Hartley – författare

This book shows professional programmers and students in operating systems and concurrent programming classes how to utilize the Java programming language to write programs that use semaphores, monitors, message passing, remote procedure calls, and the rendezvous for thread synchronization and communication. A Java algorithm animation package is also described.

What was it like to be Charles Dickens? His letters are the nearest we can get to a Dickens autobiography: vivid close-up snapshots of a life lived at maximum intensity. This is the first selection to be made from the magisterial twelve-volume British Academy Pilgrim Edition of his letters. From over fourteen thousand, four hundred and fifty have been cherry-picked to give readers the best essence of 'the Sparkler of Albion'.Dickens was a man with ten times the energy of ordinary mortals. There seem to have been twice the number of hours in his day, and he threw himself into letter-writing as he did into everything else. This eagerly awaited selection takes us straight to the heart of his life, to show us Dickens at first hand. Here he is writing out of the heat of the moment: as a novelist, journalist, and magazine editor; as a social campaigner and traveller in Europe and America, and as friend, lover, husband, and father.Reading and writing letters punctuated the rhythms of Dickens's day. 'I walk about brimful of letters', he told a friend. He claimed to write 'at the least, a dozen a day'. Sometimes it was a chore but more often a pleasure: an outlet for high spirits, sparkling wit, and caustic commentary - always as seen through his highly individual and acutely observing eye.Whether you dip in or read straight through, this selection of his letters creates afresh the brilliance of being Dickens, and the sheer pleasure of being in his company.

Creative Industries is a daring collection of essays that charts the noisy revolution that is transforming the production, consumption, and understanding of culture in the all-wired era. It brings together seminal essays written across traditional and new media, industry sectors, and national contexts to demonstrate that content still drives a value-neutral, knowledge economy. Chronicles the way mass culture is produced, packaged and circulated in a technology-enabled and globalized worldDraws together, in one accessible volume, seminal essays written across traditional and new media, industry sectors, and national contextsExplores the subjects that have come to define the creative industries – including learning services, knowledge clusters, dot.coms, creative cities, networked incubators, the new media, and the shift from the "culture industries" to the "industries of culture"Features 31 essays by leading international scholars – covering the creative industries of several fields, including book publishing, TV production, urban development, and gamesIncludes substantial editorial introductions by the editor, making this a useful, engaging, and thought-provoking collection of the very best scholarship on modern creative culture.