true crime obsessives around the world. And not merely for fleeting dark thrills, but because they represent a way to better understand those who we typically label monsters in lieu of learning how they actually became one.In Murderabilia, veteran true crime writer Harold Schechter presents 100 murder-related artefacts spanning two centuries (1808-2014), with accompanying stories of various lengths. A visual and literary journey, it presents a history unlike any previously told in the true crime genre, one that speaks to the dark fascination of true crime fans while also presenting a larger historical timeline of how and why we continue to be captivated by the most sensational crimes and killers among us.

From true crime master Harold Schechter, author of Murderabilia, comes 50 States of Murder, a geographic telling of some of the most notorious but lesser-known murders for each US State.Filled with hundreds of entries organized by location, 50 States of Murder is both a lively and chilling work of storytelling and an authoritative survey of the homicidal history of the United States-perfect for any true-crime obsessive. Certain crimes are impossible to imagine happening anywhere but where they did: Could the Manson murders have gone down somewhere besides the 1960s sex-and-drug-fueled, occult-dabbling culture of Southern California? Would Truman Capote's In Cold Blood been as powerful if the Clutter family massacre happened anywhere besides the tightly knit world of Holcomb, Kansas? Or would the "Unabomber" Ted Kaczynski have been able to hole up in the woods evading notice for decades anywhere but in Montana? Discover each state's most memorable and notorious crimes through expert authorship and stunning visuals and interactive design.

The expert author of Murderabilia brings a fresh new approach to the irresistible subject of true crime with this statistic-based telling of some of the most notorious murders of all time. Veteran true crime master Harold Schechter presents hundreds of chilling tales of murder and mayhem told through the fascinating lens of numerology. Each story begins with a number or statistic, followed by a thrilling account of its relevance to a notorious crime or an aspect of forensic investigation, all starting with the number 1—marking the first murder in Colonial America—and reaching into the millions. Readers will learn why the number 215,000 finally put Al Capone into prison, or how the number 2915 played into the case of alleged JFK assassin Lee Harvey Oswald. How the infamous Dr. H. H. Holmes, the “Chicago Bluebeard,” was acutely aware of his 27-victim body count, or how the number 70 helps shed light on the criminal profiles of serial killers. With stunning and grisly photos throughout, Murder by the Numbers is a must-have for any true crime obsessive.

Harold Schechter, Amazon Charts bestselling author of Hell’s Princess, unearths a nearly forgotten true crime of obsession and revenge, and one of the first—and worst—mass murders in American history.In 1927, while the majority of the township of Bath, Michigan, was celebrating a new primary school—one of the most modern in the Midwest—Andrew P. Kehoe had other plans. The local farmer and school board treasurer was educated, respected, and an accommodating neighbor and friend. But behind his ordinary demeanor was a narcissistic sadist seething with rage, resentment, and paranoia. On May 18 he detonated a set of rigged explosives with the sole purpose of destroying the school and everyone in it. Thirty-eight children and six adults were murdered that morning, culminating in the deadliest school massacre in US history.Maniac is Harold Schechter’s gripping, definitive, exhaustively researched chronicle of a town forced to comprehend unprecedented carnage and the triggering of a “human time bomb” whose act of apocalyptic violence would foreshadow the terrors of the current age.

Bestselling true-crime master Harold Schechter explores the real-life headline-making psychos, serial murderers, thrill-hungry couples, and lady-killers who inspired a century of classic films.The necktie murders in Alfred Hitchcock’s Frenzy; Chicago’s Jazz Age crime of passion; the fatal hookup in Looking for Mr. Goodbar; the high school horrors committed by the costumed slasher in Scream. These and other cinematic crimes have become part of pop-culture history. And each found inspiration in true events that provided the raw material for our greatest blockbusters, indie art films, black comedies, Hollywood classics, and grindhouse horrors.So what’s the reality behind Psycho, Badlands, The Hills Have Eyes, A Place in the Sun, Arsenic and Old Lace, and Dirty Harry? How did such tabloid-ready killers as Bonnie and Clyde, body snatchers Burke and Hare, Texas sniper Charles Whitman Jr., nurse-slayer Richard Speck, and Leopold and Loeb exert their power on the public imagination and become the stuff of movie lore?In this collection of revelatory essays, true-crime historian Harold Schechter takes a fascinating trip down the crossroads of fact and fiction to reveal the sensational real-life stories that are more shocking, taboo, and fantastic than even the most imaginative screenwriter can dream up.

The variety of subjects is dazzling, from movie stars to bit players, from B-movies to Bollywood, from Clark Gable to Jean Cocteau. More than a hundred poets riff on their movie memories: Langston Hughes and John Updike on the theaters of their youth, Jack Kerouac and Robert Lowell on Harpo Marx, Sharon Olds on Marilyn Monroe, Louise Erdrich on John Wayne, May Swenson on the James Bond films, Terrance Hayes on early Black cinema, Maxine Kumin on Casablanca, and Richard Wilbur on The Prisoner of Zenda. Orson Welles, Leni Riefenstahl, and Ingmar Bergman share the spotlight with Shirley Temple, King Kong, and Carmen Miranda; Bonnie and Clyde and Ridley Scott with Roshomon, Hitchcock, and Bresson. In Picturehouse Poems, one of our oldest art forms pays loving homage to one of our newest—the thrilling art of cinema.